Homer Iliad 11.210

Samuel Butler (Translator)

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Hector leapt out of his chariot, armor and all, brandishing his spear as he went about everywhere among the army of warriors, cheering his men on to fight, and stirring the dread strife of battle. The Trojans then wheeled round, and again met the Achaeans, [215] while the Argives on their part strengthened their battalions. The battle was now in array and they stood face to face with one another, Agamemnon ever pressing forward in his eagerness to be ahead of all others.

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Experimental

English (Butler, rev. Nagy et al., 2020) (OCR draft) (English) (English (Butler, rev. Nagy et al., 2020))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 11.210 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 11.210 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 11.210 focus
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 11.210 focus
So the fleet Iris spake, and went her way;
While Hector, leaping from his car in arms,
And wielding his sharp spears, went everywhere
250
Among the Trojan ranks, exhorting them
To combat, and renewed the stubborn fight.
They rallied and stood firm against the Greeks.
The Greeks, in turn, made strong their phalanxes.
The battle raged again, as front to front
255
They stood, while Agamemnon eagerly
Pressed forward, proud to lead the van in fight.
Say, Muses, dwellers of Olympus! who
First of the Trojans or their brave allies
Encountered Atreus' son? Iphidamas,
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Son of Antenor, strong and daring, bred
On the rich soil of Thrace, the nurse of flocks.
His grandsire Cisseus, from whose loins the fair
Theano sprang, had reared him from a child
Within his palace; and, when he attained
265
Youth's glorious prime, still kept him, giving him
His child to wife. He wedded her, but left
At once the bridal chamber when he heard
Of the Greek war on Ilium, and set sail
With twelve beaked galleys. These he afterward
270
Left at Percope, - marching on to Troy.
And he it was who came to meet the son
Of Atreus. As the heroes now drew near
Each other, Agamemnon missed his aim;
His thrust was parried. Then Iphidamas
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Dealt him beneath the breastplate on the belt
A vigorous blow, and urged the spear with all
His strength of arm; yet through the plated belt
It could not pierce, for there it met a plate
Of silver, and its point was turned like lead.
280
With lion strength, Atrides seized and drew
The weapon toward him, plucked it from the hand
That held it, and let fall his falchion's edge
Upon the Trojan's neck and laid him dead.
Unhappy youth! he slept an iron sleep, -
285
Slain fighting for his country, far away
From the young virgin bride yet scarcely his,
For whom large marriage-gifts he made, - of beeves
A hundred, and had promised from the flocks
That thronged his fields a thousand sheep and goats.
290
Atrides Agamemnon spoiled the slain,
And bore his glorious armor off among
The Argive host. Antenor's elder son,
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 11.210 focus
She said, and vanish'd: Hector with a bound,
Springs from his chariot on the trembling ground,
270
In clanging arms: he grasps in either hand
A pointed lance, and speeds from band to band;
Revives their ardour, turns their steps from flight,
And wakes anew the dying flames of fight.
They stand to arms: the Greeks their onset dare,
275
Condense their powers, and wait the coming war.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 11.210 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 11.210 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 11.210 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 11 focus

New Alexandria Commentaries

Gregory Nagy

Rhapsody 11 marks the point in the Iliad where Patroklos is drawn into a fatal pattern of impersonating Achilles. Pivotal is the story that Patroklos hears from the old hero Nestor. My comments here on Iliad 11 work around Nestor’s story at I.11.670–803 as analyzed in the book Hippota Nestor by Douglas Frame, 2009:105–130.

draft js image errorNestor and his sons sacrifice to Poseidon. Attic red-figure calyx-krater, ca. 400–380 BCE. © Marie-Lan Nguyen / Wikimedia Commons, via Wikimedia Commons.

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As indicated already in the comment for I.08.220–227, the ships of the Achaeans are beached along the shores of a large U-shaped bay that opens into the Hellespont. See again Map 1 and Map 2 at HPC 157 and 158 respectively. At the upper left and the upper right tips of the U-shaped bay, at the northwest and northeast, are the beached ships of Achilles and of Ajax respectively, I.11.008–009. Also at those points are the klisiai ‘shelters’ of these two heroes, I.11.007. As for the beached ship of Odysseus, it is located at the base of the U-shaped bay, at the south in the middle of the bayline, I.11.005–006. There will be more to say about this location in the later comments at I.11.806–808 and at I.14.027–036. To be highlighted already now, however, is a detail about the ship of Odysseus: the goddess Eris ‘Strife’, who is here the spirit of war personified, I.11.004, is shown standing on the deck of this beached ship, which is said to be located en messatōi ‘in the middlemost space’, I.11.006, and from here she projects her voice of divine authority, shouting mightily to all the Achaeans stationed at their own ships, I.11.005–014, and all the Achaeans stationed at all the beached ships can hear the divine voice—from the ship of Achilles at one extreme of the U-shaped bay all the way to the ship of Ajax at the other extreme, I.11.007–009. Then, Agamemnon too shouts to the Achaeans, I.11.015–016, and his royal voice is figured here as an extension of the divine voice emanating from the goddess Eris herself, I.11.005–014. Later, in the comment on I.18.587–589, there will be more to say about the klisiā ‘shelter’ of Achilles, mentioned here together with the klisiā of Ajax, I.11.007–008: it can be argued that Achilles frequents this ‘shelter’ not only as an epic hero in the time of the Trojan War but also, in post-heroic times, as a cult hero (HPC 153).

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