Iliad 3.1

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Iliad. . Germany. 2014.

Sponsored by University of Leipzig.

Funding provided by European Social Fund Saxony.

Current edition Experimental

English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) (English) (English (Thomas Hobbes, 1667, ed. Molesworth 1843))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 3.1 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 3.1 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 3.1 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 3.1 focus
When the companies were thus arrayed, each under its own chief, the Trojans advanced as a flight of wild fowl or cranes that scream overhead when rain and winter [5] drive them over the flowing waters of Okeanos to bring death and destruction on the Pygmies, and they wrangle in the air as they fly; but the Achaeans marched silently, in high heart, and minded to stand by one another.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 3.1 focus
NOW when both armies were arrayed for war,
1
Each with its chiefs, the Trojan host moved on
With shouts and clang of arms, as when the cry
Of cranes is in the air, that, flying south
From winter and its mighty breadth of rain,
5
Wing their way over ocean, and at dawn
Bring fearful battle to the pigmy race,
Bloodshed and death. But silently the Greeks
Went forward, breathing valor, mindful still
To aid each other in the coming fray.
10
As when the south wind shrouds a mountain-top
In vapors that awake the shepherd's fear,
A surer covert for the thief than night, -
And round him one can only see as far
As one can hurl a stone, - such was the cloud
15
Of dust that from the warriors' trampling feet
Rose round their rapid march and filled the air.
Now drew they near each other, face to face,
And Paris in the Trojan van pressed on,
In presence like a god. A leopard's hide
20
Was thrown across his shoulders, and he bore
A crooked bow and falchion. Brandishing
Two brazen-pointed javelins, he defied
To mortal fight the bravest of the Greeks.
Him Menelaus, loved of Mars, beheld
25
Advancing with large strides before the rest;
And as a hungry lion who has made
A prey of some large beast - a hornèd stag
Or mountain goat-rejoices, and with speed
Devours it, though swift hounds and sturdy youths
30
Press on his flank, so Menelaus felt
Great joy when Paris, of the godlike form,
Appeared in sight, for now he thought to wreak
His vengeance on the guilty one, and straight
Sprang from his car to earth with all his arms.
35
But when the graceful Paris saw the chief
Come toward him from the foremost ranks, his heart
Was troubled, and he turned and passed among
His fellow-warriors and avoided death.
As one who meets within a mountain glade
40
A serpent starts aside with sudden fright,
And takes the backward way with trembling limbs
And cheeks all white, - the graceful Paris thus
Before the son of Atreus shrank in fear,
And mingled with the high-souled sons of Troy.
45
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 3.1 focus
THUS by their leader's care each martial band
1
Moves into ranks, and stretches o'er the land.
With shouts the Trojans, rushing from afar,
Proclaim their motions, and provoke the war:
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 3.1 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 3.1 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 3 focus

New Alexandria Commentaries

Gregory Nagy

The Master Narrator of the Homeric Iliad is looking here at Helen for the very first time—or, to say it more accurately, as if for the very first time. Just as Rhapsody 2 needed a new Catalogue of Ships—or, again to say it more accurately—a renewed Catalogue, so also Rhapsody 3 needs a new look at Helen. It seems as if the Trojan War is happening all over again, starting from the very beginning. The old grievances of Menelaos about the abduction of Helen by Paris can now be renewed and even relived, becoming fresh new grievances as the estranged husband and the new lover proceed to engage in mortal combat. But this one-on-one struggle over life and death will soon modulate into a renewal of all-out war between the Achaeans and the Trojans.

draft js image errorMenelaos pulling Paris by the helmet. Detail of Roman sarcophagus of Aurelia Botania Demetria (2nd c. CE); Antalya Archaeological Museum. Photo via Wikimedia Commons.

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Leonard Muellner

analysis of khaire/khairete followed by an aporetic question as signalling a shift in perspective but not in subject, i.e. a deferral of metabasis and a prolongation of the first subject

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analysis of words as a form of action in epic, here an example of antibios being applied to both physical and verbal exchanges

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