Homer Iliad 24.1

Samuel Butler (Translator)

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the people went their ways each to his own ship. There they made ready their supper, and then turned their thoughts to the blessed boon of sleep; but Achilles still wept for thinking of his dear comrade, and sleep, [5] before whom all things bow, could take no hold upon him. This way and that did he turn as he yearned after the might and manfulness of Patroklos; he thought of all they had done together, and all they had gone through both on the field of battle and on the waves of the weary sea. As he dwelt on these things he wept bitterly [10] and lay now on his side, now on his back, and now face downwards, till at last he rose and went out as one distraught to wander upon the seashore. Then, when he saw dawn breaking over beach and sea, he yoked his horses to his chariot, [15] and bound the body of Hector behind it that he might drag it about. Thrice did he drag it round the tomb [ sēma] of the son of Menoitios, and then went back into his tent, leaving the body on the ground full length and with its face downwards. But Apollo would not suffer it to be disfigured, for he pitied the man, dead though he now was; [20] therefore he shielded him with his golden aegis continually, that he might take no hurt while Achilles was dragging him.

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Experimental

English (Butler, rev. Nagy et al., 2020) (OCR draft) (English) (English (Butler, rev. Nagy et al., 2020))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 24.1 focus
Translations (7)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 24.1 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 24.1 focus
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 24.1 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 24.1 focus
NOW from the finish'd games the Grecian band
1
Seek their black ships, and clear the crowded strand:
All stretch'd at ease the genial banquet share,
And pleasing slumbers quiet all their care.
Not so Achilles: he, to grief resign'd,
5
His friend's dear image present to his mind,
Takes his sad couch, more unobserv'd to weep,
Nor tastes the gifts of all-composing sleep;
Restless he roll'd around his weary bed,
And all his soul on his Patroclus fed:
10
The form so pleasing, and the heart so kind,
That youthful vigour, and that manly mind,
What toils they shar'd, what martial works they wrought,
What seas they measur'd, and what fields they fought;
All pass'd before him in remembrance dear,
15
Thought follows thought, and tear succeeds to tear.
And now supine, now prone, the hero lay,
Now shifts his side, impatient for the day;
Then starting up, disconsolate he goes
Wide on the lonely beach to vent his woes.
20
There as the solitary mourner raves,
The ruddy morning rises o'er the waves:
Soon as it rose, his furious steeds he join'd;
The chariot flies, and Hector trails behind.
And thrice, Patroclus! round thy monument
25
Was Hector dragg'd, then hurried to the tent.
There sleep at last o'ercomes the hero's eyes;
While foul in dust th' unhonour'd carcass lies,
But not deserted by the pitying skies.
For Phoebus watch'd it with superior care,
30
Preserv'd from gaping wounds, and tainting air;
And, ignominious as it swept the field,
Spread o'er the sacred corse his golden shield.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 24.1 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 24.1 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 24.1 focus

New Alexandria Commentaries

Gregory Nagy

The Iliad ends with the funeral of Hector, not of Achilles. And it is Hector, not Achilles, who is lamented at the end. But it is Achilles who makes it all happen, since he has transcended his rage and has shown mercy to an old father. The tears of Priam had made Achilles think of his own old father, of his own ancestors—and of Patroklos, who embodied the glories of the ancestors. Achilles was looking bad at the beginning of Iliad 23 and even at the beginning of Iliad 24, but he looks very good by the time Iliad 24 comes to a close.

draft js image errorMourners lament as Hector’s corpse is laid out in preparation for the funeral that closes Iliad Rhapsody 24. Copperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman. Image via Wikimedia Commons.

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The gods pity Hector and are on the verge of sending Hermes to hide the corpse of Hector, but this plan is vetoed by Hērā and Poseidon, in that order. They bear a grudge against Troy and Priam because of an atē ‘aberration’ of Paris=Alexandros. But the narrative concentrates only on Hērā, since the atē ‘aberration’ that the Master Narrator has in mind involves a direct insult to that goddess. On the story of that insult, see the comment on the verses that immediately follow.

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