Homer Iliad 5.792

Samuel Butler (Translator)

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With these words she put heart and spirit into them all, while owl-vision Athena sprang to the side of the son of Tydeus, whom she found near his chariot and horses, [795] cooling the wound that Pandaros had given him. For the sweat caused by the hand that bore the weight of his shield irritated the hurt: his arm was weary with pain, and he was lifting up the strap to wipe away the blood. The goddess laid her hand on the yoke of his horses and said, [800] “The son of Tydeus is not such another as his father. Tydeus was a little man, but he could fight, and rushed madly into the fray even when I told him not to do so. When he went all unattended as envoy to the city of Thebes among the Kadmeians, [805] I bade him feast in their houses and be at peace; but with that high spirit which was ever present with him, he challenged the youth of the Kadmeians, and at once beat them in all that he attempted, so mightily did I help him. I stand by you too to protect you, [810] and I bid you be instant in fighting the Trojans; but either you are tired out, or you are afraid and out of heart, and in that case I say that you are no true son of Tydeus, the son of high-spirited Oineus.”

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Experimental

English (Butler, rev. Nagy et al., 2020) (OCR draft) (English) (English (Butler, rev. Nagy et al., 2020))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 5.792 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 5.792 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 5.792 focus
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 5.792 focus
She spake, and laid her hand on Sthenelus,
To draw him from the horses; instantly
1040
He leaped to earth; the indignant deity
Took by the side of Diomed her place;
The beechen axle groaned beneath the weight
Of that great goddess and that man of might.
Then Pallas seized the lash and caught the reins,
1045
And, urging the firm-footed coursers, drave
Full against Mars, who at that moment slew
Huge Periphas, the mightiest one of all
The Ætolian band, - Ochesius' famous son.
While bloody-handed Mars was busy yet
1050
About the slain,
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 5.792 focus
Her speech new fury to their hearts convey'd;
While near Tydides stood th' Athenian maid:
The king beside his panting steeds she found,
O'erspent with toil, reposing on the ground:
To cool his glowing wound he sat apart;
990
(The wound inflicted by the Lycian dart;)
Large drops of sweat from all his limbs descend,
Beneath his ponderous shield his sinews bend,
Whose ample belt, that o'er his shoulder lay,
He eas'd; and wash'd the clotted gore away.
995
The goddess, leaning o'er the bending yoke
Beside his coursers, thus her silence broke:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 5.792 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 5.792 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 5.792 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 5 focus

New Alexandria Commentaries

Gregory Nagy

The momentum of the war is spirited, and the fighting mood of the warriors verges on overreaching. An outstanding example is Diomedes, who already owns a glorious past as a conquering hero in the epic tradition known as the Sons of the Seven against Thebes or Epigonoi. Now in the epic present of the Iliad he has a chance to outdo himself, performing deeds so glorious that they would outshine perhaps even the deeds of Achilles, who is now out of the picture. The successes of Diomedes reach the point where he is capable of feats that are superhuman, as when he lifts a rock that even two humans today could not budge—or as when he wounds the god of war himself, Ares, and then, shortly thereafter, the goddess of love and sexuality, Aphrodite. But such momentum is not to last, and the antagonism of Diomedes toward divinities will have its consequences.

draft js image error“Aeneas and Diomedes.” Wenceslaus Hollar (Bohemian, 1607–1677). Image via Wikimedia Commons.

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