Homer Iliad 23.262

ed. George Chapman

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Iliad. Homer. ed. George Chapman. London. 1887.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) (English) (English (George Chapman, 1611, ed. Hooper 1857))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 23.262 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 23.262 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 23.287 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 23.262 focus
The first prize he offered was for the chariot races—a woman skilled in all useful arts, and a three-legged cauldron that had ears for handles, and would hold twenty-two measures. This was for the man who came in first. [265] For the second there was a six-year old mare, unbroken, and in foal to a he-ass; the third was to have a goodly cauldron that had never yet been on the fire; it was still bright as when it left the maker, and would hold four measures. The fourth prize was two talents of gold, [270] and the fifth a two-handled urn as yet unsoiled by smoke. Then he stood up and spoke among the Argives saying,
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 23.262 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 23.262 focus
First stood the prizes to reward the force
Of rapid racers in the dusty course:
A woman for the first, in beauty's bloom,
Skill'd in the needle, and the labouring loom;
330
And a large vase, where two bright handles rise,
Of twenty measures its capacious size.
The second victor claims a mare unbroke,
Big with a mule, unknowing of the yoke;
The third, a charger yet untouch'd by flame;
335
Four ample measures held the shining frame:
Two golden talents for the fourth were plac'd;
An ample double bowl 1 contents the last.
These in fair order rang'd upon the plain,
The hero, rising, thus address'd the train:
340
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 23.262 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 23.262 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 23 focus

Notes on the current edition

Iliad

1. 218 Made shine. Thus both folios. Dr. Taylor has erroneously printed, "make shine."
2. 220 Kept. The second folio and Taylor, " keep."
3. 223 Kels-cauls.
4. 239 Employing. The second folio has " employed.”
5. 243 Kinds. The second folio and Dr. Taylor have " kind."

New Alexandria Commentaries

Gregory Nagy

The funeral that Achilles arranges here for Patroklos in the Iliad is in some ways a preview of the funeral that the Achaeans will arrange for Achilles himself beyond the time-frame of the Iliad. A high point of the funeral in Iliad 23 is a spectacular chariot race arranged by Achilles to honor his dead comrade Patroklos. But an earlier high point is a comparably spectacular cremation of his friend’s body. But this cremation of Patroklos, as a ritual, is far from perfect: it is in fact polluted, and the pollution will make Achilles look bad, at least for the moment. The polluted thoughts of the hero, as evidenced by his dragging the corpse of Hector behind his speeding chariot, will drive him to extremes that will challenge the cosmic order. But the Master Narrator of the Iliad will remedy the pollution, and the remedy will take the form of actually narrating the grim story. In the process of this narration, a great lesson will be learned about life, death, and a hoped-for recovery of life.

draft js image errorAchilles dragging the body of Hector. Copperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman. Image via Wikimedia Commons.

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reference to the mixing of the ashes of Achilles and Patroklos in O.24.077 as not a duplication of references to the same mixing in the Iliad (here and 23.091-092), therefore not violating Munro’s law, in the context of analyzing a traditional suppression of anything overtly Iliadic in the Odyssey

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The tomb of Patroklos, called tumbos here at I.I.23.245, will also become the tomb of Achilles when his time comes to die. It is to be built on a small scale until Achilles is entombed there as well, I.23.245–246. But then, with the entombment of Achilles together with Patroklos, the size of the tomb will become spectacular in both height and width, I.23.246–247. So, this tomb will be incomplete until Achilles is entombed together with Patroklos—at which point it becomes truly the tomb of Achilles. So, instead of saying here that the tomb of Patroklos will also become the tomb of Achilles, it would be more accurate to say that the tomb of Patroklos will simply belong to Achilles. The spirit of Patroklos, when he appeared to Achilles and instructed him to construct a tomb for the two of them, was really pointing the way for Achilles to have a tomb of his own. There now follows at I.23.248 a pointed reference to the Achaeans of the future who will be sailing past the promontory on top of which the tomb is located and marveling at the sight of the structure, which is called a sēma ‘tomb at I.23.257. This visualization, as we will see in the anchor comment at O.24.076–084, makes it all the more clear that the tomb of Patroklos will in fact turn into the tomb of Achilles. See also anchor comment at I.23.125–126 on: tomb of Achilles, part 1; and anchor comment at O.24.076–084 on: tomb of Achilles, part 3.

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The tomb of Patroklos, called tumbos here at I.I.23.245, will also become the tomb of Achilles when his time comes to die. It is to be built on a small scale until Achilles is entombed there as well, I.23.245–246. But then, with the entombment of Achilles together with Patroklos, the size of the tomb will become spectacular in both height and width, I.23.246–247. So, this tomb will be incomplete until Achilles is entombed together with Patroklos—at which point it becomes truly the tomb of Achilles. So, instead of saying here that the tomb of Patroklos will also become the tomb of Achilles, it would be more accurate to say that the tomb of Patroklos will simply belong to Achilles. The spirit of Patroklos, when he appeared to Achilles and instructed him to construct a tomb for the two of them, was really pointing the way for Achilles to have a tomb of his own. There now follows at I.23.248 a pointed reference to the Achaeans of the future who will be sailing past the promontory on top of which the tomb is located and marveling at the sight of the structure, which is called a sēma ‘tomb at I.23.257. This visualization, as we will see in the anchor comment at O.24.076–084, makes it all the more clear that the tomb of Patroklos will in fact turn into the tomb of Achilles. See also anchor comment at I.23.125–126 on: tomb of Achilles, part 1; and anchor comment at O.24.076–084 on: tomb of Achilles, part 3.

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An agōn, as here at I.23.258, is literally a ‘coming together’ for competition; so, by extension, the word comes to mean ‘competition’. For more on the meaning and the etymology, see H24H 21§1. Here at I.23.257–258 is where the so-called Funeral Games for Patroklos will commence. And they will end at I.24.001. See the comment on that verse. The ritual practice of athletic competition as a compensation for death is amply attested in Greek traditions: see H24H 8a§§1–14. Here at I.23.258 the agōn can now begin to compensate for the death of Patroklos.

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