Homer Iliad 16.394

A. T. Murray (Translator)

Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 16.394 focus
Translations (8)
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 16.431 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 16.394 focus
Patroklos now cut off the battalions that were nearest to him [395] and drove them back to the ships. They were doing their best to reach the city, but he would not let them, and bore down on them between the river and the ships and wall. Many a fallen comrade did he then avenge. First he hit Pronoos with a spear [400] on the chest where it was exposed near the rim of his shield, and he fell heavily to the ground. Next he sprang on Thestor son of Enops, who was sitting all huddled up in his chariot, for he had lost his head and the reins had been torn out of his hands. Patroklos went up to him and drove a spear into his right jaw; [405] he thus hooked him by the teeth and the spear pulled him over the rim of his car, as one who sits at the end of some jutting rock and draws a strong fish out of the sea [ pontos] with a hook and a line—even so with his spear did he pull Thestor all gaping from his chariot; [410] he then threw him down on his face and he died while falling. Then, as Eurylaos was on to attack him, he struck him full on the head with a stone, and his brains were all battered inside his helmet, whereon he fell headlong to the ground and the pangs of death took hold upon him. [415] Then he laid low, one after the other, Erymas, Amphoteros, Epaltes, Tlepolemos, Ekhios son of Damastor, Pyris, Ipheus, Euippos and Polymelos son of Argeas.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 16.394 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 16.394 focus
Patroclus shakes his lance; but fate denies.
Not with less noise, with less impetuous force,
The tide of Trojans urge their desperate course,
465
Than when in autumn Jove his fury pours,
And earth is laden with incessant showers;
(When guilty mortals break th' eternal laws,
Or judges, brib'd, betray the righteous cause;)
From their deep beds he bids the rivers rise,
470
And opens all the floodgates of the skies:
Th' impetuous torrents from their hills obey,
Whole fields are drown'd, and mountains swept away;
Loud roars the deluge till it meets the main;
And trembling man sees all his labours vain.
475
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 16.394 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 16.394 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 16.394 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 16 focus

New Alexandria Commentaries

Douglas Frame

analysis of the parallelism between Nestor and Patroclus (as in Nestor’s second story), with regards to Patroclus’ failure to turn back from battle as Achilles commands and here specifically Patroclus’ state of mind (which mirrors Nestor’s)

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analysis of the parallelism between Nestor and Patroclus (as in Nestor’s second story), with regards to Patroclus’ failure to turn back from battle as Achilles commands and here specifically Patroclus’ state of mind (which mirrors Nestor’s)

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Gregory Nagy

It seems at first as if everything is coming together here in Iliad 16. Achilles, best of the Achaeans, sends out his other self, Patroklos, to fight Hector and his Trojans, who are now on the verge of setting on fire and destroying all the beached ships of the Achaeans. Patroklos does in fact succeed in stopping the fire, which had been endangering not only the survival of the Achaeans but even the very existence of their notional descendants, imagined as the Greeks who are listening to the story of the Iliad in their own time. The conflagration that could have burned down the beached ships of the Achaeans is now literally ‘quenched’ by Patroklos, whose heroic action in putting out the fire of the Trojans is compared in a simile to a cosmic action taken by Zeus himself when this weather-god drenches and thus destroys in a violent rainstorm the farmlands of unjust men. Clearly, Zeus is now once again on the Achaean side of the Trojan War. But the success of Patroklos is not to last: soon after he kills Sarpedon, son of Zeus himself, in the course of a spectacular chariot fight, Patroklos now gets killed in the course of a second spectacular chariot fight. This time, Patroklos has gone too far, daring to attack not only Hector but also the divine protector of that hero, Apollo himself. Now everything is about to come apart again, and Achilles has yet to find out about the tragedy that awaits him.

draft js image errorA chariot driver and a chariot fighter in a biga (two-horses chariot). Terracotta, Late Helladic IIIA–IIIB (ca. 1400–1200 BCE). Louvre Museum, CA 2959. Credit line: Purchase, 1934.  Image Marie-Lan Nguyen (User:Jastrow), 2009-06-28 [CC BY 2.5 (http://creativecommons.org/licenses/by/2.5)], via Wikimedia Commons.

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Hector and Ajax are struggling one-on-one with each other here: Hector is trying to set on fire the ship that Ajax is protecting from the fire. No clear outcome of the struggle is as yet visible.

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Leonard Muellner

analysis of eukhesthai in its concrete sense ‘say a prayer’ with the adverb megala, in the context of postulating ‘say (in a functionally marked context)’ as antecedent of ‘pray’ (eukhesthai in sacral contexts)

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