Homer Iliad 13.821

Samuel Butler (Translator)

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As he was thus speaking a bird flew by upon his right hand, and the army of the Achaeans shouted, for they took heart at the omen. But Hector answered, “Ajax, braggart and false of tongue, [825] if only I were the child of aegis-bearing Zeus 826 for all days to come, and the Lady Hera were my mother, 827 and if only I got tīmē just as Athena and Apollo get tīmē 828 —as surely as this day brings misfortune to the Argives. And you shall fall among them if you dare [830] abide my spear; it shall rend your fair body and bid you glut our hounds and birds of prey with your fat and your flesh, as you fall by the ships of the Achaeans.”

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Experimental

English (Butler, rev. Nagy et al., 2020) (OCR draft) (English) (English (Butler, rev. Nagy et al., 2020))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 13.821 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 13.821 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 13.821 focus
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 13.821 focus
As thus he spake, an eagle, to the right,
High in the middle heaven, flew over him,
1035
And, gladdened by the omen, all the Greeks
Shouted; but then illustrious Hector spake:-
"Babbler and boaster, what wild words are these?
O Ajax! would that I were but as sure
To be the child of ægis-bearing Jove,
1040
Brought forth by Juno the august, and held
In honor everywhere like that which crowns
Apollo and Minerva, as I know
That to the Greeks this very day will bring
Destruction, and that thou shalt also lie
1045
Slain with the others, if thou dare abide
The stroke of my long spear, which yet shall tear
Thy dainty flesh, and thou, with thy full limbs,
Shalt be the feast of Trojan dogs and birds,
Unburied by the galleys of the Greeks."
1050
So Hector spake, and led his warriors on.
They followed with a mighty shout; the rear
Sent up as loud a cry. On the other side
Shouted the Greeks, nor intermitted now
Their wonted valor, but stood firm to breast
1055
The onset of the chosen men of Troy.
The mingled clamor of both hosts went up
To heaven, and to the shining seat of Jove.
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 13.821 focus
As thus he spoke, behold, in open view,
On sounding wings a dexter eagle flew.
To Jove's glad omen all the Grecians rise,
1040
And hail, with shouts, his progress through the skies.
Far-echoing clamours bound from side to side;
They ceas'd; and thus the chief of Troy replied:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 13.821 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 13.821 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 13.821 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 13 focus

New Alexandria Commentaries

Gregory Nagy

The momentum of the Trojan onslaught led by Hector intensifies here, and the prospects of the Achaeans look grim, almost hopeless. Hector is so successful that he feels tempted, toward the end of Rhapsody 13, to equate himself with immortal gods. Meanwhile, the intensity of the narrative keeps pace, and the poetic virtuosity approaches the sublime.

draft js image errorHector and Polydamas. After a drawing by John Flaxman. Image via Wikimedia Commons.

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