Iliad 17.694

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Iliad. . Germany. 2014.

Sponsored by University of Leipzig.

Funding provided by European Social Fund Saxony.

Current edition Experimental

English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) (English) (English (Thomas Hobbes, 1667, ed. Molesworth 1843))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 17.694 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 17.694 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 17.735 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 17.694 focus
Antilokhos was struck with horror. [695] For a long time he was speechless; his eyes filled with tears and he could find no utterance, but he did as Menelaos had said, and set off running as soon as he had given his armor to a comrade, blameless Laodokos, who was wheeling his horses round, close beside him.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 17.694 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 17.694 focus
The youthful warrior heard with silent woe,
From his fair eyes the tears began to flow;
Big with the mighty grief, he strove to say
What sorrow dictates, but no word found way.
To brave Laodocus his arms he flung,
785
Who, near him wheeling, drove his steeds along;
Then ran, the mournful message to impart,
With tearful eyes, and with dejected heart.
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 17.694 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 17.694 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 17 focus

New Alexandria Commentaries

Gregory Nagy

The main preoccupation of the Achaeans here in Iliad 17 is to recover the corpse of Patroklos. Their efforts are understandable, in that they are showing their sense of solidarity by trying to rescue from harm the body of a fellow warrior who has fallen in battle. But the motivation here goes deeper. Patroklos is a cult hero in the making, and the corpses of heroes are essential for establishing hero cults in their honor. And the foreseen status of Patroklos as cult hero prefigures a comparable status for Achilles himself beyond the Iliad.

draft js image errorCopperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman.Photographed/scanned by H.-P.Haack (Antiquariat Dr. Haack Leipzig) [CC BY 3.0 (http://creativecommons.org/licenses/by/3.0) or Public domain], via Wikimedia Commons.

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Once again, Patroklos is described here as the philtatos ‘nearest and dearest’ of all the hetairoi ‘companions’ of Achilles. In his ascending scale of affection, then, Achilles holds Patroklos at the very top. See the comment on I.17.411.

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The news of the death of Patroklos is being poetically formulated here. This death is a pēma ‘pain’, I.17.688, which a god has ‘rolled’ down, as expressed by way of the verb kulindein, upon the Achaeans. See the comment on I.11.347, where we see that this pain is pictured as some boulder that has broken away from the heights above and is now about to crush anyone and anything that stands in the way. And what is this pain? It is the death of the ‘best of the Achaeans’, who is identified here as Patroklos, ritual substitute of Achilles. And the pain caused by this death will cause in turn a pothē ‘longing’ for the hero who has fallen. This noun pothē ‘longing’, like the verb potheîn ‘long for’, evokes the feelings of those who worship cult heroes: see the comment on I.02.695–709.

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