Homer Iliad 19.37

A. T. Murray (Translator)

Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.

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Current edition Perseus

Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 19.37 focus
Translations (8)
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 19.1 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 19.37 focus
As she spoke she put strength and courage into his heart, and she then dropped ambrosia and red nectar into the wounds of Patroklos, that his body might suffer no change.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 19.37 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 19.37 focus
Then in the nostrils of the slain she pour'd
Nectareous drops, and rich ambrosia shower'd
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O'er all the corse: the flies forbid their prey,
Untouch'd it rests, and sacred from decay.
Achilles to the strand obedient went;
The shores resounded with the voice he sent.
The heroes heard, and all the naval train
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That tend the ships, or guide them o'er the main,
Alarm'd, transported, at the well-known sound,
Frequent and full, the great assembly crown'd;
Studious to see that terror of the plain,
Long lost to battle, shine in arms again.
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Tydides and Ulysses first appear,
Lame with their wounds, and leaning on the spear:
These on the sacred seats of council placed,
The king of men, Atrides, came the last:
He too sore wounded by Agenor's son.
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Achilles, (rising in the midst,) begun:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 19.37 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 19.37 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 19.37 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 19 focus

New Alexandria Commentaries

Gregory Nagy

The time has come for Achilles to re-enter the war against the Trojans. For this to happen, Agamemnon must first settle with Achilles. But the over-king feels the need to say more than simply to formulate his proposed terms of settlement. His aim is to excuse himself from responsibility for dishonoring Achilles, and the story that he tells in order to achieve this aim is a retelling of a cosmic atē ‘aberration’ that resulted in the Labors of Hēraklēs. Such a retelling, however, is destined to backfire: it will result in further damage to Agamemnon’s own royal status and in further advancement for the heroic prestige of Achilles, for whom Hēraklēs now becomes a perfect model.

draft js image errorHerakles at the tree of the Hesperides, holding three of the golden apples in his left hand. Behind him is the apple tree with the guardian serpent clinging around it. Bronze, 104.5cm (Roman, 1st century C.E.). Image via The British Museum.

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This reference made by Achilles to workers whose work it is to divide meat at feasts is relevant to the special links of this hero to the concept of dais ‘feast’ in its basic sense of ‘division (of meat)’.

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In contexts where the dual theraponte in combination with Arēos ‘of Ares’ is applied to the Achaeans=Danaans=Argives (here, to the pair of Diomedes and Odysseus) as a grouping of warriors, the deeper meaning is more evident than in other contexts.

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In this speech of Achilles, he himself refers to his mēnis ‘anger’ by way of the verb apomēniein at I.19.062 (ἀπομηνίσαντος). This anger has been the main theme of the Iliad ever since I.01.001, and Achilles now expresses regret over the many deaths that resulted for his Achaean companions. The speech of the hero here contains also other words that are relevant to mēnis: of special interest are meneainein ‘get angry’ at I.19.058 (μενεήναμεν) and mimnēskein ‘mentally connect, remind’ at I.19.064 (μνήσεσθαι). Both of these words convey a sense of mental reciprocity in the feelings of anger as experienced by both heroes. See the comments on I.01.207 and I.01.247. See also BA 73 and 312. In the present speech, Achilles goes so far as to regret that he and Agamemnon quarreled over Briseis. If only she had died, he says at I.19.059–060, on the day when he captured her after he conquered the city of Lyrnessos. But Achilles stops short of saying that he regrets having conquered Lyrnessos.

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In referring to Briseis here, the words of Achilles briefly retell the story about his conquest of Lyrnessos and his capture of Briseis. I refer here again to my three anchor comments about Aeolian women in the Iliad. See also anchor comment at I.02.689–694 on: Aeolian women in the Iliad, part 1; anchor comment at I.09.128–131 and at I.09.270–272 on: Aeolian women in the Iliad, part 2; and anchor comment at I.11.624–627 on: Aeolian women in the Iliad, part 3.

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Leonard Muellner

analysis of Agamemnon’s apology to Achilles in the context of the exchange process in I.19, where the compensation to Achilles is placed in the middle and thus is a distribution by the group, not a gift from Agamemnon, and here specifically Agamemnon’s remaining seated, not speaking in the middle

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analysis of Agamemnon’s apology to Achilles in the context of the exchange process in I.19, where the compensation to Achilles is placed in the middle and thus is a distribution by the group, not a gift from Agamemnon, and here specifically Agamemnon’s being last to arrive at the assembly

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analysis of Agamemnon’s apology to Achilles in the context of the exchange process in I.19, where the compensation to Achilles is placed in the middle and thus is a distribution by the group, not a gift from Agamemnon, and here, Achilles’ addressing Agamemnon in the second person although Agamemnon speaks of him in the third person in this scene

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analysis of mēnis as a tabu deformation and here specifically an example the relaxation of the speech tabu

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