Homer Iliad 21.537

Samuel Butler (Translator)

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As he spoke they drew back the bolts and opened the gates, and when these were opened there was a haven of refuge for the Trojans. Apollo then came full speed out of the city to meet them [540] and protect them. Right for the city and the high wall, parched with thirst and grimy with dust, still they hurried on, with Achilles wielding his spear furiously behind them. For he was as one possessed, and was thirsting after glory.

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Experimental

English (Butler, rev. Nagy et al., 2020) (OCR draft) (English) (English (Butler, rev. Nagy et al., 2020))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 21.537 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 21.537 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 21.502 focus
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 21.537 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 21.537 focus
Thus charged the reverend monarch: wide were flung
The opening folds! the sounding hinges rung.
Phoebus rush'd forth, the flying bands to meet,
Struck slaughter back, and cover'd the retreat.
630
On heaps the Trojans crowd to gain the gate,
And gladsome see their last escape from fate:
Thither, all parch'd with thirst, a heartless train,
Hoary with dust, they beat the hollow plain;
And gasping, panting, fainting, labour on
635
With heavier strides, that lengthen tow'rd the town.
Enraged Achilles follows with his spear;
Wild with revenge, insatiable of war.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 21.537 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 21.537 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 21.537 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 21 focus

New Alexandria Commentaries

Gregory Nagy

So long as the anger of Achilles remains in force, the Trojans will remain in possession of the east side of the river Skamandros, latinized as Scamander, while they continue to fight the Achaeans on the west side. On this principal river of the Trojan plain, see already the comments on I.08.220–227 and I.11.497–500. Only after Achilles rejoins his companions and returns to the battlefield will the Trojans be pushed back to the east side of the Scamander, and this major retreat finally happens here in Iliad 21. Now the raging Achilles pushes the Trojans back to the edge of the west bank of this river, I.21.001, and there they perish in droves, either at the hands of Achilles or by drowning, I.21.007–021—unless they manage to escape by crossing over to the east bank of the river, I.21.002–004.

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The momentum of Achilles continues to heat up. The Trojans are now retreating as fast as they can, heading back toward Troy to find safety there within the sacred walls of that ancient citadel. In their hurry to get away from the field of battle, their hasty retreat has quickly turned into a chaotic and humiliating rout. Achilles is right behind them, in hot pursuit, slaughtering left and right the fleeing Trojans. The hero seems unstoppable. But Achilles meets his match when he provokes the river god Scamander, whose clear streams he has polluted with the gore of countless Trojans that he slaughters while they are desperately attempting to ford the god’s river.

draft js image errorCopperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman. Image via Wikimedia Commons.

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