Homer Iliad 21.1

ed. George Chapman

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Iliad. Homer. ed. George Chapman. London. 1887.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) (English) (English (George Chapman, 1611, ed. Hooper 1857))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 21.1 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 21.1 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 21.1 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 21.1 focus
Now when they came to the ford of the full-flowing river Xanthos, begotten of immortal Zeus, Achilles cut their forces in two: one half he chased over the plain towards the city by the same way that the Achaeans had taken when fleeing panic-stricken [5] on the preceding day with glorious Hector in full triumph; this way did they flee pell-mell, and Hera sent down a thick mist in front of them to stay them. The other half were hemmed in by the deep silver-eddying stream, [10] and fell into it with a great uproar. The waters resounded, and the banks rang again, as they swam hither and thither with loud cries amid the whirling eddies. As locusts flying to a river before the blast of a grass fire—the flame comes on and on till at last it overtakes them and they huddle into the water— [15] even so was the eddying stream of Xanthos filled with the uproar of men and horses, all struggling in confusion before Achilles.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 21.1 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 21.1 focus
AND now to Xanthus' gliding stream they drove,
1
Xanthus, immortal progeny of Jove.
The river here divides the flying train:
Part to the town fly diverse o'er the plain,
Where late their troops triumphant bore the fight,
5
Now chas'd and trembling in ignoble flight:
(These with a gather'd mist Saturnia shrouds,
And rolls behind the rout a heap of clouds;)
Part plunge into the stream: old Xanthus roars;
The flashing billows beat the whiten'd shores:
10
With cries promiscuous all the banks resound,
And here and there, in eddies whirling round,
The flouncing steeds and shrieking warriors drown'd.
As the scorch'd locusts from their fields retire,
While fast behind them runs the blaze of fire;
15
Driven from the land before the smoky cloud,
The clustering legions rush into the flood:
So plunged in Xanthus by Achilles' force,
Roars the resounding surge with men and horse.
His bloody lance the hero casts aside,
20
(Which spreading tamarisks on the margin hide,)
Then, like a god, the rapid billows braves,
Arm'd with his sword, high brandish'd o'er the waves;
Now down he plunges, now he whirls it round,
Deep groan the waters with the dying sound;
25
Repeated wounds the reddening river dyed,
And the warm purple circled on the tide.
Swift through the foamy flood the Trojans fly,
And close in rocks or winding caverns lie:
So the huge dolphin tempesting the main,
30
In shoals before him fly the scaly train;
Confus'dly heap'd, they seek their inmost caves,
Or pant and heave beneath the floating waves.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 21.1 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 21.1 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 21 focus

Notes on the current edition

Iliad

1. 18 And sprite-like. --Dr. Taylor, following the second folio, has "the sprite-like."

New Alexandria Commentaries

Douglas Frame

comment on the goal of the second to last segment of the poem, books 17-20, Achilles’ return to battle, and their relationship with the final segment, and perceived problems with the opening of book 21

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Gregory Nagy

So long as the anger of Achilles remains in force, the Trojans will remain in possession of the east side of the river Skamandros, latinized as Scamander, while they continue to fight the Achaeans on the west side. On this principal river of the Trojan plain, see already the comments on I.08.220–227 and I.11.497–500. Only after Achilles rejoins his companions and returns to the battlefield will the Trojans be pushed back to the east side of the Scamander, and this major retreat finally happens here in Iliad 21. Now the raging Achilles pushes the Trojans back to the edge of the west bank of this river, I.21.001, and there they perish in droves, either at the hands of Achilles or by drowning, I.21.007–021—unless they manage to escape by crossing over to the east bank of the river, I.21.002–004.

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The momentum of Achilles continues to heat up. The Trojans are now retreating as fast as they can, heading back toward Troy to find safety there within the sacred walls of that ancient citadel. In their hurry to get away from the field of battle, their hasty retreat has quickly turned into a chaotic and humiliating rout. Achilles is right behind them, in hot pursuit, slaughtering left and right the fleeing Trojans. The hero seems unstoppable. But Achilles meets his match when he provokes the river god Scamander, whose clear streams he has polluted with the gore of countless Trojans that he slaughters while they are desperately attempting to ford the god’s river.

draft js image errorCopperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman. Image via Wikimedia Commons.

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We see here a retrospective reference to the loigos ‘devastation’, I.21.134, suffered by the Achaeans because of the absence of Achilles.

