Homer Iliad 4.223

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Then wouldst thou not have seen, hadst thou been there,
King Agamemnon slumbering, or in fear,
And skulking from the combat, but alert,
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Preparing for the glorious tasks of war.
His horses, and his chariot bright with brass,
He left, and bade Eurymedon, his groom,
The son of Ptolemy Piriades,
Hold them apart still panting, yet with charge
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To keep them near their master, till the hour
When he should need them, weary with the toil
Of such a vast command. Meantime he went
On foot among his files of soldiery,
And whomsoe'er he found with fiery steeds
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Hasting to battle, thus he cheered them on: —
"O Argives! let not your hot courage cool,
For Father Jove will never take the part
Of treachery. Whosoe'er have been the first
To break the league, upon their lifeless limbs
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Shall vultures feast; and doubt not we shall bear
Away in our good ships the wives they love
And their young children, when we take their town."
But whomsoe'er he saw that kept afar
From the dread field, he angrily rebuked:-
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"O Argives! who with arrows only fight,
Base as ye are, have ye no sense of shame?
Why stand ye stupefied, like fawns, that, tired
With coursing the wide pastures, stop at last,
Their strength exhausted! Thus ye stand amazed,
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Nor think of combat. Wait ye for the hour
When to your ships, with their fair-sculptured prows,
Moored on the borders of the hoary deep,
The Trojans come, that haply ye may see
If the great hand of Jove will shield you then?"
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Thus Agamemnon, as supreme in power,
Threaded the warrior-files, until he came
Where stood the Cretans. All in arms they stood
Around Idomeneus, the great in war.
Like a wild boar in strength, he led the van,
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And, in the rear, Meriones urged on
His phalanxes. The king of men rejoiced,
And blandly thus bespake Idomeneus:-
"Idomeneus! I honor thee above
The other knights of Greece, as well in war
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As in all other labors, and no less
In banquets, when the Achaian nobles charge
Their goblets with the dark-red mingled wine
In sign of honor. All the other Greeks
Drink by a certain measure, but thy cup
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Stands ever full, like mine, that thou may'st drink
When thou desirest. Hasten to the war
With all the valor thou dost glory in."

Iliad. Homer. Boston. 1870.

Current edition Experimental

English (William Cullen Bryant, 1870) (OCR draft) (English) (English (William Cullen Bryant, 1870))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 4.223 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 4.223 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 4.193 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 4.223 focus
You would not have then found radiant Agamemnon asleep nor cowardly and unwilling to fight, [225] but eager rather for the fray. He left his chariot rich with bronze and his panting steeds in charge of his attendant [ therapōn] Eurymedon, son of Ptolemaios the son of Peiraios, and bade him hold them in readiness against the time [230] his limbs should weary of going about and giving orders to so many, for he went among the ranks on foot. When he saw men hastening to the front he stood by them and cheered them on. “Argives,” said he, “slacken not one whit in your onset; [235] father Zeus will be no helper of liars; the Trojans have been the first to break their oaths and to attack us; therefore they shall be devoured of vultures; we shall take their city and carry off their wives and children in our ships.”
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 4.223 focus
Nor had you seen the king of men appear
Confus'd, inactive, or surpris'd with fear;
But fond of glory, with severe delight,
His beating bosom claim'd the rising fight.
No longer with his warlike steeds he stay'd,
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Or press'd the car with polish'd brass inlaid,
But left Eurymedon the reins to guide;
The fiery coursers snorted at his side.
On foot through all the martial ranks he moves,
And these encourages, and those reproves.
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'Brave men!' he cries, (to such who boldly dare
Urge their swift steeds to face the coming war,)
'Your ancient valour on the foes approve;
'Jove is with Greece, and let us trust in Jove.
''Tis not for us, but guilty Troy, to dread,
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'Whose crimes sit heavy on her perjur'd head:
'Her sons and matrons Greece shall lead in chains,
'And her dread warriors strew the mournful plains.'
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 4.223 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 4.223 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 4.223 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 4 focus

New Alexandria Commentaries

Douglas Frame

citation of formulaic use of haloûsá te perthoménē te as example where halṓō means “to be seized” in Homer

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analysis of the names of Neleus’ sons in the Iliad and Hesiod

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analysis of Nestor’s association with noos

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occurrence of Ereuthalion in this line as anticipating Nestor’s story in I.07, which is an argument against taking the latter as the poet’s invention

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analysis of Nestor’s epithet in Homer and Gerenios as deriving from geras

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Gregory Nagy

The Trojan War is being fought here as if for the very first time. There is a sense of novelty at first in contemplating all the violent woundings and deaths yet to follow. Of special interest is all the beautiful detail lavished on the wounding of Menelaos: it is as if his bleeding wound here could be pictured as the original trauma of the Trojan War.

draft js image errorImage: The healer Makhaon attends to the wounded Menelaos. Engraving by Francesco Nenci for an edition of the Iliad published in 1838.

