Homer Iliad 12.153

A. T. Murray (Translator)

Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.

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Current edition Perseus

Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 12.153 focus
Translations (8)
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 12.172 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 12.153 focus
These threw great stones at their assailants [155] in defense of themselves their tents and their ships. The stones fell thick as the flakes of snow that some fierce blast drives from the dark clouds and showers down in sheets upon the earth—even so fell the weapons from the hands alike of Trojans and Achaeans. [160] Helmet and shield rang out as the great stones rained upon them, and Asios the son of Hyrtakos in his dismay cried aloud and smote his two thighs. “Father Zeus,” he cried, “Truly you too are altogether given [165] to lying. I made sure the Argive heroes could not withstand us, whereas like slim-waisted wasps, or bees that have their nests in the rocks by the wayside—they leave not the holes wherein they have built undefended, [170] but fight for their little ones against all who would take them—even so these men, though they be but two, will not be driven from the gates, but stand firm either to slay or be slain.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 12.153 focus
And they who stood on the strong towers hurled down
Stones, to defend the Achaians and their tents
And their swift ships. As snow-flakes fall to earth
190
When strong winds, driving on the shadowy cloud,
Shower them upon the nourishing glebe, so thick
Were showered the weapons from the hands of Greeks
And Trojans; and the helms and bossy shields,
Beaten by stones, resounded. Asius then -
195
The son of Hyrtacus-in anger groaned,
And smote his thighs impatiently, and said: -
"O Father Jove! thou then art wholly false.
I did not look to see the men of Greece
Stand thus before our might and our strong arms;
200
Yet they, like pliant-bodied wasps or bees,
That build their cells beside the rocky way,
And quit not their abode, but, waiting there
The hunter, combat for their young - so these,
Although but two, withdraw not from the gates,
205
Nor will, till they be slain or seized alive."
He spake; but moved not thus the will of Jove,
Who planned to give the glory of the day
To Hector. Meanwhile, at the other gates
Fought other warriors, but 't were hard for me,
210
Were I a god, to tell of all their deeds;
For round the wall on every side there raged,
Fierce as consuming fire, a storm of stones.
The Greeks, in bitter anguish, yet constrained,
Fought for their fleet; and sorrowful were all
215
The gods who in the battle favored Greece.
Now the two Lapithæ began the fight.
Pirithoüs' son, brave Polypætes, cast
His spear at Damasus; it broke its way
Through the helm's brazen cheek, - nor that alone:
220
Right through the temple went the brazen blade,
And crushed the brain within. He left him slain,
And next struck Pylon down, and Ormenus.
Leonteus, of the stock of Mars, assailed
Hippomachus, who from Antimachus
225
Derived his birth; he pierced him at the belt,
And, drawing forth his trenchant sword, hewed down,
In combat hand-to-hand, Antiphates;
He dashed him backward to the ground, and next
Smote Menon and Iamenus; and last
230
He slew Orestes: at his feet they lay,
A pile of dead, upon their mother Earth.
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 12.153 focus
To save their fleet, the last efforts they try,
And stones and darts in mingled tempests fly.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 12.153 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 12.153 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 12.153 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 12 focus

Notes on the current edition

Iliad

1. 557.1

New Alexandria Commentaries

Douglas Frame

example of firmly established meaning of halonai, “to be killed” as adduced by its opposition to, kaktámen, “to kill.” Compare to Il. XVII.506

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Gregory Nagy

At the very beginning of Iliad 12, we modern readers may find that we have suddenly hit a wall—the Achaean Wall. It seems difficult for us to understand what the Master Narrator of the Iliad is really saying when he foretells the future destruction or deconstruction of this structure. And the main obstacle to our understanding here is not the presence of the Achaean Wall in the Iliad but rather its foretold absence—after all is said and done in the narrative. For the ancients who heard the Iliad narrated to them, by contrast, the future absence of the Achaean Wall was perfectly understandable in terms of the narration itself. And that is because the Master Narrator presupposes that there is no Achaean Wall to be seen in the Trojan landscape at the time of narration. Such a presupposition shapes the narrative of Iliad 12—and in fact it shapes the whole narrative of the Iliad. The setting for this narrative remains the world of heroes, which is larger-than-life because it is situated in the heroic past, but the setting for the actual narration of this narrative is the post-heroic world of a present time as figured by the Master Narrator himself. The staging of the heroic world by the Master Narrator is comparable to what is called the mise-en-scène in the traditions of French theater and film. And the predominant feature of the Iliadic mise-en-scène or scenery is the Achaean Wall, not the Trojan Wall. That is why the building of this structure by the Achaeans in Iliad 7 had been opposed by the gods Poseidon and Apollo, the original builders of the Trojan Wall. But the Achaean Wall needed to be built by the Achaeans to protect them and their ships from the fire of Hector—which would not be threatening them if Achilles had not been insulted by Agamemnon in Iliad 1. If we think of the overall plot of the Iliad as a scenario, then the Achaean Wall can be seen as an integral feature of the scenery for this scenario.

draft js image error“Siege of the Greek Camp.” Crispijn van de Passe (I) (1613). Public domain image, via Rijks Museum. (https://www.rijksmuseum.nl/en/collection/RP-P-OB-16.043)

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In Homeric diction, a neuter plural subject can “take” a verb in the plural instead of the singular.

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As noted in the comment on I.12.130, Leonteus is the only Iliadic figure who is called ‘equal to Ares’ besides Hector, Patroklos, and Achilles (see also BA 33). Relevant is the fact that he qualifies here at I.12.188 as ozos Arēos ‘attendant of Ares’, also at I.02.745, I.23.841. The word ozos in this description, which applies also to other heroes as listed above, can be explained etymologically as (h)o-sd-os, meaning ‘seated together with’: so a hero who qualifies as ozos Arēos ‘attendant of Ares’ can be pictured as literally ‘seated together with Ares’ (BA 295 = ch.17§5n8). The application of this epithet to a hero indicates that such a hero, as a warrior, is destined to become a ritual substitute for the war-god Ares, in the sense that generic warriors are described as therapontes Arēos ‘attendants of Ares’ in the Iliad*. See the comment on I.06.067.

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Leonard Muellner

comment on eukhomenos and epos being traditionally and syntactically bound together, despite the separate existence of epos ēuda# as in this verse

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