Iliad 13.32

View: By Book

Iliad. . Germany. 2014.

Sponsored by University of Leipzig.

Funding provided by European Social Fund Saxony.

Current edition Experimental

English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) (English) (English (Thomas Hobbes, 1667, ed. Molesworth 1843))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 13.32 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 13.32 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 13.1 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 13.32 focus
There is a wide cave in the depths of the deep water midway between Tenedos and rocky Imbros; here Poseidon lord of the earthquake stayed his horses, [35] unyoked them, and set before them their ambrosial forage. He hobbled their feet with hobbles of gold which none could either unloose or break, so that they might stay there in that place until their lord should return. This done he went his way to the army of the Achaeans.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 13.32 focus
Deep in the sea there is a spacious cave,
Between the rugged Imbrus and the isle
40
Of Tenedos. There Neptune, he who shakes
The shores, held back his steeds, took off their yoke,
Gave them ambrosial food, and, binding next
Their feet with golden fetters which no power
Might break or loosen, so that they might wait
45
Their lord's return, he sought the Grecian host.
Still did the Trojans, rushing on in crowds,
Like flames or like a tempest, follow close
Hector, the son of Priam; still their rage
Abated not; with stormy cries they came;
50
They hoped to seize the fleet and slay the Greeks
Beside it. But the power who swathes the earth
And shakes it, Neptune, coming from the deep,
Revived the valor of the Greeks. He took
The shape of Calchas and his powerful voice,
55
And thus to either Ajax, who yet stemmed
The battle with a resolute heart, he spake :-
"O chieftains! yours it is to save the host,
Recalling your old valor, with no thought
Of fatal flight. Elsewhere I feel no dread
60
Of what the daring sons of Troy may do
Who climb the wall in throngs; the well-greaved Greeks
Will meet them bravely. But where Hector leads,
Fierce as a flame, his squadrons, he who boasts
To be a son of sovereign Jove, I fear
65
Lest we should sorely suffer. May the gods
Strengthen your hearts to stand against the foe,
And flinch not, and exhort the rest to stand,
And drive him back, audacious as he is,
From the swift ships, though Jove should urge him on."
70
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 13.32 focus
Deep in the liquid regions lies a cave,
50
Between where Tenedos the surges lave,
And rocky Imbrus 1 breaks the rolling wave:
There the great ruler of the azure round
Stopp'd his swift chariot, and his steeds unbound,
Fed with ambrosial herbage from his hand,
55
And link'd their fetlocks with a golden band,
Infrangible, immortal: there they stay;
The father of the floods pursues his way,
Where, like a tempest darkening heaven around,
Or like a deluge that devours the ground,
60
Th' impatient Trojans, in a gloomy throng,
Embattl'd roll'd, as Hector rush'd along:
To the loud tumult and the barbarous cry,
The heavens re-echo, and the shores reply;
They vow destruction to the Grecian name,
65
And in their hopes the fleets already flame.
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 13.32 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 13.32 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 13 focus

New Alexandria Commentaries

Douglas Frame

comparison of the openings of the expansions in Nestor’s story with other Homeric verses (the similarity of the expansions to Homeric formulas, here, variations of the formulaic patter esti de tis)

source
Gregory Nagy

The momentum of the Trojan onslaught led by Hector intensifies here, and the prospects of the Achaeans look grim, almost hopeless. Hector is so successful that he feels tempted, toward the end of Rhapsody 13, to equate himself with immortal gods. Meanwhile, the intensity of the narrative keeps pace, and the poetic virtuosity approaches the sublime.

draft js image errorHector and Polydamas. After a drawing by John Flaxman. Image via Wikimedia Commons.

source

Poseidon’s grand entrance here, as he drives his chariot team to the scene of battle, is comparable to other narratives about ceremonial arrivals by divinities. See HC 1§145, with a line drawing of an image painted on an Attic red-figure pyxis lid: unattributed, dated at around 425–375 BCE, Copenhagen, National Museum, 731. The image shows three goddesses—Hērā, Athena, and Aphrodite—arriving at the Judgment of Paris in their chariots drawn by customized chariot teams. Hērā is driving two horses; Athena, two serpents; and Aphrodite, two boyish Erōtes. Figure 10a shows the whole image, while Figure 10b shows a detail from that image.

source

On the two warriors who are jointly named here by way of the dual form Aiante, see especially the comment on I.12.335–336.

source