Homer Iliad 21.233

Samuel Butler (Translator)

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Meanwhile Achilles sprang from the bank into mid-stream, [235] whereon the river raised a high wave and attacked him. He swelled his stream into a torrent, and swept away the many dead whom Achilles had slain and left within his waters. These he cast out on to the land, bellowing like a bull the while, but the living he saved alive, hiding them in his mighty eddies. [240] The great and terrible wave gathered about Achilles, falling upon him and beating on his shield, so that he could not keep his feet; he caught hold of a great elm-tree, but it came up by the roots, [245] and tore away the bank, damming the stream with its thick branches and bridging it all across; whereby Achilles struggled out of the stream, and fled full speed over the plain, for he was afraid.

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Experimental

English (Butler, rev. Nagy et al., 2020) (OCR draft) (English) (English (Butler, rev. Nagy et al., 2020))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 21.233 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 21.233 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 21.249 focus
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 21.233 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 21.233 focus
He said: and drove with fury on the foe.
Then to the godhead of the silver bow
The yellow flood began: ‘O son of Jove!
‘Was not the mandate of the sire above
250
‘Full and express? that Phoebus should employ
‘His sacred arrows in defence of Troy,
‘And make her conquer, till Hyperion's fall
‘In awful darkness hide the face of all?’ 1
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 21.233 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 21.233 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 21.233 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 21 focus

New Alexandria Commentaries

Gregory Nagy

So long as the anger of Achilles remains in force, the Trojans will remain in possession of the east side of the river Skamandros, latinized as Scamander, while they continue to fight the Achaeans on the west side. On this principal river of the Trojan plain, see already the comments on I.08.220–227 and I.11.497–500. Only after Achilles rejoins his companions and returns to the battlefield will the Trojans be pushed back to the east side of the Scamander, and this major retreat finally happens here in Iliad 21. Now the raging Achilles pushes the Trojans back to the edge of the west bank of this river, I.21.001, and there they perish in droves, either at the hands of Achilles or by drowning, I.21.007–021—unless they manage to escape by crossing over to the east bank of the river, I.21.002–004.

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The momentum of Achilles continues to heat up. The Trojans are now retreating as fast as they can, heading back toward Troy to find safety there within the sacred walls of that ancient citadel. In their hurry to get away from the field of battle, their hasty retreat has quickly turned into a chaotic and humiliating rout. Achilles is right behind them, in hot pursuit, slaughtering left and right the fleeing Trojans. The hero seems unstoppable. But Achilles meets his match when he provokes the river god Scamander, whose clear streams he has polluted with the gore of countless Trojans that he slaughters while they are desperately attempting to ford the god’s river.

draft js image errorCopperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman. Image via Wikimedia Commons.

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