Homer Iliad 16.46

ed. Robert Southey

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Iliad. Homer. ed. Robert Southey. London. 1847.

Sponsored by Tufts University.

Current edition Experimental

English (William Cowper, 1791, ed. Southey) (OCR draft) (English) (English (William Cowper, 1791, ed. Southey))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 16.46 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 16.46 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 16.1 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 16.46 focus
He knew not what he was asking, nor that he was suing for his own destruction. Achilles was deeply moved and answered, “What, noble Patroklos, are you saying? [50] I know no prophesyings which I am heeding, nor has my mother told me anything from the mouth of Zeus, 52 but I have this terrible sorrow [ akhos] that has come over my heart and spirit [ thūmos], 53 seeing as I do that the man [= Agamemnon] is trying to deprive a man who is equal to [ homoios] him 54 and to take away the prize of this man [= Achilles], just because he [= Agamemnon] is ahead in power. [55] the terrible akhosthat I have, since I suffered pains [ algea] in my thūmos is more than I can endure. The girl whom the sons of the Achaeans chose for me, whom I won as the fruit of my spear on having ransacked a city—her has King Agamemnon taken from me as though I were some common vagrant. [60] Still, let bygones be bygones: no man may keep his anger for ever; I said I would not relent till battle and the cry of war had reached my own ships; nevertheless, now gird my armor about your shoulders, [65] and lead the Myrmidons to battle, for the dark cloud of Trojans has burst furiously over our fleet; the Argives are driven back on to the beach, cooped within a narrow space, and the whole people of Troy has taken heart to sally out against them, [70] because they see not the visor of my helmet gleaming near them. Had they seen this, there would not have been a creek nor grip that had not been filled with their dead as they fled back again. And so it would have been, if only King Agamemnon had dealt fairly by me. As it is the Trojans have beset our army.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 16.46 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 16.46 focus
'Thus, blind to fate! with supplicating breath,
'Thou begg'st his arms, and in his arms thy death.
65
'Unfortunately good! a boding sigh
'Thy friend return'd; and with it, this reply:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 16.46 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 16.46 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 16 focus

New Alexandria Commentaries

Douglas Frame

analysis of the parallelism between Nestor and Patroclus (as in Nestor’s second story), with regards to Patroclus’ failure to turn back from battle as Achilles commands

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analysis of the parallelism between Nestor and Patroclus (as in Nestor’s second story), with regards to Patroclus’ failure to turn back from battle as Achilles commands and here specifically Patroclus’ state of mind (which mirrors Nestor’s)

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analysis of the parallelism between Nestor and Patroclus (as in Nestor’s second story), with regards to Patroclus’ failure to turn back from battle as Achilles commands

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Gregory Nagy

It seems at first as if everything is coming together here in Iliad 16. Achilles, best of the Achaeans, sends out his other self, Patroklos, to fight Hector and his Trojans, who are now on the verge of setting on fire and destroying all the beached ships of the Achaeans. Patroklos does in fact succeed in stopping the fire, which had been endangering not only the survival of the Achaeans but even the very existence of their notional descendants, imagined as the Greeks who are listening to the story of the Iliad in their own time. The conflagration that could have burned down the beached ships of the Achaeans is now literally ‘quenched’ by Patroklos, whose heroic action in putting out the fire of the Trojans is compared in a simile to a cosmic action taken by Zeus himself when this weather-god drenches and thus destroys in a violent rainstorm the farmlands of unjust men. Clearly, Zeus is now once again on the Achaean side of the Trojan War. But the success of Patroklos is not to last: soon after he kills Sarpedon, son of Zeus himself, in the course of a spectacular chariot fight, Patroklos now gets killed in the course of a second spectacular chariot fight. This time, Patroklos has gone too far, daring to attack not only Hector but also the divine protector of that hero, Apollo himself. Now everything is about to come apart again, and Achilles has yet to find out about the tragedy that awaits him.

draft js image errorA chariot driver and a chariot fighter in a biga (two-horses chariot). Terracotta, Late Helladic IIIA–IIIB (ca. 1400–1200 BCE). Louvre Museum, CA 2959. Credit line: Purchase, 1934.  Image Marie-Lan Nguyen (User:Jastrow), 2009-06-28 [CC BY 2.5 (http://creativecommons.org/licenses/by/2.5)], via Wikimedia Commons.

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See the comment on I.01.320–348; see also I.16.032. Here the subject of the verb amunein ‘ward off’ switches from Achilles to Patroklos. This way, Patroklos becomes the savior of the Achaeans by rescuing them from the fire of Hector.

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Here again the subject of the verb amunein ‘ward off’ switches from Achilles to Patroklos. See the comment on I.16.075.

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Achilles tells Patroklos not to go beyond the limits that he sets for him in these verses. If Patroklos does exceed these limits, as he will, he will lose his shared identity with Achilles.

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Leonard Muellner

analysis of different interpretations of I.16.060-065 (whether Achilles is giving up his mēnis or not, etc.), comparison with the conditions Achilles sets specifies at I.09.650-653

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analysis of different interpretations of this passage (whether Achilles is giving up his mēnis or not, etc.), comparison with the conditions Achilles sets specifies at I.09.650-653

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analysis of Achilles’ intentions in sending Patroklos out to fight in his own armor, giving up his mēnis and identification with Patroklos

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analysis of mēnis as a tabu deformation and here specifically an example the relaxation of the speech tabu

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analysis of Achilles’ intentions in sending Patroklos out to fight in his own armor, giving up his mēnis and identification with Patroklos

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demonstrating that kluein has no sacral connotations while eukhomenoio/euxamenoio does, in the context of the analyzing kluein + eukhesthai formulas

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analysis of ēkousen as a lexical renewal of the petrified ekluen, in the context of analyzing kluein + eukhesthai formulas

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demonstrating that kluein has no sacral connotations while eukhomenoio/euxamenoio does, in the context of the analyzing kluein + eukhesthai formulas

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comparison of Achilles’ goals in Iliad 16 (when sending Patroklos to fight) and in Iliad 18 (when Patroklos has died and he joins battle), timē and kleos, respectively

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analysis of mēnis in Patroklos’ aristeia

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in a list of passages exemplifying the complementary metrical distribution of eukhos and kudos

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examples of the identical contexts in which eukhos and kudos occur

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in the context of analyzing the identification of Achilles and Patroklos

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contrasting Achilles’ philotēs in Iliad 16 (exclusive bond with Patroklos) and Iliad 18 (bond with Patroklos and with the rest of the social group)

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