Homer Iliad 2.76

A. T. Murray (Translator)

Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.

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Current edition Perseus

Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 2.76 focus
Translations (8)
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 2.80 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 2.76 focus
He then sat down, and Nestor the prince of sandy Pylos with all sincerity and goodwill addressed them thus: “My friends,” said he, “princes and councilors of the Argives, [80] if any other man of the Achaeans had told us of this dream we should have declared it false, and would have had nothing to do with it. But he has seen 82 who boasts to be by far the best [ aristos] of the Achaeans; we must therefore set about getting the people under arms.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 2.76 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 2.76 focus
He spoke, and sat; when Nestor rising said,
(Nestor, whom Pylos' sandy realms obey'd:)
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'Princes of Greece, your faithful ears incline,
'Nor doubt the vision of the powers divine;
'Sent by great Jove to him who rules the host,
'Forbid it heaven! this warning should be lost!
'Then let us haste, obey the god's alarms,
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'And join to rouse the sons of Greece to arms.'
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 2.76 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 2.76 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 2.76 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 2 focus

New Alexandria Commentaries

Gregory Nagy

The narrative of Rhapsody 2 now follows up on the dire consequences of the quarrel between Achilles and Agamemnon as narrated in Rhapsody 1. Achilles has already withdrawn from the war because of his anger. So, now that this greatest hero of the Achaeans is out of the picture, what will happen next? How will the absence of Achilles affect the story of the Trojan War? Many new doubts and fears set in, and the resolve of the Achaeans is harshly tested. There is negative talk, and there are omens. Thus the story of the Trojan War, as told and retold countless times in the distant past, must now be retold yet again, and Rhapsody 2 will set the terms for the retelling still to come. For setting the terms, Rhapsody 2 will need a new Catalogue of Ships, now happening in the tenth year of the war, as a replacement for any old Catalogue that would have logically happened already in the first year. This new Catalogue is of course not really new: rather, it is the oldest possible Catalogue that is now being renewed for the newest possible retelling of the Trojan War, reconsidered in the glaring light of the grim consequences facing the Achaeans now that Achilles has withdrawn from the war. With these consequences in view, the Catalogue will reassess all the Achaean heroes involved in the Trojan War. Of special interest will be the role of Protesilaos, who had been the first Achaean to die in the war, as a model for Achilles. As the Master Narrator notes most ruefully, Protesilaos is now terribly missed by his fellow warriors. So too will Achilles be missed.

draft js image errorOn the reverse side of the coin: Inscription: ΘΗΒΑΙΩΝ. Pictured: the Greek hero Protesilaos, the first Achaean to step on Trojan soil and, according to the myth, the first to die in the Trojan War. The myth is retold in Iliad 2.695–709.

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Countering the claim of Achilles to be the ‘best of the Achaeans’, Agamemnon here lays claim to the same title, and the verb for expressing such a claim is eukhesthai ‘claim’.

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This expression needs to be added to the cumulative evidence showing that a person who holds a skēptron ‘scepter’ speaks with the authority of a king—an authority emanating from Zeus.

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In this verse, I.02.094, the epithet Dios angelos ‘messenger of Zeus’ applies to the noun ossa ‘oracular voice’ as found in the previous verse, I.02.093.

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In the Homeric Iliad, the hero Pelops figures as an archetype of political power. The sequence of kings in the Peloponnesus is limited to the dynastic lineage starting with Pelops.

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Leonard Muellner

argument for the contextual unity of eukhesthai einai + comparative/superlative expressions regarding superiority in age on the one hand and prestige, physical prowess and physical beauty on the other (secular contexts)

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in a list of examples of eukhesthai einai + comparative/superlative (secular contexts)

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