Homer Iliad 12.1

Samuel Butler (Translator)

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So the warlike son of Menoitios was attending to the hurt of Eurypylos within the tent, but the Argives and Trojans still fought desperately, nor were the trench and the high wall above it, to keep the Trojans in check longer. [5] They had built it to protect their ships, and had dug the trench all round it that it might safeguard both the ships and the rich spoils which they had taken, but they had not offered hecatombs to the gods. It had been built without the consent of the immortals, and therefore it did not last. [10] So long as Hector lived and Achilles nursed his anger [ mēnis], and so long as the city of Priam remained untaken, the great wall of the Achaeans stood firm; but when the bravest of the Trojans were no more, and many also of the Argives, though some were yet left alive [15] when, moreover, the city was destroyed in the tenth year, and the Argives had gone back with their ships to their own country—then Poseidon and Apollo took counsel to destroy the wall, and they turned on to it the streams of all the rivers from Mount Ida into the sea, [20] Rhesus, Heptaporos, Karesos, Rhodios, Grenikos, Aisopos, and goodly Skamandros, 22 and Simoeis, where many cowhide-shields and helmets 23 fell in the dust—as also a generation of demigods [ hēmitheoi]. Phoebus Apollo turned the mouths of all these rivers together [25] and made them flow for nine days against the wall, while Zeus rained the whole time that he might wash it sooner into the sea. Poseidon himself, trident in hand, surveyed the work and threw into the sea all the foundations of beams and stones which the Achaeans had laid with so much toil; [30] he made all level by the mighty stream of the Hellespont, and then when he had swept the wall away he spread a great beach of sand over the place where it had been. This done he turned the rivers back into their old courses.

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Experimental

English (Butler, rev. Nagy et al., 2020) (OCR draft) (English) (English (Butler, rev. Nagy et al., 2020))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 12.1 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 12.1 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 12.1 focus
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 12.1 focus
THUS in the camp Menœtius' valiant son
1
Tended Eurypylus, and dressed his wounds;
While yet in mingled throngs the warriors fought, —
Trojans and Greeks. Nor longer was the trench
A barrier for the Greeks, nor the broad wall
5
Which they had built above it to defend
Their fleet; for all around it they had drawn
The trench, yet not with chosen hecatombs
Paid to the gods, that so it might protect
The galleys and the heaps of spoil they held.
10
Without the favor of the gods it rose,
And therefore was not long to stand entire.
As long as Hector lived, and Peleus' son
Was angered, and King Priam's city yet
Was not o'erthrown, so long the massive wall
15
Built by the Greeks stood firm. But when at length
The bravest of the Trojans had been slain,
And many of the Greeks were dead, -though still
Others survived, - and when in the tenth year
The city of Priam fell, and in their ships
20
The Greeks went back to their beloved land,
Then did Apollo and the god of sea
Consult together to destroy the wall
By turning on it the resistless might
Of rivers, all that from the Idæan heights
25
Flow to the ocean, - Rhesus, Granicus,
Heptaporus, Caresus, Rhodius,
Æsepus, and Scamander's hallowed stream,
And Simoïs, in whose bed lay many shields
And helms and bodies of slain demigods.
30
Phœbus Apollo turned the mouths of these
All toward one spot; nine days against the wall
He bade their currents rush, while Jupiter
Poured constant rain, that floods might overwhelm
The rampart; and the god who shakes the earth,
35
Wielding his trident, led the rivers on.
He flung among the billows the huge beams
And stones which, with hard toil, the Greeks had laid
For the foundations. Thus he levelled all
Beside the hurrying Hellespont, destroyed
40
The bulwarks utterly, and overspread
The long broad shore with sand; and then he brought
Again the rivers to the ancient beds
In which their gently flowing waters ran.
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 12.1 focus
While thus the hero's pious cares attend
1
The cure and safety of his wounded friend,
Trojans and Greeks with clashing shields engage,
And mutual deaths are dealt with mutual rage.
Nor long the trench or lofty walls oppose;
5
With gods averse th' ill-fated works arose;
Their powers neglected, and no victim slain,
The walls are rais'd, the trenches sunk, in vain.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 12.1 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 12.1 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 12.1 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 12 focus

