Homer Iliad 6.297

Samuel Butler (Translator)

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When these [women] had come to Athena’s temple at the top of the citadel, 298 Theano of the fair cheeks opened the door for them, 299 daughter of Kissēs and wife of Antenor, breaker of horses, [300] she whom the Trojans had established to be priestess of the Athenian goddess. 301 With a cry of ololu! all lifted up their hands to Athena, 302 and Theano of the fair cheeks, taking up the peplos, laid it 303 along the knees of Athena the lovely-haired, and praying 304 she supplicated the daughter of powerful Zeus: [305] “O Lady Athena, our city’s defender, shining among goddesses: 306 break the spear of Diomedes, and grant that the man be 307 hurled on his face in front of the Scaean Gates; so may we 308 instantly dedicate within your shrine twelve heifers, 309 yearlings, never broken, if only you will have pity [310] on the city of Troy, and the Trojan wives, and their innocent children.” Thus she prayed, but Pallas Athena granted not her prayer.

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Experimental

English (Butler, rev. Nagy et al., 2020) (OCR draft) (English) (English (Butler, rev. Nagy et al., 2020))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 6.297 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 6.297 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 6.305 focus
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 6.297 focus
They reached Minerva's temple, and its gates
Were opened by Theano, the fair child
Of Cisseus and the knight Antenor's wife,
390
Made priestess to the goddess by the sons
Of Troy. Then all the matrons lifted up
Their voices and stretched forth their suppliant hands
To Pallas, while the fair Theano took
The robe and spread its folds upon the lap
395
Of fair-haired Pallas, and with solemn vows
Prayed to the daughter of imperial Jove:-
"O venerated Pallas, Guardian-Power
Of Troy, great goddess! shatter thou the lance
Of Diomed, and let him fall in death
400
Before the Scæan gates, that we forthwith
May offer to thee in thy temple here
Twelve yearling heifers that have never worn
The yoke, if thou wilt pity us and spare
The wives of Trojans and their little ones."
405
So spake she, supplicating; but her prayer
Minerva answered not; and while they made
Vows to the daughter of Almighty Jove,
Hector was hastening to the sumptuous home
Of Alexander, which that prince had built
410
With aid of the most cunning architects
In Troy the fruitful, by whose hands were made
The bed-chamber and hall and ante-room.
There entered Hector, dear to Jove; he bore
In hand a spear eleven cubits long:
415
The brazen spear-head glittered brightly, bound
With a gold circle. In his room he there
Found Paris, busied with his shining arms, -
Corslet and shield; he tried his curvèd bow;
While Argive Helen with the attendant maids
420
Was sitting, and appointed each a task.
Hector beheld, and chid him sharply thus: -
"Strange man! a fitting time indeed is this,
To indulge thy sullen humor, while in fight
Around our lofty walls the men of Troy
425
Are perishing, and for thy sake the war
Is fiercely blazing all around our town.
Thou wouldst thyself reprove him, shouldst thou see
Another warrior as remiss as thou
In time of battle. Rouse thee, then, and act,
430
Lest we behold our city all in flames."
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 6.297 focus
Soon as to Ilion's topmost tower they come,
370
And awful reach the high Palladian dome,
Antenor's consort, fair Theano, waits
As Pallas' priestess, and unbars the gates.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 6.297 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 6.297 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 6.297 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 6 focus

New Alexandria Commentaries

Gregory Nagy

A high point here in Rhapsody 6 is a tearful scene of farewell for Andromache and Hector. The loving wife will never again see her husband alive. The scene is justly admired for its artistic portrayal of this tragically doomed couple, but the verbal artistry extends even further: also to be most admired here is the remarkable precision of poetic language in representing lament as it was actually performed in ancient Greek song culture.

draft js image errorApulian red-figure column-crater (ca. 370–360 BCE) depicting an intimate family scene: Hector removes his helmet as he says his final farewell to his wife Andromache and to their child Astyanax. Public domain image by Jastrow via Wikimieda Commons

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