Homer Iliad 6.263

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And then he came to Priam's noble hall, -
A palace built with graceful porticos,
320
And fifty chambers near each other, walled
With polished stone, the rooms of Priam's sons
And of their wives; and opposite to these
Twelve chambers for his daughters, also near
Each other; and, with polished marble walls,
325
The sleeping-rooms of Priam's sons-in-law
And their unblemished consorts. There he met
His gentle mother on her way to seek
Her fairest child, Laodice. She took
His hand and held it fast, while thus she spake: -
330
"Why art thou come, my child, and why hast left
The raging fight? Full hard these hateful Greeks
Press us, in fighting round the city-walls.
Thy heart, I know, hath moved thee to repair
To our high citadel, and lift thy hands
335
In prayer to Jupiter. But stay thou here
Till I bring pleasant wine, that thou may'st pour
A part to Jove and to the other gods,
And drink and be refreshed; for wine restores
Strength to the weary, and I know that thou
340
Art weary, fighting for thy countrymen."
Great Hector of the crested helm replied: -
"My honored mother, bring not pleasant wine,
Lest that unman me, and my wonted might
And valor leave me. I should fear to pour
345
Dark wine to Jupiter with hands unwashed.
Nor is it fitting that a man like me,
Defiled with blood and battle-dust, should make
Vows to the cloud-compeller, Saturn's son.
But thou, with incense, seek the temple reared
350
To Pallas the despoiler, - calling first
Our honored dames together. Take with thee
What thou shalt deem the fairest of the robes,
And amplest, in thy palace, and the one
Thou prizest most, and lay it on the knees
355
Of the bright-haired Minerva. Make a vow
To offer to the goddess in her fane
Twelve yearling heifers that have never borne
The yoke, if she in mercy will regard
The city, and the wives and little ones
360
Of its defenders; if she will protect
Our sacred Ilium from the ruthless son
Of Tydeus, from whose valor armies flee.
So to the shrine of Pallas, warrior-queen,
Do thou repair, while I depart to seek
365
Paris, if he will listen to my voice.
Would that the earth might open where he stands,
And swallow him! Olympian Jupiter
Reared him to be the bane of all who dwell
In Troy, to large-souled Priam and his sons.
370
Could I behold him sinking to the shades,
My heart would lose its sense of bitter woe."
He spake. His mother, turning homeward, gave
Charge to her handmaids, who through all the town
Passed, summoning the matrons, while the queen
375
Descended to her chamber, where the air
Was sweet with perfumes, and in which were laid
Her rich embroidered robes, the handiwork
Of Sidon's damsels, whom her son had brought-
The godlike Alexander - from the coast
380
Of Sidon, when across the mighty deep
He sailed and brought the high-born Helen thence.
One robe, more beautiful than all the rest,
Of bright and varied hues and amplest folds,
Hecuba chose; it glistened like a star,
385
And lay beneath the rest. Then hastily
She left the chamber with the matron train.

Iliad. Homer. Boston. 1870.

Current edition Experimental

English (William Cullen Bryant, 1870) (OCR draft) (English) (English (William Cullen Bryant, 1870))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 6.263 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 6.263 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 6.305 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 6.263 focus
And tall Hector of the shining helmet answered, “Honored mother, bring no wine, [265] lest you unman me and I forget my strength. I dare not make a drink-offering to Zeus with unwashed hands; one who is bespattered with blood and filth may not pray to the son of Kronos. Get the matrons together, [270] and go with offerings to the temple of Athena driver of the spoil; 271 The peplos, whichever is for you the one that has the most pleasurable beauty [ kharis] and is the biggest 272 in the palace—the one that is by far the most near and dear [philos] to you yourself— 273 take that one and lay it on the knees of Athena with the beautiful hair. Promise, moreover, to sacrifice twelve yearling heifers [275] that have never yet felt the goad, in the temple of the goddess if she will take pity on the town, with the wives and little ones of the Trojans, and keep the son of Tydeus from off the goodly city of Ilion, for he fights with fury, and fills men’s spirits with panic. Go, then, to the temple of Athena, [280] while I seek Paris and exhort him, if he will hear my words. Would that the earth might open her jaws and swallow him, for Zeus bred him to be the bane of the Trojans, and of high-hearted Priam and Priam’s sons. Could I but see him go down into the house of Hādēs, [285] my heart would forget its heaviness.”
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 6.263 focus
'Far hence be Bacchus' gifts;' (the chief rejoin'd;)
'Inflaming wine, pernicious to mankind,
330
'Unnerves the limbs, and dulls the noble mind.
'Let chiefs abstain, and spare the sacred juice,
'To sprinkle to the gods, its better use.
'By me that holy office were profan'd;
'Ill fits it me, with human gore distain'd,
335
'To the pure skies these horrid hands to raise,
'Or offer heaven's great sire polluted praise.
'You, with your matrons, go, a spotless train!
'And burn rich odours in Minerva's fane.
'The largest mantle your full wardrobes hold,
340
'Most priz'd for art, and labour'd o'er with gold,
'Before the goddess's honour'd knees be spread,
'And twelve young heifers to her altar led.
'So may the power, aton'd by fervent prayer,
'Our wives, our infants, and our city spare,
345
'And far avert Tydides' wasteful ire,
'Who mows whole troops, and makes all Troy retire.
'Be this, O mother, your religious care;
'I go to rouse soft Paris to the war;
'If yet, not lost to all the sense of shame,
350
'The recreant warrior hear the voice of fame.
'Oh would kind earth the hateful wretch embrace,
'That pest of Troy, that ruin of our race!
'Deep to the dark abyss might he descend,
'Troy yet should flourish, and my sorrows end.'
355
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 6.263 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 6.263 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 6.263 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 6 focus

New Alexandria Commentaries

Gregory Nagy

A high point here in Rhapsody 6 is a tearful scene of farewell for Andromache and Hector. The loving wife will never again see her husband alive. The scene is justly admired for its artistic portrayal of this tragically doomed couple, but the verbal artistry extends even further: also to be most admired here is the remarkable precision of poetic language in representing lament as it was actually performed in ancient Greek song culture.

draft js image errorApulian red-figure column-crater (ca. 370–360 BCE) depicting an intimate family scene: Hector removes his helmet as he says his final farewell to his wife Andromache and to their child Astyanax. Public domain image by Jastrow via Wikimieda Commons

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Hector quarrels with Paris, as signaled by the verb neikeîn ‘quarrel with’. He aims words of blame at Paris, and these words are aiskhra ‘disgraceful, shameful’ because they are meant to make Paris feel ashamed. Hector’s words are shaming, since he blames things done by Paris that are perceived as shameful and disgraceful.

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Here at I.06.333 as also at I.03.059, Paris actually accepts the words of blame directed at him by his quarreling brother.

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Leonard Muellner

Paris’ motto (in the context of analyzing I.11.379)

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analysis of the application of ilaos (and cognates) to gods (and heroes) with mēnis, here the Trojans’ fruitless attempts to appease Athena

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analysis of the application of ilaos (and cognates) to gods (and heroes) with mēnis, here the Trojans’ fruitless attempts to appease Athena

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