Homer Iliad 16.74

ed. George Chapman

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Iliad. Homer. ed. George Chapman. London. 1887.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) (English) (English (George Chapman, 1611, ed. Hooper 1857))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 16.74 focus
οὐ γὰρ Τυδεΐδεω Διομήδεος ἐν παλάμῃσι
μαίνεται ἐγχείη Δαναῶν ἀπὸ λοιγὸν ἀμῦναι·
75
οὐδέ πω Ἀτρεΐδεω ὀπὸς ἔκλυον αὐδήσαντος
ἐχθρῆς ἐκ κεφαλῆς· ἀλλʼ Ἕκτορος ἀνδροφόνοιο
Τρωσὶ κελεύοντος περιάγνυται, οἳ δʼ ἀλαλητῷ
πᾶν πεδίον κατέχουσι μάχῃ νικῶντες Ἀχαιούς.
ἀλλὰ καὶ ὧς Πάτροκλε νεῶν ἄπο λοιγὸν ἀμύνων
80
ἔμπεσʼ ἐπικρατέως, μὴ δὴ πυρὸς αἰθομένοιο
νῆας ἐνιπρήσωσι, φίλον δʼ ἀπὸ νόστον ἕλωνται.
πείθεο δʼ ὥς τοι ἐγὼ μύθου τέλος ἐν φρεσὶ θείω,
ὡς ἄν μοι τιμὴν μεγάλην καὶ κῦδος ἄρηαι
πρὸς πάντων Δαναῶν, ἀτὰρ οἳ περικαλλέα κούρην
85
ἂψ ἀπονάσσωσιν, ποτὶ δʼ ἀγλαὰ δῶρα πόρωσιν.
ἐκ νηῶν ἐλάσας ἰέναι πάλιν· εἰ δέ κεν αὖ τοι
δώῃ κῦδος ἀρέσθαι ἐρίγδουπος πόσις Ἥρης,
μὴ σύ γʼ ἄνευθεν ἐμεῖο λιλαίεσθαι πολεμίζειν
Τρωσὶ φιλοπτολέμοισιν· ἀτιμότερον δέ με θήσεις·
90
μὴ δʼ ἐπαγαλλόμενος πολέμῳ καὶ δηϊοτῆτι
Τρῶας ἐναιρόμενος προτὶ Ἴλιον ἡγεμονεύειν,
μή τις ἀπʼ Οὐλύμποιο θεῶν αἰειγενετάων
ἐμβήῃ· μάλα τούς γε φιλεῖ ἑκάεργος Ἀπόλλων·
ἀλλὰ πάλιν τρωπᾶσθαι, ἐπὴν φάος ἐν νήεσσι
95
θήῃς, τοὺς δʼ ἔτʼ ἐᾶν πεδίον κάτα δηριάασθαι.
αἲ γὰρ Ζεῦ τε πάτερ καὶ Ἀθηναίη καὶ Ἄπολλον
μήτέ τις οὖν Τρώων θάνατον φύγοι ὅσσοι ἔασι,
μήτέ τις Ἀργείων, νῶϊν δʼ ἐκδῦμεν ὄλεθρον,
ὄφρʼ οἶοι Τροίης ἱερὰ κρήδεμνα λύωμεν.
100
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 16.74 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 16.131 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 16.74 focus
Diomedes son of Tydeus no longer wields his spear [75] to defend the Danaans, neither have I heard the voice of the son of Atreus coming from his hated [ ekhthrē] head, whereas that of manslaughtering Hector rings in my ears as he gives orders to the Trojans, who triumph over the Achaeans and fill the whole plain with their cry of battle. [80] Even so, Patroklos, ward off the devastation [ loigos] from the ships 81 and attack with power [ kratos], lest they [the Trojans] burn 82 the ships with blazing fire and take away a safe homecoming [ nostos]. Bring to fulfillment [ telos] what I now order you to do, so that you may win me great honor [ tīmē] [85] from all the Danaans, and that they may restore the girl to me again and give me rich gifts into the bargain. When you have driven the Trojans from the ships, come back again. Though Hera’s thundering husband should put triumph within your reach, do not fight the Trojans further in my absence, [90] or you will rob me of glory that should be mine. And do not for lust of battle go on killing the Trojans nor lead the Achaeans on to Ilion, lest one of the ever-living gods from Olympus attack you—for Phoebus Apollo loves them well: [95] return when you have freed the ships from peril, and let others wage war upon the plain. 97 Father Zeus, Athena, and Apollo! If only 98 not one of all the Trojans could escape destruction, 99 nor a single one of the Argives, while you and I emerge from the slaughter, [100] so that we two alone may break Troy’s sacred coronal.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 16.74 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 16.74 focus
'No longer flames the lance of Tydeus' son;
'No more your general calls his heroes on;
'Hector alone I hear; his dreadful breath
'Commands your slaughter, or proclaims your death.
'Yet now, Patroclus, issue to the plain;
105
'Now save the ships, the rising fires restrain,
'And give the Greeks to visit Greece again.
'But heed my words, and mark a friend's command,
'Who trusts his fame and honours in thy hand,
'And from thy deeds expects th' Achaian host
110
'Shall render back the beauteous maid he lost:
'Rage uncontroll'd through all the hostile crew,
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 16.74 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 16.74 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 16 focus

Notes on the current edition

Iliad

1. 50 Libertine. One admitted to the freedom of the city (Latin).
2. 57 Repeat—repetition, repeated tale.
3. 74 Ajourn or as we now spell it " adjourn."
4. 78 Wench. It should be remembered that this word originally meant young woman only, without the “contemptuous familiarity," as NARES terms it, " annexed to it."
5. 80 " Jupiter called the God of sounds, for the chief sound his thunder."—CHAPMAN.
6. 97 The second folio and Dr. Taylor read " those darts.”

