Homer Iliad 14.27

ed. George Chapman

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Iliad. Homer. ed. George Chapman. London. 1887.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) (English) (English (George Chapman, 1611, ed. Hooper 1857))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 14.27 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 14.27 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 14.1 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 14.27 focus
The wounded kings, the son of Tydeus, Odysseus, and Agamemnon, son of Atreus, fell on Nestor as they were coming up from their ships— [30] for theirs were drawn up some way from where the fighting was going on, being on the shore itself inasmuch as they had been beached first, while the wall had been built behind the hindermost. The stretch of the shore, wide though it was, did not afford room for all the ships, and the army was cramped for space, [35] therefore they had placed the ships in rows one behind the other, and had filled the whole opening of the bay between the two points that formed it. The kings, leaning on their spears, were coming out to survey the fight, being in great anxiety, [40] and when old Nestor met them they were filled with dismay. Then King Agamemnon said to him, “Nestor, son of Neleus, honor to the Achaean name, why have you left the battle to come hither? I fear that what dread Hector said will come true, [45] when he vaunted among the Trojans saying that he would not return to Ilion till he had fired our ships and killed us; this is what he said, and now it is all coming true. Alas! others of the Achaeans, [50] like Achilles, are in anger with me that they refuse to fight by the sterns of our ships.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 14.27 focus
Then, coming from the fleet, the wounded kings,
Nurslings of Jove, met Nestor; toward him came
35
Tydides, and Ulysses, and the son
Of Atreus, Agamemnon. On the beach
Of the gray deep their ships were ranged afar
From that fierce conflict. There the Greeks had drawn,
To the plain's edge, the first that touched the land,
40
And built a rampart at their sterns. Though long
The shore-line, it sufficed not to contain
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 14.27 focus
Him, in his march, the wounded princes meet,
35
By tardy steps ascending from the fleet;
The king of men, Ulysses the divine,
And who to Tydeus owes his noble line.
(Their ships at distance from the battle stand,
In lines advanc'd along the shelving strand;
40
Whose bay the fleet unable to contain
At length, beside the margin of the main,
Rank above rank, the crowded ships they moor:
Who landed first, lay highest on the shore.)
Supported on their spears they took their way,
45
Unfit to fight, but anxious for the day.
Nestor's approach alarm'd each Grecian breast,
Whom thus the general of the host address'd:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 14.27 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 14.27 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 14 focus

Notes on the current edition

Iliad

1. 7 Quitture—discharge, issue.
2. 13 "Forefeels—feels beforehand. There is no more expressive description of that swelling of waves that portends a coming storm than is contained in this single word."—COOKE TAYLOR.

New Alexandria Commentaries

Gregory Nagy

The momentum of the attacking Trojan warriors gets stalled here, since Hērā interrupts the ongoing Plan of Zeus. The goddess seduces the god, and the setting for their divine sexual encounter is the spectacular landscape of Mount Ida, which is the private abode of the thundering almighty. During the tryst of the god and the goddess, the Achaeans regain the upper hand in the fighting. But this new momentum is soon headed for a downturn. The divine interruption, despite all its cosmic sexual energy, becomes retrospectively a mere interlude in the narrative arc of the Iliad—once the tryst is over and the Plan of Zeus resumes its relentless course of action.

draft js image errorJuno and Jupiter. Detail from “Loves of the Gods,” fresco by Annibale Carracci (1560–1609). Annibale Carracci [Public domain], via Wikimedia Commons, https://commons.wikimedia.org/wiki/File:Carracci_-_Jupiter_et_Junon.jpeg.

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Nestor here reconnects with Agamemnon and other leaders of the Achaeans at their headquarters, I.14.027–028. The headquarters are pictured as a massing of ships beached on the shores of the south end of the bay of the Hellespont, and this location has been reconstructed in the comments on I.08.220–227, I.11.005–016, and I.11.806–808. But there is now an added detail to be noted here at I.14.030–032: the ships had been beached with their sterns facing inland and their prows facing out toward the waters, so that the Wall of the Achaeans, built ten years after the original beaching of the ships, was made to be contiguous with the sterns of the ships lined up along the southern shores of the bay of the Hellespont. See also the comment at I.15.385. As for the other ships of the Achaeans, they had been beached along the shores of the rest of the U-shaped bay, as we read at I.14.033–036. See the comment on those verses. These other ships, then, are peripheral to the ships beached at the central shoreline of the bay, which are pictured as the headquarters of the Achaeans. And these headquarers, as noted in the comment on I.11.806–808, are called the naustathmon ‘ship-station’ by Strabo 13.1.31–32 C595 (quoted at HPC 153) and 13.1.36 C598 (quoted at HPC 154). Also, as noted in the comments on I.11.806–808, Homeric poetry pictures such a ‘station’ as a political and sacral centerpoint for the leaders of the Achaeans. See also the comments on I.08.220–227. It is this central station that becomes the political stage of Agamemnon when he stands on the beached ship of Odysseus and projects his voice of authority to all the Achaeans stationed at their ships, I.08.220–227. And it is this central station, we will see later in more detail, that becomes the prime target of the Trojan hero Hector when he succeeds in penetrating the Achaean Wall. Also in a later comment, there will be more to say about the sharing of this central space by two figures in particular, Agamemnon and Odysseus. The joint participation of these two Homeric heroes in the innermost political zone that is marked by this spatial centerpoint is homologous with their engagement in two epic quarrels involving Achilles as a political outsider: the quarrel between Achilles and Agamemnon in the Iliad, it can be argued, is linked with the quarrel between Achilles and Odysseus in the “micro-Iliad” at O.08.072–083, which is the First Song of Demodokos (BA 42–58).

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