Homer Iliad 21.161

Samuel Butler (Translator)

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Thus did he defy him, and Achilles raised his spear of Pelian ash. Asteropaios failed with both his spears, for he could use both hands alike; with the one spear he struck Achilles’ shield, [165] but did not pierce it, for the layer of gold, gift of the god, stayed the point; with the other spear he grazed the elbow of Achilles’ right arm drawing dark blood, but the spear itself went by him and fixed itself in the ground, foiled of its bloody banquet. Then Achilles, [170] fain to kill him, hurled his spear at Asteropaios, but failed to hit him and struck the steep bank of the river, driving the spear half its length into the earth. The son of Peleus then drew his sword and sprang furiously upon him. Asteropaios vainly tried to draw Achilles’ spear out of the bank by main force; three times did he tug at it, [175] trying with all his might to draw it out, and three times he had to leave off trying; the fourth time he tried to bend and break it, but before he could do so glorious Achilles smote him with his sword and killed him. He struck him in the belly near the navel, [180] so that all his bowels came gushing out on to the ground, and the darkness of death came over him as he lay gasping. Then Achilles set his foot on his chest and spoiled him of his armor, vaunting over him and saying, “Lie there – begotten of a river though you be, [185] it is hard for you to strive with the offspring of Kronos’ son. You declare yourself sprung from the blood of a broad river, but I am of the seed of mighty Zeus. My father is Peleus, son of Aiakos ruler over the many Myrmidons, and Aiakos was the son of Zeus. [190] Therefore as Zeus is mightier than any river that flows into the sea, so are his children stronger than those of any river whatsoever. Moreover you have a great river hard by if he can be of any use to you, but there is no fighting against Zeus the son of Kronos, with whom not even King Akheloos can compare, [195] nor the mighty stream of deep-flowing Okeanos, from whom all rivers and seas with all springs and deep wells proceed; even Okeanos fears the lightnings of great Zeus, and his thunder that comes crashing out of heaven.”

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Experimental

English (Butler, rev. Nagy et al., 2020) (OCR draft) (English) (English (Butler, rev. Nagy et al., 2020))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 21.161 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 21.161 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 21.114 focus
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 21.161 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 21.161 focus
Threatening he said: the hostile chiefs advance;
At once Asteropæus discharged each lance;
180
(For both his dexterous hands the lance could wield;)
One struck, but pierc'd not the Vulcanian shield;
One raz'd Achilles' hand; the spouting blood
Spun forth, in earth the fasten'd weapon stood.
Like lightning next the Pelian javelin flies;
185
Its erring fury hiss'd along the skies;
Deep in the swelling bank was driven the spear,
E'en to the middle earth; and quiver'd there.
Then from his side the sword Pelides drew,
And on his foe with double fury flew;
190
The foe thrice tugg'd, and shook the rooted wood,
Repulsive of his might the weapon stood:
The fourth, he tries to break the spear, in vain;
Bent as he stands he tumbles to the plain;
His belly open'd with a ghastly wound,
195
The reeking entrails pour upon the ground.
Beneath the hero's feet he panting lies,
And his eye darkens, and his spirit flies:
While the proud victor thus triumphing said,
His radiant armour tearing from the dead:
200
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 21.161 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 21.161 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 21.161 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 21 focus

New Alexandria Commentaries

Gregory Nagy

So long as the anger of Achilles remains in force, the Trojans will remain in possession of the east side of the river Skamandros, latinized as Scamander, while they continue to fight the Achaeans on the west side. On this principal river of the Trojan plain, see already the comments on I.08.220–227 and I.11.497–500. Only after Achilles rejoins his companions and returns to the battlefield will the Trojans be pushed back to the east side of the Scamander, and this major retreat finally happens here in Iliad 21. Now the raging Achilles pushes the Trojans back to the edge of the west bank of this river, I.21.001, and there they perish in droves, either at the hands of Achilles or by drowning, I.21.007–021—unless they manage to escape by crossing over to the east bank of the river, I.21.002–004.

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The momentum of Achilles continues to heat up. The Trojans are now retreating as fast as they can, heading back toward Troy to find safety there within the sacred walls of that ancient citadel. In their hurry to get away from the field of battle, their hasty retreat has quickly turned into a chaotic and humiliating rout. Achilles is right behind them, in hot pursuit, slaughtering left and right the fleeing Trojans. The hero seems unstoppable. But Achilles meets his match when he provokes the river god Scamander, whose clear streams he has polluted with the gore of countless Trojans that he slaughters while they are desperately attempting to ford the god’s river.

draft js image errorCopperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman. Image via Wikimedia Commons.

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