Homer Iliad 14.193

Samuel Butler (Translator)

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Zeus’ daughter Aphrodite answered, “Hera, august queen of goddesses, daughter of mighty Kronos, [195] say what you want, and I will do it for at once, if I can, and if it can be done at all.” Then Hera told her a lying tale and said, “I want you to endow me with some of those fascinating charms, the spells of which bring all things mortal and immortal to your feet. [200] I am going to the world’s end to visit 201 Ōkeanos, the genesis [ genesis] of gods, and mother Tethys: they received me in their house, took care of me, and brought me up, having taken me over from Rhaea when Zeus imprisoned great Kronos in the depths that are under earth and sea. [205] I must go and see them that I may make peace between them; they have been quarreling, and are so angry that they have not slept with one another this long while; if I can bring them round and restore them to one another’s embraces, [210] they will be grateful to me and love me for ever afterwards.”

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Experimental

English (Butler, rev. Nagy et al., 2020) (OCR draft) (English) (English (Butler, rev. Nagy et al., 2020))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 14.193 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 14.193 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 14.211 focus
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 14.193 focus
And thus Jove's daughter, Venus, made reply: -
“O Juno, whom I reverence, speak thy thought,
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 14.193 focus
'Let heaven's dread empress' (Cytherea said)
'Speak her request, and deem her will obey'd.'
'Then grant me' (said the queen) 'those conquering charms,
225
'That power, which mortals and immortals warms,
'That love, which melts mankind in fierce desires,
'And burns the sons of heaven with sacred fires!
'For lo! I haste to those remote abodes,
'Where the great parents (sacred source of gods!)
230
'Ocean and Tethys their old empire keep,
'On the last limits of the land and deep.
'In their kind arms my tender years were pass'd;
'What time old Saturn, from Olympus cast,
'Of upper heaven to Jove resign'd the reign,
235
'Whelm'd under the huge mass of earth and main.
'For strife, I hear, has made the union cease,
'Which held so long that ancient pair in peace.
'What honour, and what love, shall I obtain,
'If I compose those fatal feuds again?
240
'Once more their minds in mutual ties engage,
'And what my youth has ow'd, repay their age.'
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 14.193 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 14.193 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 14.193 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 14 focus

New Alexandria Commentaries

Gregory Nagy

The momentum of the attacking Trojan warriors gets stalled here, since Hērā interrupts the ongoing Plan of Zeus. The goddess seduces the god, and the setting for their divine sexual encounter is the spectacular landscape of Mount Ida, which is the private abode of the thundering almighty. During the tryst of the god and the goddess, the Achaeans regain the upper hand in the fighting. But this new momentum is soon headed for a downturn. The divine interruption, despite all its cosmic sexual energy, becomes retrospectively a mere interlude in the narrative arc of the Iliad—once the tryst is over and the Plan of Zeus resumes its relentless course of action.

draft js image errorJuno and Jupiter. Detail from “Loves of the Gods,” fresco by Annibale Carracci (1560–1609). Annibale Carracci [Public domain], via Wikimedia Commons, https://commons.wikimedia.org/wiki/File:Carracci_-_Jupiter_et_Junon.jpeg.

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