Homer Iliad 18.428

A. T. Murray (Translator)

Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.

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Current edition Perseus

Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 18.428 focus
Translations (8)
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 18.388 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 18.428 focus
Thetis wept and answered, “Hephaistos, is there another goddess in Olympus [430] whom the son of Kronos has been pleased to try with so much affliction as he has me? Me alone of the marine goddesses did he make subject to a mortal husband, Peleus son of Aiakos, and sorely against my will did I submit to the embraces of one who was but mortal, [435] and who now stays at home worn out with age. Neither is this all. Heaven granted me a son, 437 the very best of heroes. And he shot up [ anedramen] equal [ īsos] to a seedling [ ernos]. 438 I nurtured him like a shoot in the choicest spot of the orchard, 439 only to send him off on curved ships to Troy, to fight Trojan men. [440] And I will never be welcoming him 441 back home as returning warrior, back to the House of Peleus. 442 And as long as he lives and sees the light of the sun, 443 he will have sorrow [ akh-nutai], and though I go to him I cannot help him. The maiden whom the sons of the Achaeans had awarded him, [445] powerful King Agamemnon has made him give her up, and he wastes with sorrow [ akhos] for her sake. Then the Trojans hemmed the Achaeans in at their ships’ sterns and would not let them come forth; the elders, therefore, of the Argives besought Achilles and offered him great treasure, [450] whereon he refused to bring deliverance to them himself, but put his own armor on Patroklos and sent him into the fight with many people after him. All day long they fought by the Scaean gates and would have taken the city there and then, [455] had not Apollo granted glory to Hector and slain the valiant son of Menoitios after he had done the Trojans much evil. Therefore I am suppliant at your knees if haply you may be pleased to provide my son, whose end is near at hand, with helmet and shield, with goodly greaves fitted with ankle-clasps, [460] and with a breastplate, for he lost his own when his true comrade fell at the hands of the Trojans, and he now lies stretched on earth in the bitterness of his spirit.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 18.428 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 18.428 focus
To whom the mournful mother thus replies:
500
(The crystal drops stood trembling in her eyes;)
‘Oh Vulcan! say, was ever breast divine
‘So pierc'd with sorrows, so o'erwhelm'd as mine?
‘Of all the goddesses, did Jove prepare
‘For Thetis only such a weight of care?
505
‘I, only I, of all the watery race,
‘By force subjected to a man's embrace,
‘Who, sinking now with age and sorrow, pays
‘The mighty fine impos'd on length of days.
‘Sprung from my bed, a godlike hero came,
510
‘The bravest sure that ever bore the name;
‘Like some fair plant, beneath my careful hand,
‘He grew, he flourish'd, and he grac'd the land:
‘To Troy I sent him; but his native shore
‘Never, ah never, shall receive him more!
515
‘E'en while he lives, he wastes with secret woe,
‘Nor I, a goddess, can retard the blow!
‘Robb'd of the prize the Grecian suffrage gave,
‘The king of nations forc'd his royal slave:
‘For this he griev'd; and, till the Greeks oppress'd
520
‘Requir'd his arm, he sorrow'd unredress'd.
‘Large gifts they promise, and their elders send;
‘In vain—he arms not, but permits his friend
‘His arms, his steeds, his forces, to employ;
‘He marches, combats, almost conquers Troy:
525
‘Then slain by Phoebus, (Hector had the name,)
‘At once resigns his armour, life, and fame.
‘But thou, in pity, by my prayer be won;
‘Grace with immortal arms this short-liv'd son,
‘And to the field in martial pomp restore,
530
‘To shine with glory, till he shines no more!’
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 18.428 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 18.428 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 18.428 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 18 focus

New Alexandria Commentaries

Gregory Nagy

The centerpiece of Iliad 18 is the shield of Achilles, envisioned as a work of art that defines the universe. The divine artisan Hephaistos makes this shield by way of metalwork, but Homeric poetry reconfigures the artistry of this metalwork by way of verbal art. And the artistry of Homeric poetry will now create or re-create a cosmos that is designed to contain the Iliad itself.

draft js image error“The Shield of Achilles.” Illustration originally published in The Penny Magazine of the Society for the Diffusion of Useful Knowledge, September 22, 1832.

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acc. loigon as occurring exclusively in combination with the verb amun-, in the context of analyzing the parallel diction used of the dire military situation resulting from Achilles’ mēnis and the plague resulting from Apollo’s mēnis, and the change from Achilles to Patroklos as the subject of the verb

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Leonard Muellner

comment on Thetis’ exceptionality as a goddess with kēdea, which normally distinguish men from gods

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comment on the relationship between ‘coming home’ and ‘escaping death’

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comment on Thetis’ description of Achilles here in the context of analyzing Achilles as the first victim of his mēnis

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comment on the nature of cross-reference in a tradition of performance, here the similarity of Thetis’ recounting to Hephaistos of the embassy to Achilles, which contains an expression otherwise found only in Phoenix’s description of the embassy to Meleagros

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analysis of these verses and the meaning of legal eukhesthai in comparison with the Linear B tablet PY Ep 704, and development of the legal and secular usages of eukhesthai (etymology of eukhesthai)

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in a list of passages exemplifying the complementary metrical distribution of eukhos and kudos

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