New Alexandria Commentaries

Gregory Nagy

At the very beginning of Iliad 12, we modern readers may find that we have suddenly hit a wall—the Achaean Wall. It seems difficult for us to understand what the Master Narrator of the Iliad is really saying when he foretells the future destruction or deconstruction of this structure. And the main obstacle to our understanding here is not the presence of the Achaean Wall in the Iliad but rather its foretold absence—after all is said and done in the narrative. For the ancients who heard the Iliad narrated to them, by contrast, the future absence of the Achaean Wall was perfectly understandable in terms of the narration itself. And that is because the Master Narrator presupposes that there is no Achaean Wall to be seen in the Trojan landscape at the time of narration. Such a presupposition shapes the narrative of Iliad 12—and in fact it shapes the whole narrative of the Iliad. The setting for this narrative remains the world of heroes, which is larger-than-life because it is situated in the heroic past, but the setting for the actual narration of this narrative is the post-heroic world of a present time as figured by the Master Narrator himself. The staging of the heroic world by the Master Narrator is comparable to what is called the mise-en-scène in the traditions of French theater and film. And the predominant feature of the Iliadic mise-en-scène or scenery is the Achaean Wall, not the Trojan Wall. That is why the building of this structure by the Achaeans in Iliad 7 had been opposed by the gods Poseidon and Apollo, the original builders of the Trojan Wall. But the Achaean Wall needed to be built by the Achaeans to protect them and their ships from the fire of Hector—which would not be threatening them if Achilles had not been insulted by Agamemnon in Iliad 1. If we think of the overall plot of the Iliad as a scenario, then the Achaean Wall can be seen as an integral feature of the scenery for this scenario.

draft js image error“Siege of the Greek Camp.” Crispijn van de Passe (I) (1613). Public domain image, via Rijks Museum. (https://www.rijksmuseum.nl/en/collection/RP-P-OB-16.043)

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The Achaeans built the Wall to protect themselves and their beached ships from the Trojans: see the comments on I.07.336–343 and I.07.433–465. But this Achaean Wall is doomed to disappear without a trace in the future, since it was built ‘against the will of the immortal gods’, I.12.008–009 (θεῶν δ’ ἀέκητι τέτυκτο | ἀθανάτων). That is, the Wall was built against the will of the gods Poseidon and Apollo: see the comment on I.07.433–465. And when will it happen, that the Achaean Wall disappears? The timespan of the Wall, says the Master Narrator, depends on the timespan of narrating the story of the Iliad: ‘while Hector was still alive and while Achilles had-his-anger [mēniein]’, I.12.010 (ὄφρα μὲν Ἕκτωρ ζωὸς ἔην καὶ μήνι’ Ἀχιλλεὺς). But then, in the very next verse, the timespan is extended further: the Wall of the Achaeans will not be destroyed while Troy, that mighty city of the king Priam, is not yet destroyed, I.12.011 (καὶ Πριάμοιο ἄνακτος ἀπόρθητος πόλις ἔπλεν). Why the extension? It is because the epic fame of the Achaean Wall depends on the epic fame of the Iliad, and the narration of the Iliad is still in progress. Once the Iliad is narrated, there will be no further need for the Achaean Wall. But there will still remain a further need for the Wall of Troy, which will not yet be destroyed when the narration of the Iliad is completed. Meanwhile, the epic fame of the Achaean Wall, which depends of the narration of the Iliad, still in progress, is threatening the older epic fame of the Trojan Wall, as we can observe already at I.07.448–453: there we see that the Trojan Wall had been built by the gods Poseidon and Apollo for the former king of Troy, Laomedon, who was predecessor of the current king, Priam, and, in the words of Poseidon himself, the Wall built by the Achaeans has an epic glory or kleos, I.07.451, which now threatens to eclipse the corresponding glory of the Trojan Wall built earlier by the two gods, I.07.452–453. The wording at I.07.451 already highlights the epic glory or kleos of the Iliad, which concentrates on the Achaean Wall, as distinct from the kleos conferred by earlier epic traditions that concentrate on the Trojan Wall, I.07.458, as noted in the comment on I.07.433–465. After the story of the Iliad is told—or, more precisely, after Troy is destroyed and the Achaeans are already departing for home, I.12.13–16—then the gods can finally remove this Iliadic threat to the kleos of the Trojan Wall: now Poseidon and Apollo will let loose all the rivers in the region of Troy, which will then flood away all traces of the Achaean Wall, I.12.17–33. This divine action, as foretold here, of removing the mis-en-scène or scenery of the Iliad is already foretold at an earlier point by Zeus himself, at I.07.455–463. Relevant to these prophecies is what we read in Strabo 13.1.36 C598: νεωστὶ γὰρ γεγονέναι φησὶ τὸ τεῖχος (ἢ οὐδ’ ἐγένετο, ὁ δὲ πλάσας ποιητὴς ἠφάνισεν, ὡς Ἀριστοτέλης φησίν) ‘the Poet [= Homer] says that the Wall [= the Achaean Wall] had only recently come into existence, or it never existed at all, and the Poet made it up [plattein] and then made it disappear, as Aristotle [F 162 ed. Rose] says’. To paraphrase Aristotle: Homeric poetry foretells the non-existence of the Achaean Wall in a future time of its own performance, and such a future time will be a post-heroic age (HPC 155n16). On the Homeric conceptualization of a post-heroic age, see the comment on I.12.023 below, featuring the word hēmitheoi ‘demigods, half-gods’.

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