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The expression of admiration here is amplified by way of a wish. And the admiration is the premise for the wish. For more on this kind of correlation of wishes and premises, see the comment on I.18.464–466. I now offer a working translation of I.04.313–314: ‘Aged sir, if only it could be that, just as surely as the spirit [thūmos] within your chest is steadfast, | so also your knees would keep up with the pace, and that your force [biē] would be steadfast [empedos] as well’ (ὦ γέρον, εἴθ’, ὡς θυμὸς ἐvὶ στήθεσσι φίλοισιν, | ὥς τοι γούνατ’ ἕποιτο, βίη δέ τοι ἔμπεδος εἴη).

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Menestheus, as the leader of the Athenians who came to fight at Troy, is stationed here next to Odysseus and Agamemnon. On the significance of such proximity, see the comment on I.12.331–337.

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Leonard Muellner

analysis of the names of Neleus’ sons in the Iliad and Hesiod

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Richard Martin

The poet introduces Agamemnon's speech to Menestheus and Odysseus in the troop-rousing scene as "winged words" (4.337). The speech employs the interrogative form—"Why do you stand off cowering and wait for the rest?" (4.337-40)—but its directive force is amplified by the next words: "It is fitting for you two to stand with the front-lines and confront burning battle" (4.341-42), a statement that is just as "directive" in function although it too lacks the linguistic form of an imperative.

Odysseus responds to the speech by labeling it with a formulaic line (4.350): "Atreus' son, what sort of epos has escaped the fence of your teeth?" Yet at 4.357 the poet says "he took back the muthos." Rather than being a flaw in the system, this co-occurrence is the key to Homeric usage of speech terms: epea can be a periphrastic expression for muthos, but not vice versa (Martin 1993:29).

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Book 4 of the poem is a good place to begin observing the poetics of flyting. The key lines for identifying this activity as part of the authoritative speech of muthos are 4.356-57: "Smiling at him Agamemnon addressed him, as he knew of his anger, and took back the muthos." The speech thus referred to on its retraction had been labeled at 4.336 with the verb neikessen. This co-occurrence confirms that each speech Agamemnon makes in the episode is an instantiation of muthos discourse. Twice, further (4.337, 4.369), the introduction to Agamemnon's speeches couples the verb neikō with the formula "he spoke winged words," also a regular introduction to directives—further confirmation that flyting speeches represent a form of muthos (Martin 1993:68-69).

Not only is the diction of the speech introductions standardized; Agamemnon's rhetorical tacks also follow a pattern. He begins his three neikos speeches (as distinct from his "gentle words" to Idomeneus, the Ajaxes, and Nestor at 4.256, 285, and 313) with questions: "Argives, disgraces, are you not ashamed?" (4.242); "Why do you stand off shrinking in fear?" (4.340); "Why do you cower, why do you steal glances at the banks of war?" (4.371). Next, he compares his addressees to scared animals. His general rebuke to the Argives pictures them as fawns halted by fear (4.243-45); to Odysseus and Diomedes he uses the verb kataptōssō (4.340, 4.371), related to the word for "rabbit." The final strategy relies on privileging another place, implying that the addressee occupies a position of no importance: to the Argives, engagement in battle is contrasted with waiting by the ships; Odysseus and Menestheus are told they prefer the dais to battle (4.343-46); Diomedes is provoked by mention of his father Tydeus' exploits at Thebes (Martin 1993:69-70).

It is not coincidental that Agamemnon selects Odysseus and Diomedes as targets: these two heroes pose the greatest threat, next to Achilles, in their verbal abilities. Odysseus deftly parries the accusation of laxness with a rhetorical question, then shifts to speak of the future: "You will see the father of Telemakhos mixing in the front lines" (4.354). Finally, he criticizes Agamemnon's style of speech: "You are talking idly" (anemōlia bazeis, 4.355). Agamemnon's response certifies that Odysseus defeated him verbally: he takes back the neikos speech, denying that he was even attempting to blame Odysseus (4.359), and adopts Odysseus' own poetic formulation to waft away his previous speech: "May the gods make all these things like the winds" (metamōnia—cf. anemōlia earlier, both from the noun anemos, "wind") (Martin 1993:70-71).

If Odysseus resists Agamemnon by clever riposte, Diomedes' strategy is cunning silence. Agamemnon has baited a trap: "Such was Tydeus. But the son he begat is worse in war—better in speaking" (4.399-400). Under these terms, were Diomedes to attempt an Odyssean reply, he would simply affirm the accusation that he is a better talker than fighter. The "silent" answer works because it constitutes an ambiguous sign. The rules of the flyting genre allow of two interpretations: silence can be read as incompetence in the genre of insults, or as a strategic aloofness asserting social superiority over the abuser. Diomedes knows the rules well enough to rebuke his companion Sthenelos, who has tried to counteract Agamemnon's insults (4.404-10): by directing his reply to Sthenelos and getting him to consent to a muthos of command (4.412), Diomedes acknowledges that he knows the ambiguous import of his silence in the duel (Martin 1993:71).

References

Martin, R. P. 1993. The Language of Heroes: Speech and Performance in the Iliad. Ithaca.

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