Homer Iliad 21.361

Samuel Butler (Translator)

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He was boiling as he spoke, and all his waters were seething. As a cauldron upon a large fire boils when it is melting the lard of some fatted hog, and the lard keeps bubbling up all over when the dry faggots blaze under it— [365] even so were the goodly waters of Xanthos heated with the fire till they were boiling. He could flow no longer but stayed his stream, so afflicted was he by the blasts of fire which cunning Hephaistos had raised. Then he prayed to Hera and besought her saying, “Hera, why should your son vex my stream [370] with such especial fury? I am not so much responsible [ aitios] as all the others are who have been helping the Trojans. I will leave off, since you so desire it, and let your son leave off also. Furthermore I swear never again will I do anything to save the Trojans from destruction, [375] not even when all Troy is burning in the flames which the Achaeans will kindle.”

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Experimental

English (Butler, rev. Nagy et al., 2020) (OCR draft) (English) (English (Butler, rev. Nagy et al., 2020))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 21.361 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 21.361 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 21.361 focus
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 21.361 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 21.361 focus
He ceas'd; while, conflagration blazing round,
The bubbling waters yield a hissing sound.
As when the flames beneath a caldron rise,
To melt the fat of some rich sacrifice,
425
Amid the fierce embrace of circling fires
The waters foam, the heavy smoke aspires:
So boils th' imprison'd flood, forbid to flow,
And, choked with vapours, feels his bottom glow.
To Juno then, imperial queen of air,
430
The burning river sends his earnest prayer:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 21.361 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 21.361 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 21.361 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 21 focus

New Alexandria Commentaries

Gregory Nagy

So long as the anger of Achilles remains in force, the Trojans will remain in possession of the east side of the river Skamandros, latinized as Scamander, while they continue to fight the Achaeans on the west side. On this principal river of the Trojan plain, see already the comments on I.08.220–227 and I.11.497–500. Only after Achilles rejoins his companions and returns to the battlefield will the Trojans be pushed back to the east side of the Scamander, and this major retreat finally happens here in Iliad 21. Now the raging Achilles pushes the Trojans back to the edge of the west bank of this river, I.21.001, and there they perish in droves, either at the hands of Achilles or by drowning, I.21.007–021—unless they manage to escape by crossing over to the east bank of the river, I.21.002–004.

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The momentum of Achilles continues to heat up. The Trojans are now retreating as fast as they can, heading back toward Troy to find safety there within the sacred walls of that ancient citadel. In their hurry to get away from the field of battle, their hasty retreat has quickly turned into a chaotic and humiliating rout. Achilles is right behind them, in hot pursuit, slaughtering left and right the fleeing Trojans. The hero seems unstoppable. But Achilles meets his match when he provokes the river god Scamander, whose clear streams he has polluted with the gore of countless Trojans that he slaughters while they are desperately attempting to ford the god’s river.

draft js image errorCopperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman. Image via Wikimedia Commons.

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