Iliad 5.1

View: By Book

Iliad. . Germany. 2014.

Sponsored by University of Leipzig.

Funding provided by European Social Fund Saxony.

Current edition Experimental

English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) (English) (English (Thomas Hobbes, 1667, ed. Molesworth 1843))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 5.1 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 5.1 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 5.1 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 5.1 focus
Then Pallas Athena put power [ menos] and courage into Diomedes, son of Tydeus, that he might excel all the other Argives, and cover himself with glory [ kleos]. She made a stream of fire flare from his shield and helmet [5] like the star that shines most radiantly in summer after its bath in the waters of Okeanos—even such a fire did she kindle upon his head and shoulders as she bade him speed into the thickest hurly-burly of the fight.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 5.1 focus
THEN Pallas to Tydides Diomed
1
Gave strength and courage, that he might appear
Among the Achaians greatly eminent,
And win a glorious name. Upon his head
And shield she caused a constant flame to play,
5
Like to the autumnal star that shines in heaven
Most brightly when new-bathed in ocean tides.
Such light she caused to beam upon his crest
And shoulders, as she sent the warrior forth
Into the thick and tumult of the fight.
10
Among the Trojans, Dares was the priest
Of Vulcan, rich and blameless. His two sons
Were Phegeus and Idæus, trained in all
The arts of war. They left the host and came
To meet Tydides, - on the chariot they,
15
And he on foot; and now, as they drew near,
First Phegeus hurled his massive lance. It flew
O'er Diomed's left shoulder and struck not.
Tydides cast in turn his brazen spear;
Nor did the weapon leave his hand in vain,
20
But smote the breast of Phegeus in the midst
And dashed him from his car. Idæus saw,
And leaped to earth and left the sumptuous car,
Nor dared to guard the slain. Yet had he not
Escaped from death, if Vulcan, shrouding him
25
In darkness, had not borne him from the fight
And rescued him, that so he might not leave
The aged man, his father, desolate.
The son of mighty Tydeus took the steeds
And bade his comrades lead them to the fleet.
30
Meantime the blue-eyed Pallas took the hand
Of Mars, and thus addressed the fiery god:-
"Mars, Mars, thou slayer of men, thou steeped in blood,
Destroyer of walled cities! should we not
Leave both the Greeks and Trojans to contend,
35
And Jove to crown with glory whom he will,
While we retire, lest we provoke his wrath?"
Thus having said, she led the violent Mars
From where the battle raged, and made him sit
Beside Scamander, on its grassy bank.
40
And then the Achaians put the sons of Troy
To flight: each leader slew a foe; and first
The king of men, Atrides, from his car
Struck down the huge-limbed Hodius, who was chief
Among the Halizonians. As he turned
45
To flee, the Achaian, smiting him between
The shoulders, drove the javelin through his breast.
Heavily clashed his armor as he fell.
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 5.1 focus
BUT Pallas now Tydides' soul inspires,
1
Fills with her force, and warms with all her fires,
Above the Greeks his deathless fame to raise,
And crown her hero with distinguish'd praise.
High on his helm celestial lightnings play,
5
His beamy shield emits a living ray;
Th' unwearied blaze incessant streams supplies,
Like the red star that fires th' autumnal skies,
When fresh he rears his radiant orb to sight,
And bath'd in Ocean shoots a keener light.
10
Such glories Pallas on the chief bestow'd,
Such, from his arms, the fierce effulgence flow'd:
Onward she drives him, furious to engage,
Where the fight burns, and where the thickest rage.
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 5.1 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 5.1 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 5 focus

New Alexandria Commentaries

Douglas Frame

analysis of Athena’s tharsos (here, putting it in her favorites’ hearts)

source

analysis of Hephaistos’ arrival in Athens (dating) and his connections with the Troad and Sigeion

source
Gregory Nagy

The momentum of the war is spirited, and the fighting mood of the warriors verges on overreaching. An outstanding example is Diomedes, who already owns a glorious past as a conquering hero in the epic tradition known as the Sons of the Seven against Thebes or Epigonoi. Now in the epic present of the Iliad he has a chance to outdo himself, performing deeds so glorious that they would outshine perhaps even the deeds of Achilles, who is now out of the picture. The successes of Diomedes reach the point where he is capable of feats that are superhuman, as when he lifts a rock that even two humans today could not budge—or as when he wounds the god of war himself, Ares, and then, shortly thereafter, the goddess of love and sexuality, Aphrodite. But such momentum is not to last, and the antagonism of Diomedes toward divinities will have its consequences.

draft js image error“Aeneas and Diomedes.” Wenceslaus Hollar (Bohemian, 1607–1677). Image via Wikimedia Commons.

source

In this context, plural therapontes indicates the ‘attendants’ of the king Idomeneus.

source
Leonard Muellner

analysis of miaiphonos as an epithet of Ares and as applied to Patroklos

source

analysis of Athena’s interruption to get Ares to withdraw from the fighting to avoid Zeus’ mēnis

source

analysis of teichesiplēta as an epithet of and metaphor for Ares’ tendency to reach the limits of behavior (and application to Patroklos)

source

in a list of passages exemplifying the complementary metrical distribution of eukhos and kudos

source

examples of the identical contexts in which eukhos and kudos occur

source

in the list of offenses that (threaten to) incur mēnis

source

analysis of Athena’s interruption to get Ares to withdraw from the fighting to avoid Zeus’ mēnis

source

example of a common formula with a different half-line following it nine other times and different lines describing deaths of six heroes as examples of the results of the variation aesthetic (the poetics of the battle-books as promoting the preservation of archaisms and stimulating the innovatory usage of a half of a formula outside its conventional context)

source

different lines describing deaths of six heroes as examples of the results of the variation aesthetic (the poetics of the battle-books as promoting the preservation of archaisms and stimulating the innovatory usage of a half of a formula outside its conventional context)

source