Homer Iliad 14.440

A. T. Murray (Translator)

Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 14.440 focus
Translations (8)
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 14.475 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 14.440 focus
When the Argives saw Hector leaving the field, they took heart and set upon the Trojans yet more furiously. Ajax, fleet son of Oïleus, began by springing on Satnios, son of Enops, and wounding him with his spear: a fair naiad nymph had borne him to Enops [445] as he was herding cattle by the banks of the river Satnioeis. The son of Oïleus came up to him and struck him in the flank so that he fell, and a fierce fight between Trojans and Danaans raged round his body. Polydamas son of Panthoos drew near to avenge him, [450] and wounded Prothoenor son of Areilykos on the right shoulder; the terrible spear went right through his shoulder, and he clutched the earth as he fell in the dust. Polydamas vaunted loudly over him saying, “Again I take it that the spear has not sped in vain from the strong hand of the son of Panthoos; [455] an Argive has caught it in his body, and it will serve him for a staff as he goes down into the house of Hādēs.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 14.440 focus
The Greeks saw Hector leave the field, and pressed
The foe more hotly, and bethought themselves
Of their old valor. Then the swift of foot,
545
Oïlean Ajax, darted to the van,
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 14.440 focus
Soon as the Greeks the chief's retreat beheld,
515
With double fury each invades the field.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 14.440 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 14.440 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 14.440 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 14 focus

New Alexandria Commentaries

Gregory Nagy

The momentum of the attacking Trojan warriors gets stalled here, since Hērā interrupts the ongoing Plan of Zeus. The goddess seduces the god, and the setting for their divine sexual encounter is the spectacular landscape of Mount Ida, which is the private abode of the thundering almighty. During the tryst of the god and the goddess, the Achaeans regain the upper hand in the fighting. But this new momentum is soon headed for a downturn. The divine interruption, despite all its cosmic sexual energy, becomes retrospectively a mere interlude in the narrative arc of the Iliad—once the tryst is over and the Plan of Zeus resumes its relentless course of action.

draft js image errorJuno and Jupiter. Detail from “Loves of the Gods,” fresco by Annibale Carracci (1560–1609). Annibale Carracci [Public domain], via Wikimedia Commons, https://commons.wikimedia.org/wiki/File:Carracci_-_Jupiter_et_Junon.jpeg.

source
Leonard Muellner

in a list of examples of formulas for introducing a speech by an eukhomenos warrior, which Paris’ name-epithet formulas do not fit (in the context of analyzing I.11.379)

source

analysis of the meaning of eukhesthai (formulas) in statements that the speaker has killed the warrior he stands over

source

in a list of secular eukhesthai indicating direct speech (concluding speech)

source