Homer Iliad 11.47

Samuel Butler (Translator)

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Every man now left his horses in charge of his charioteer to hold them in proper order [ kosmos] by the trench, while he went into battle on foot clad in full armor, [50] and a mighty uproar rose on high into the dawning. The chiefs were armed and at the trench before the horses got there, but these came up presently. The son of Kronos sent a portent of evil sound about their army of warriors, and the dew fell red with blood, for he was about [55] to send many a brave man hurrying down to Hādēs.

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Experimental

English (Butler, rev. Nagy et al., 2020) (OCR draft) (English) (English (Butler, rev. Nagy et al., 2020))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 11.47 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 11.47 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 11.1 focus
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 11.47 focus
Each chief gave orders to his charioteer
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To stay his horses firmly by the trench,
While they rushed forth in arms. At once arose,
Ere yet the sun was up, a mighty din.
They marshalled by the trench the men on foot;
The horse came after, with short space between.
60
The son of Saturn sent among their ranks
Confusion, and dropped down upon the host
Dews tinged with blood, in sign that he that day
Would send to Hades many a valiant chief.
The Trojans, on their side, in the mid-plain
65
Drew up their squadrons on a hill, around
The mighty Hector, and Polydamas
The blameless, and Æneas, who among
The sons of Troy was honored like a god,
And three sons of Antenor, who were named
70
Agenor and the noble Polybus
And the young Acamas of godlike bloom.
There Hector in the van uplifted bore
His broad round shield. As some portentous star
Breaks from the clouds and shines, and then again
75
Enters their shadow, Hector thus appeared
Among the foremost, issuing his commands,
Then sought the hindmost. All in brass, he shone
Like lightnings of the Ægis-bearer, Jove.
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 11.47 focus
Close to the limits of the trench and mound,
The fiery coursers, to their chariots bound,
The squires restrain'd; the foot, with those who wield
The lighter arms, rush forward to the field.
To second these, in close array combin'd,
65
The squadrons spread their sable wings behind.
Now shouts and tumults wake the tardy sun,
As with the light the warriors' toils begun;
E'en Jove, whose thunder spoke his wrath, distill'd
Red drops of blood o'er all the fatal field;
70
The woes of men unwilling to survey,
And all the slaughters that must stain the day.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 11.47 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 11.47 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 11.47 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 11 focus

New Alexandria Commentaries

Gregory Nagy

Rhapsody 11 marks the point in the Iliad where Patroklos is drawn into a fatal pattern of impersonating Achilles. Pivotal is the story that Patroklos hears from the old hero Nestor. My comments here on Iliad 11 work around Nestor’s story at I.11.670–803 as analyzed in the book Hippota Nestor by Douglas Frame, 2009:105–130.

draft js image errorNestor and his sons sacrifice to Poseidon. Attic red-figure calyx-krater, ca. 400–380 BCE. © Marie-Lan Nguyen / Wikimedia Commons, via Wikimedia Commons.

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As indicated already in the comment for I.08.220–227, the ships of the Achaeans are beached along the shores of a large U-shaped bay that opens into the Hellespont. See again Map 1 and Map 2 at HPC 157 and 158 respectively. At the upper left and the upper right tips of the U-shaped bay, at the northwest and northeast, are the beached ships of Achilles and of Ajax respectively, I.11.008–009. Also at those points are the klisiai ‘shelters’ of these two heroes, I.11.007. As for the beached ship of Odysseus, it is located at the base of the U-shaped bay, at the south in the middle of the bayline, I.11.005–006. There will be more to say about this location in the later comments at I.11.806–808 and at I.14.027–036. To be highlighted already now, however, is a detail about the ship of Odysseus: the goddess Eris ‘Strife’, who is here the spirit of war personified, I.11.004, is shown standing on the deck of this beached ship, which is said to be located en messatōi ‘in the middlemost space’, I.11.006, and from here she projects her voice of divine authority, shouting mightily to all the Achaeans stationed at their own ships, I.11.005–014, and all the Achaeans stationed at all the beached ships can hear the divine voice—from the ship of Achilles at one extreme of the U-shaped bay all the way to the ship of Ajax at the other extreme, I.11.007–009. Then, Agamemnon too shouts to the Achaeans, I.11.015–016, and his royal voice is figured here as an extension of the divine voice emanating from the goddess Eris herself, I.11.005–014. Later, in the comment on I.18.587–589, there will be more to say about the klisiā ‘shelter’ of Achilles, mentioned here together with the klisiā of Ajax, I.11.007–008: it can be argued that Achilles frequents this ‘shelter’ not only as an epic hero in the time of the Trojan War but also, in post-heroic times, as a cult hero (HPC 153).

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