Homer Iliad 3.340

View: By Book
There near each other in the measured space
They stood in wrathful mood with lifted spears.
425
First Paris hurled his massive spear; it smote
The smooth shield of Atrides, but the brass
Broke not beneath the blow; the weapon's point
Was bent on that strong shield. The next assault
Atrides Menelaus made, but first
430
Offered this prayer to Father Jupiter:-
"O sovereign Jove! vouchsafe that I avenge
On guilty Paris wrongs which he was first
To offer; let him fall beneath my hand,
That men may dread hereafter to requite
435
The friendship of a host with injury."
He spake, and flung his brandished spear; it smote
The smooth shield of Priamides; right through
The shining buckler went the rapid steel,
And, cutting the soft tunic near the flank,
440
Stood fixed in the fair corslet. Paris bent
Sideways before it and escaped his death.
Atrides drew his silver-studded sword,
Lifted it high and smote his enemy's crest.
The weapon, shattered to four fragments, fell.
445
He looked to the broad heaven, and thus exclaimed: -
"O Father Jove! thou art of all the gods
The most unfriendly. I had hoped to avenge
The wrong by Paris done me, but my sword
Is broken in my grasp, and from my hand
450
The spear was vainly flung and gave no wound."
He spake, and, rushing forward, seized the helm
Of Paris by its horse-hair crest, and turned
And dragged him toward the well-armed Greeks. Beneath
His tender throat the embroidered band that held
455
The helmet to the chin was choking him.
And now had Menelaus dragged him thence,
And earned great glory, if the child of Jove,
Venus, had not perceived his plight in time.
She broke the ox-hide band; an empty helm
460
Followed the powerful hand; the hero saw,
Swung it aloft and hurled it toward the Greeks,
And there his comrades seized it. He again
Rushed with his brazen spear to slay his foe.

Iliad. Homer. Boston. 1870.

Current edition Experimental

English (William Cullen Bryant, 1870) (OCR draft) (English) (English (William Cullen Bryant, 1870))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 3.340 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 3.340 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 3.324 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 3.340 focus
When they had thus armed, each amid his own people, they strode fierce of aspect into the open space, and both Trojans, breakers of horses, and strong-greaved Achaeans were struck with awe as they beheld them. They stood near one another on the measured ground, [345] brandishing their spears, and each furious against the other. Alexandros aimed first, and struck the round shield of the son of Atreus, but the spear did not pierce it, for the shield turned its point. [350] Menelaos next took aim, praying to Father Zeus as he did so. “King Zeus,” he said, “grant me revenge on radiant Alexandros who has wronged me; subdue him under my hand that in ages yet to come a man may shrink from doing ill deeds in the house of his host.”
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 3.340 focus
Now round the lists th' admiring armies stand,
With javelins fix'd, the Greek and Trojan band.
Amidst the dreadful vale the chiefs advance,
425
All pale with rage, and shake the threatening lance.
The Trojan first his shining javelin threw:
Full on Atrides' ringing shield it flew,
Nor pierc'd the brazen orb, but with a bound
Leap'd from the buckler blunted on the ground.
430
Atrides then his massy lance prepares,
In act to throw, but first prefers his prayers:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 3.340 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 3.340 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 3.340 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 3 focus

New Alexandria Commentaries

Gregory Nagy

The Master Narrator of the Homeric Iliad is looking here at Helen for the very first time—or, to say it more accurately, as if for the very first time. Just as Rhapsody 2 needed a new Catalogue of Ships—or, again to say it more accurately—a renewed Catalogue, so also Rhapsody 3 needs a new look at Helen. It seems as if the Trojan War is happening all over again, starting from the very beginning. The old grievances of Menelaos about the abduction of Helen by Paris can now be renewed and even relived, becoming fresh new grievances as the estranged husband and the new lover proceed to engage in mortal combat. But this one-on-one struggle over life and death will soon modulate into a renewal of all-out war between the Achaeans and the Trojans.

draft js image errorMenelaos pulling Paris by the helmet. Detail of Roman sarcophagus of Aurelia Botania Demetria (2nd c. CE); Antalya Archaeological Museum. Photo via Wikimedia Commons.

source
Leonard Muellner

analysis of the development of Greek posis compared with Vedic pati-

source

example of the hand as a regular metonym of the warrior’s destructive force, biē

source