Homer Iliad 14.312

A. T. Murray (Translator)

Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.

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Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 14.312 focus
Translations (8)
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 14.296 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 14.312 focus
And Zeus said, “Hera, you can choose some other time for paying your visit to Okeanos—for the present let us devote ourselves to love and to the enjoyment of one another. [315] Never yet have I been so overpowered by passion neither for goddess nor mortal woman as I am at this moment for yourself—not even when I was in love with the wife of Ixion who bore me Peirithoos, peer of gods in counsel, nor yet with Danae, the daintily-ankled daughter of Acrisius, [320] who bore me the famed hero Perseus. Then there was the daughter of Phoenix, who bore me Minos and Rhadamanthus: there was Semele, and Alkmene in Thebes by whom I begot my lion-hearted son Hēraklēs, [325] while Semele became mother to Bacchus, the comforter of humankind. There was queen Demeter again, and lovely Leto, and yourself—but with none of these was I ever so much enamored as I now am with you.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 14.312 focus
The Cloud-compeller, Jupiter, rejoined: -
375
"Hereafter, Juno, there will be a time
For such a journey; meantime let us give
This hour to rest and dalliance. Never yet
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 14.312 focus
'For that,' (said Jove) 'suffice another day;
355
'But eager love denies the least delay.
'Let softer cares the present hour employ,
'And be these moments sacred all to joy.
'Ne'er did my soul so strong a passion prove,
'Or for an earthly, or a heavenly love;
360
'Not when I press'd Ixion's matchless dame,
'Whence rose Pirithous, like the gods in fame.
'Not when fair Danaë felt the shower of gold
'Stream into life, whence Perseus brave and bold.
'Not thus I burn'd for either Theban dame,
365
'(Bacchus from this, from that Alcides came,)
'Not Phoenix' daughter, 1 beautiful and young,
'Whence godlike Rhadamanth and Minos sprung;
'Not thus I burn'd for fair Latona's face,
'Nor comelier Ceres' more majestic grace.
370
'Not thus e'en for thyself I felt desire,
'As now my veins receive the pleasing fire.'
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 14.312 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 14.312 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 14.312 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 14 focus

New Alexandria Commentaries

Douglas Frame

analysis of instances where an explicit reference to an act of love is omitted, but where ērassato used of the male is followed by the female conceiving and giving birth

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Hephaistos’ being the son of Hera and Zeus in Homer, in contrast to in Hesiod

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Gregory Nagy

The momentum of the attacking Trojan warriors gets stalled here, since Hērā interrupts the ongoing Plan of Zeus. The goddess seduces the god, and the setting for their divine sexual encounter is the spectacular landscape of Mount Ida, which is the private abode of the thundering almighty. During the tryst of the god and the goddess, the Achaeans regain the upper hand in the fighting. But this new momentum is soon headed for a downturn. The divine interruption, despite all its cosmic sexual energy, becomes retrospectively a mere interlude in the narrative arc of the Iliad—once the tryst is over and the Plan of Zeus resumes its relentless course of action.

draft js image errorJuno and Jupiter. Detail from “Loves of the Gods,” fresco by Annibale Carracci (1560–1609). Annibale Carracci [Public domain], via Wikimedia Commons, https://commons.wikimedia.org/wiki/File:Carracci_-_Jupiter_et_Junon.jpeg.

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