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In this speech of Achilles, the hero is boasting, as expressed by way of the solemn word eukhesthai ‘claim’, I.21.187, about his genealogy as son of Peleus son of Aiakos son of Zeus himself, I.21.188–189. The point of the boast that Achilles makes here is that his genealogy is superior to that of the hero Asteropaios, whom he has just killed, I.21.139–183. This hero of the Trojans, as we learn at I.21.130–143, is the grandson of the river god Axios. Provocatively, Achilles is boasting that the lineage of Zeus, from which he is descended, is superior to the lineage of any river god, I.21.193–199, and, in this context, Achilles mentions by name two of the mightiest river gods: Akhelōios at I.21.194 and Ōkeanos at I.21.195. Even the Ōkeanos, Achilles goes on to say, would be defeated by Zeus in a one-on-one combat of cosmic proportions, I.21.196–199. This whole speech of Achilles is of course a direct provocation to the river Scamander, I.21.136–138. As we saw previously at I.20.74, the name of this river Scamander, Skamandros in Greek, is also the name of the river god who embodies the river, and that is how mortals address the god of the river, as Scamander, while Xanthos is the name that the gods themselves give to him. See the comment on I.20.001–074. Thus the river god Scamander can take it personally that Achilles here is insulting not only the river god Axios, from whom his dead enemy Asteropaios was descended, but also all river gods. And Achilles goes even further: he insults Scamander directly, declaring earlier at I.21.130-132 that the river god had failed to rescue the Trojans— despite the fact that they would customarily offer sacrifices of bulls and stallions to Scamander, I.21.131-132.

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Leonard Muellner

analysis of the formula daimoni isos used of heroes in their aristeia only, and in the context of hero-god antagonism

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analysis of the attestations of eukhesthai + aorist infinitive (and the series to which this verse belongs)

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analysis of Achilles’ clarity on the connection between Patroklos’ death and his awareness of the reality of his own death, solidarity arising from a death in the community, kēdos, and Achilles’ progress towards philotēs and away from mēnis

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example of the pairing of question and answer regarding identity (between man and god) in Ancient Greek that matches the Avestan model, here with eukhesthai replaced by phanai

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example of an elaborated speech about one’s geneē (Asteropaios’), in the context of analyzing the more common short genos eukhesthai einai formulas [MRBTP: 'ff']

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example of the pairing of question and answer regarding identity (between man and god) in Ancient Greek that matches the Avestan model, here with eukhesthai replaced by phanai

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in a list of examples of the functional relationship between eukhesthai and phanai (in the context of analyzing genos eukhesthai einai formulas)

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in a list of parallels to the opening of formula (A) hōs ephat’ eukhomenos… occurring in the last 9 books of the Iliad (with participles after phanai categorizing the speech, here as threat), in the context of analyzing formula (A) and the meaning of eukhesthai

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analysis of the associative process by which eukhesthai no longer designates a hero’s own birth but that of another hero’s death – still an assertion of one’s identity and superiority

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in a list of occurrences of the figura etymologica ‘eukhomenos epos ēuda’ in Homeric Greek (in comparison of the figure in Indo-Iranian)

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in a list of secular eukhesthai indicating direct speech (introducing speech)

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demonstration that there is no gap between statements of superiority in age and statements of superiority in prestige, physical prowess, and physical beauty (in the context of demonstrating the contextual unity of eukhesthai einai + superlative/comparative formulas and their relationship with genos eukhesthai einai formulas)

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analysis of phanai as contrasting with and substituting for eukhomai, in the context of analyzing the meaning of eukhesthai in genos eukhesthai einai formulas (eukhesthai for oneself to assert superiority/intimidating vs. phanai for opponent)

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analysis of phanai as contrasting with and substituting for eukhomai, in the context of analyzing the meaning of eukhesthai in genos eukhesthai einai formulas (eukhesthai for oneself to assert superiority/intimidating vs. phanai for opponent)

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in a list of attestations of genos eukhesthai einai and its transformations

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Richard Martin

At 21.121-35, Achilles speaks winged words to Lykaon. Like Hektor, Achilles seeks to stun his victim and vent his rage with a vivid description of the enemy's defilement. But whereas Hektor condenses this narration to a half-line (16.836), Achilles expands it to six (21.122-27). Furthermore, Achilles begins this full version of the motif with an explicit directive in the form of an imperative—"There now, lie with the fishes"—only then reverting to future verbs, predicting that Lykaon will be unmourned, his corpse whirled in the river, and his flesh eaten by fish (Martin 1993:34).

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