Homer Iliad 19.74

Samuel Butler (Translator)

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Thus he spoke. And the fair-greaved Achaeans were happy [75] that the great-hearted son of Peleus unsaid his anger [ mēnis]. 76 Then Agamemnon, the king of men, spoke up at their meeting, 77 right there from the place where he was sitting, not even standing up in the middle of the assembly. 78 “Near and dear ones,” said he, “Danaan [= Achaean] heroes, attendants [ therapontes] of Arēs! 79 It is a good thing to listen when a man stands up to speak, and it is not seemly [80] to speak in relay after him. It would be hard for someone to do that, even if he is a practiced speaker. 81 For how could any man in an assembly either hear anything when there is an uproar 82 or say anything? Even a public speaker who speaks clearly will be disconcerted by it. 83 What I will do is to make a declaration addressed to [Achilles] the son of Peleus. As for the rest of you 84 Argives [= Achaeans], you should understand and know well, each one of you, the words [ mūthos] that I say for the record. [85] By now the Achaeans have been saying these words [ mūthos] to me many times, 86 and they have been blaming me. But I am not responsible [ aitios]. 87 No, those who are really responsible are Zeus and Fate [ Moira] and the Fury [ Erinys] who roams in the mist. 88 They are the ones who, at the public assembly, had put savage derangement [ atē] into my thinking [ phrenes] 89 on that day when I myself deprived Achilles of his honorific portion [ geras]. [90] But what could I do? The god is the one who brings everything to its fulfillment [ teleutân]. 91 That goddess Atē, senior daughter of Zeus—she makes everyone veer off-course [ aâsthai], 92 that disastrous one [ oulomenē], the one who has delicate steps. She never makes contact with the ground of the threshold, 93 never even going near it, but instead she hovers over the heads of men, bringing harm to mortals. 94 In her harmfulness, she has incapacitated others as well [besides me], and I have in mind one person in particular.

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Experimental

English (Butler, rev. Nagy et al., 2020) (OCR draft) (English) (English (Butler, rev. Nagy et al., 2020))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 19.74 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 19.74 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 19.125 focus
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 19.74 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 19.74 focus
He said; his finish'd wrath with loud acclaim
The Greeks accept, and shout Pelides' name.
When thus, not rising from his lofty throne,
In state unmov'd, the king of men begun:
80
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 19.74 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 19.74 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 19.74 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 19 focus

New Alexandria Commentaries

Gregory Nagy

The time has come for Achilles to re-enter the war against the Trojans. For this to happen, Agamemnon must first settle with Achilles. But the over-king feels the need to say more than simply to formulate his proposed terms of settlement. His aim is to excuse himself from responsibility for dishonoring Achilles, and the story that he tells in order to achieve this aim is a retelling of a cosmic atē ‘aberration’ that resulted in the Labors of Hēraklēs. Such a retelling, however, is destined to backfire: it will result in further damage to Agamemnon’s own royal status and in further advancement for the heroic prestige of Achilles, for whom Hēraklēs now becomes a perfect model.

draft js image errorHerakles at the tree of the Hesperides, holding three of the golden apples in his left hand. Behind him is the apple tree with the guardian serpent clinging around it. Bronze, 104.5cm (Roman, 1st century C.E.). Image via The British Museum.

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