New Alexandria Commentaries

Douglas Frame

analysis of the parallelism between Nestor and Patroclus (as in Nestor’s second story), with regards to Patroclus’ failure to turn back from battle as Achilles commands

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analysis of the parallelism between Nestor and Patroclus (as in Nestor’s second story), with regards to Patroclus’ failure to turn back from battle as Achilles commands and here specifically Patroclus’ state of mind (which mirrors Nestor’s)

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analysis of the parallelism between Nestor and Patroclus (as in Nestor’s second story), with regards to Patroclus’ failure to turn back from battle as Achilles commands

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contra Heiden that the end of Book 15 constitutes one of two major breaks in the performance of the Iliad

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Gregory Nagy

It seems at first as if everything is coming together here in Iliad 16. Achilles, best of the Achaeans, sends out his other self, Patroklos, to fight Hector and his Trojans, who are now on the verge of setting on fire and destroying all the beached ships of the Achaeans. Patroklos does in fact succeed in stopping the fire, which had been endangering not only the survival of the Achaeans but even the very existence of their notional descendants, imagined as the Greeks who are listening to the story of the Iliad in their own time. The conflagration that could have burned down the beached ships of the Achaeans is now literally ‘quenched’ by Patroklos, whose heroic action in putting out the fire of the Trojans is compared in a simile to a cosmic action taken by Zeus himself when this weather-god drenches and thus destroys in a violent rainstorm the farmlands of unjust men. Clearly, Zeus is now once again on the Achaean side of the Trojan War. But the success of Patroklos is not to last: soon after he kills Sarpedon, son of Zeus himself, in the course of a spectacular chariot fight, Patroklos now gets killed in the course of a second spectacular chariot fight. This time, Patroklos has gone too far, daring to attack not only Hector but also the divine protector of that hero, Apollo himself. Now everything is about to come apart again, and Achilles has yet to find out about the tragedy that awaits him.

draft js image errorA chariot driver and a chariot fighter in a biga (two-horses chariot). Terracotta, Late Helladic IIIA–IIIB (ca. 1400–1200 BCE). Louvre Museum, CA 2959. Credit line: Purchase, 1934.  Image Marie-Lan Nguyen (User:Jastrow), 2009-06-28 [CC BY 2.5 (http://creativecommons.org/licenses/by/2.5)], via Wikimedia Commons.

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See the comment on I.01.320–348; see also I.16.032. Here the subject of the verb amunein ‘ward off’ switches from Achilles to Patroklos. This way, Patroklos becomes the savior of the Achaeans by rescuing them from the fire of Hector.

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Here again the subject of the verb amunein ‘ward off’ switches from Achilles to Patroklos. See the comment on I.16.075.

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Achilles tells Patroklos not to go beyond the limits that he sets for him in these verses. If Patroklos does exceed these limits, as he will, he will lose his shared identity with Achilles.

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The heroic tendency of Achilles to behave as a lone warrior, not as a member of a group of warriors, is comparable to heroic tendencies that play out in the Indic epic known as the Mahābhārata. In that epic, Bhīma is the “loner,” as it were, while Arjuna is the “joiner.” But the characteristic of Achilles as a “loner” is complicated by the fact that Patroklos, so long as he shares his identity with Achilles, likewise behaves as a “loner” in the Iliad.

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Leonard Muellner

demonstrating that kluein has no sacral connotations while eukhomenoio/euxamenoio does, in the context of the analyzing kluein + eukhesthai formulas

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analysis of ēkousen as a lexical renewal of the petrified ekluen, in the context of analyzing kluein + eukhesthai formulas

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demonstrating that kluein has no sacral connotations while eukhomenoio/euxamenoio does, in the context of the analyzing kluein + eukhesthai formulas

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comparison of Achilles’ goals in Iliad 16 (when sending Patroklos to fight) and in Iliad 18 (when Patroklos has died and he joins battle), timē and kleos, respectively

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analysis of mēnis in Patroklos’ aristeia

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in a list of passages exemplifying the complementary metrical distribution of eukhos and kudos

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examples of the identical contexts in which eukhos and kudos occur

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in the context of analyzing the identification of Achilles and Patroklos

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contrasting Achilles’ philotēs in Iliad 16 (exclusive bond with Patroklos) and Iliad 18 (bond with Patroklos and with the rest of the social group)

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analysis of the attestations of eukhesthai + aorist infinitive (and the series to which this verse belongs)

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