Homer Iliad 3.191

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Then Priam saw Ulysses, and inquired: -
"Dear daughter, tell me also who is that,
Less tall than Agamemnon, yet more broad
In chest and shoulders. On the teeming earth
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His armor lies, but he, from place to place,
Walks round among the ranks of soldiery,
As when the thick-fleeced father of the flocks
Moves through the multitude of his white sheep."
And Jove-descended Helen answered thus:-
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"That is Ulysses, man of many arts,
Son of Laertes, reared in Ithaca,
That rugged isle, and skilled in every form
Of shrewd device and action wisely planned."
Then spake the sage Antenor: "Thou hast said
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The truth, O lady. This Ulysses once
Came on an embassy, concerning thee,
To Troy with Menelaus, great in war;
And I received them as my guests, and they
Were lodged within my palace, and I learned
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The temper and the qualities of both.
When both were standing 'mid the men of Troy,
I marked that Menelaus's broad chest
Made him the more conspicuous, but when both
Were seated, greater was the dignity
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Seen in Ulysses. When they both addressed
The council, Menelaus briefly spake
In pleasing tones, though with few words, -as one
Not given to loose and wandering speech, - although
The younger. When the wise Ulysses rose,
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He stood with eyes cast down, and fixed on earth,
And neither swayed his sceptre to the right
Nor to the left, but held it motionless,
Like one unused to public speech. He seemed
An idiot out of humor. But when forth
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He sent from his full lungs his mighty voice,
And words came like a fall of winter snow,
No mortal then would dare to strive with him
For mastery in speech. We less admired
The aspect of Ulysses than his words."
280

Iliad. Homer. Boston. 1870.

Current edition Experimental

English (William Cullen Bryant, 1870) (OCR draft) (English) (English (William Cullen Bryant, 1870))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 3.191 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 3.191 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 3.161 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 3.191 focus
The old man next looked upon Odysseus; “Tell me,” he said, “who is that other, shorter by a head than Agamemnon, but broader across the chest and shoulders? [195] His armor is laid upon the ground, and he stalks in front of the ranks as it were some great woolly ram ordering his ewes.”
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 3.191 focus
This said, once more he view'd the warrior-train:
'What's he, whose arms lie scatter'd on the plain?
'Broad is his breast, his shoulders larger spread,
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'Though great Atrides overtops his head.
'Nor yet appear his care and conduct small;
'From rank to rank he moves, and orders all.
'The stately ram thus measures o'er the ground,
'And, master of the flocks, surveys them round.'
260
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 3.191 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 3.191 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 3.191 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 3 focus

New Alexandria Commentaries

Douglas Frame

brief analysis of the Dioscuri, who as a combination of immortal and mortal elements, experience an alternation between life and death

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analysis of Castor and Polydeuces as represented in the Iliad (as dead heroes)

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Gregory Nagy

The Master Narrator of the Homeric Iliad is looking here at Helen for the very first time—or, to say it more accurately, as if for the very first time. Just as Rhapsody 2 needed a new Catalogue of Ships—or, again to say it more accurately—a renewed Catalogue, so also Rhapsody 3 needs a new look at Helen. It seems as if the Trojan War is happening all over again, starting from the very beginning. The old grievances of Menelaos about the abduction of Helen by Paris can now be renewed and even relived, becoming fresh new grievances as the estranged husband and the new lover proceed to engage in mortal combat. But this one-on-one struggle over life and death will soon modulate into a renewal of all-out war between the Achaeans and the Trojans.

draft js image errorMenelaos pulling Paris by the helmet. Detail of Roman sarcophagus of Aurelia Botania Demetria (2nd c. CE); Antalya Archaeological Museum. Photo via Wikimedia Commons.

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The noun aiskhos ‘disgrace, shame’ is used here as a synonym of the noun oneidos ‘words of insult’.

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Leonard Muellner

analysis of eukhesthai in its concrete sense ‘say a prayer’ with the adverb megala, in the context of postulating ‘say (in a functionally marked context)’ as antecedent of ‘pray’ (eukhesthai in sacral contexts)

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analysis of the only two prayers addressed to more than one god (this and I.03.298ff.), in the context of analyzing the transformation of formula (A) – sacral – to (B) – secular – specifically with reference to pluralization of responders [MRBTP: 'ff']

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