Homer Iliad 18.148

Samuel Butler (Translator)

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Thus, then, did her feet bear the goddess to Olympus, and meanwhile the strong-greaved Achaeans were fleeing with loud cries before manslaughtering Hector [150] till they reached the ships and the Hellespont, 151 nor could they, well-greaved Achaeans though they were, 152 save from the missiles the corpse, the therapōn of Achilles, for Hector son of Priam with his army and horsemen had again caught up to him like the flame of a fiery furnace; [155] three times did brave Hector seize him by the feet, striving with might and main to draw him away and calling loudly on the Trojans, and three times did the two Ajaxes, clothed in valor as with a garment, beat him from off the body; [160] but all undaunted he would now charge into the thick of the fight, and now again he would stand still and cry aloud, but he would give no ground. As upland shepherds that cannot chase some famished lion from a carcass, even so could not the two Ajaxes scare Hector son of Priam from the body of Patroklos.

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Experimental

English (Butler, rev. Nagy et al., 2020) (OCR draft) (English) (English (Butler, rev. Nagy et al., 2020))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 18.148 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 18.148 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 18.183 focus
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 18.148 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 18.148 focus
And now the Greeks, from furious Hector's force,
185
Urge to broad Hellespont their headlong course:
Nor yet their chiefs Patroclus' body bore
Safe through the tempest, to the tented shore.
The horse, the foot, with equal fury join'd,
Pour'd on the rear, and thunder'd close behind;
190
And like a flame through fields of ripen'd corn,
The rage of Hector o'er the ranks was borne.
Thrice the slain hero by the foot he drew:
Thrice to the skies the Trojan clamours flew:
As oft th' Ajaces his assault sustain;
195
But check'd, he turns; repuls'd, attacks again.
With fiercer shouts his lingering troops he fires,
Nor yields a step, nor from his post retires:
So watchful shepherds strive to force, in vain,
The hungry lion from a carcass slain.
200
E'en yet, Patroclus had he borne away,
And all the glories of th' extended day;
Had not high Juno, from the realms of air,
Secret despatch'd her trusty messenger,
The various goddess of the showery bow,
205
Shot in a whirlwind to the shore below;
To great Achilles at his ships she came,
And thus began the many-coloured dame:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 18.148 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 18.148 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 18.148 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 18 focus

New Alexandria Commentaries

Gregory Nagy

The centerpiece of Iliad 18 is the shield of Achilles, envisioned as a work of art that defines the universe. The divine artisan Hephaistos makes this shield by way of metalwork, but Homeric poetry reconfigures the artistry of this metalwork by way of verbal art. And the artistry of Homeric poetry will now create or re-create a cosmos that is designed to contain the Iliad itself.

draft js image error“The Shield of Achilles.” Illustration originally published in The Penny Magazine of the Society for the Diffusion of Useful Knowledge, September 22, 1832.

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At I.18.015–021, Achilles gets the grim news: that Patroklos has been killed by Hector, and that the fighting to recover his body, despoiled of the armor of Achilles, is still underway. Immediately, Achilles feels akhos ‘grief’, I.18.22. But the mourning and lamentation that is caused by this grief is aimed not only at Patroklos but also at Achilles in the narrative that follows, I.18.021–073. Within this narrative, Achilles gets to have his own wake, as it were. And the akhos ‘grief’ that is now felt by Achilles will never leave him, even after he unsays his mēnis ‘anger’ later on in Iliad 22. Unlike the goddess Demeter in the Homeric Hymn to Demeter, for whom the akhos ‘grief’ that she felt at verses 40 and 90 will go away at verse 436 as soon as she is reunited with Persephone, the akhos ‘grief’ of Achilles will never go away. As Thetis the lamenting mother of Achilles declares at I.18.061–062, this hero will never again stop ‘grieving’, akhnusthai, I.18.062. From now on, Achilles will be a man of constant sorrow (on precedents for this expression, see H24H 1§54). See the comments on I.09.249–250 and on I.23.046–047.

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