Homer Iliad 18.324

Samuel Butler (Translator)

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“Alas! vain were the words [325] with which I cheered the hero Menoitios in his own house; I said that I would bring his brave son back again to Opoeis after he had ransacked Ilion and taken his share of the spoils—but Zeus does not give all men their heart’s desire. [330] The same soil shall be reddened here at Troy by the blood of us both, for I too shall never be welcomed home by the old charioteer Peleus, nor by my mother Thetis, but even in this place shall the earth cover me. Nevertheless, O Patroklos, now that I am left behind you, I will not bury you, till I have brought here [335] the head and armor of mighty Hector who has slain you. Twelve noble sons of Trojans will I behead before your bier to avenge you; till I have done so you shall lie as you are by the ships, [340] and fair women of Troy and Dardanos, whom we have taken with spear and strength of arm when we ransacked men’s goodly cities, shall weep over you both night and day.”

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Experimental

English (Butler, rev. Nagy et al., 2020) (OCR draft) (English) (English (Butler, rev. Nagy et al., 2020))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 18.324 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 18.324 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 18.388 focus
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 18.324 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 18.324 focus
‘In what vain promise, gods! did I engage,
‘When, to console Menoetius' feeble age,
380
‘I vow'd his much-lov'd offspring to restore,
‘Charged with rich spoils, to fair Opuntia's shore?
‘But mighty Jove cuts short, with just disdain,
‘The long, long views of poor designing man!
‘One fate the warrior and the friend shall strike,
385
‘And Troy's black sands must drink our blood alike:
‘Me, too, a wretched mother shall deplore,
‘An aged father never see me more!
‘Yet, my Patroclus! yet a space I stay,
‘Then swift pursue thee on the darksome way.
390
‘Ere thy dear relics in the grave are laid,
‘Shall Hector's head be offer'd to thy shade;
‘That, with his arms, shall hang before thy shrine;
‘And twelve, the noblest of the Trojan line,
‘Sacred to vengeance, by this hand expire,
395
‘Their lives effus'd around thy flaming pyre.
‘Thus let me lie till then! thus, closely press'd,
‘Bathe thy cold face, and sob upon thy breast!
‘While Trojan captives here thy mourners stay,
‘Weep all the night, and murmur all the day,
400
‘Spoils of my arms, and thine; when, wasting wide,
‘Our swords kept time, and conquer'd side by side.’
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 18.324 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 18.324 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 18.324 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 18 focus

New Alexandria Commentaries

Gregory Nagy

The centerpiece of Iliad 18 is the shield of Achilles, envisioned as a work of art that defines the universe. The divine artisan Hephaistos makes this shield by way of metalwork, but Homeric poetry reconfigures the artistry of this metalwork by way of verbal art. And the artistry of Homeric poetry will now create or re-create a cosmos that is designed to contain the Iliad itself.

draft js image error“The Shield of Achilles.” Illustration originally published in The Penny Magazine of the Society for the Diffusion of Useful Knowledge, September 22, 1832.

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At I.18.015–021, Achilles gets the grim news: that Patroklos has been killed by Hector, and that the fighting to recover his body, despoiled of the armor of Achilles, is still underway. Immediately, Achilles feels akhos ‘grief’, I.18.22. But the mourning and lamentation that is caused by this grief is aimed not only at Patroklos but also at Achilles in the narrative that follows, I.18.021–073. Within this narrative, Achilles gets to have his own wake, as it were. And the akhos ‘grief’ that is now felt by Achilles will never leave him, even after he unsays his mēnis ‘anger’ later on in Iliad 22. Unlike the goddess Demeter in the Homeric Hymn to Demeter, for whom the akhos ‘grief’ that she felt at verses 40 and 90 will go away at verse 436 as soon as she is reunited with Persephone, the akhos ‘grief’ of Achilles will never go away. As Thetis the lamenting mother of Achilles declares at I.18.061–062, this hero will never again stop ‘grieving’, akhnusthai, I.18.062. From now on, Achilles will be a man of constant sorrow (on precedents for this expression, see H24H 1§54). See the comments on I.09.249–250 and on I.23.046–047.

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