Homer Iliad 17.106

ed. George Chapman

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Iliad. Homer. ed. George Chapman. London. 1887.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) (English) (English (George Chapman, 1611, ed. Hooper 1857))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 17.106 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 17.106 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 17.140 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 17.106 focus
While he was thus in two minds, the Trojans came up to him with Hector at their head; he therefore drew back and left the body, turning about like some bearded lion [110] who is being chased by dogs and men from a stockyard with spears and hue and cry, whereon he is daunted and slinks sulkily off—even so did Menelaos, fair-haired son of Atreus, turn and leave the body of Patroklos. When among the body of his men, [115] he looked around for mighty Ajax, son of Telamon, and presently saw him on the extreme left of the fight, cheering on his men and exhorting them to keep on fighting, for Phoebus Apollo had spread a great panic among them. He ran up to him and said, [120] “Ajax, my good friend, come with me at once to dead Patroklos, if so be that we may take the body to Achilles—as for his armor, Hector already has it.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 17.106 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 17.106 focus
The time allow'd: Troy thicken'd on the shore;
A sable scene! The terrors Hector led;
115
Slow he recedes, and sighing quits the dead.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 17.106 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 17.106 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 17 focus

New Alexandria Commentaries

Gregory Nagy

The main preoccupation of the Achaeans here in Iliad 17 is to recover the corpse of Patroklos. Their efforts are understandable, in that they are showing their sense of solidarity by trying to rescue from harm the body of a fellow warrior who has fallen in battle. But the motivation here goes deeper. Patroklos is a cult hero in the making, and the corpses of heroes are essential for establishing hero cults in their honor. And the foreseen status of Patroklos as cult hero prefigures a comparable status for Achilles himself beyond the Iliad.

draft js image errorCopperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman.Photographed/scanned by H.-P.Haack (Antiquariat Dr. Haack Leipzig) [CC BY 3.0 (http://creativecommons.org/licenses/by/3.0) or Public domain], via Wikimedia Commons.

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Hector is compared here to a phlox ‘burst of flame’ streaming from Hephaistos as god of fire. See also I.13.688 and I.16.122–124 on the fire of Hector as a phlox ‘burst of flame’.

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The death of Patroklos is viewed here retrospectively as a great pēma ‘pain’, I.17.099, that is sure to kulindesthai ‘roll’ down from the heights like some boulder and destroy anyone daring to attack a warrior who is being protected by a god. On the metaphor of such a pēma ‘pain’ as a boulder that ‘rolls’ down from the heights, see the comment on I.11.347. In the present context, I.17.098–101, the pēma ‘pain’ has descended upon Patroklos, who has dared to attack Hector while that warrior was being protected by Apollo. This pēma ‘pain’ for Patroklos prefigures what will happen to Achilles himself beyond the Iliad when he dares to attack Paris while that warrior is in turn being protected by Apollo.

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