Homer Iliad 20.86

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Iliad. Homer. Boston. 1870.

Current edition Experimental

English (William Cullen Bryant, 1870) (OCR draft) (English) (English (William Cullen Bryant, 1870))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 20.86 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 20.86 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 20.86 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 20.86 focus
And Aeneas answered, “Why do you thus bid me fight the proud son of Peleus, when I am in no mind to do so? [90] Were I to face him now, it would not be for the first time. His spear has already put me to flight from Ida, when he attacked our cattle and ransacked Lyrnessos and Pedasos; Zeus indeed saved me in that he granted me strength to flee, else I had fallen by the hands of Achilles and Athena, [95] who went before him to protect him and urged him to fall upon the Leleges and Trojans. No man may fight Achilles, for one of the gods is always with him as his guardian, and even were it not so, his weapon flies ever straight, and fails not [100] to pierce the flesh of him who is against him; if the gods would let me fight him to the finish [ telos] on even terms, he should not soon overcome me, though he boasts that he is made of bronze.”
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 20.86 focus
Then thus the hero of Anchises' strain:
‘To meet Pelides you persuade in vain;
‘Already have I met, nor void of fear
‘Observ'd the fury of his flying spear;
120
‘From Ida's woods he chas'd us to the field,
‘Our force he scatter'd, and our herds he kill'd;
‘Lyrnessus, 1 Pedasus in ashes lay;
‘But (Jove assisting) I surviv'd the day.
‘Else had I sunk oppress'd in fatal fight,
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‘By fierce Achilles and Minerva's might.
‘Where'er he mov'd, the goddess shone before,
‘And bathed his brazen lance in hostile gore.
‘What mortal man Achilles can sustain?
‘Th' immortals guard him through the dreadful plain,
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‘And suffer not his dart to fall in vain.
‘Were God my aid, this arm should check his power,
‘Though strong in battle as a brazen tower.’
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 20.86 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 20.86 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 20.86 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 20 focus

New Alexandria Commentaries

Douglas Frame

comment on the goal of the second to last segment of the poem, books 17-20, Achilles’ return to battle, and their relationship with the final segment

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Gregory Nagy

By now Achilles has a new set of armor, and he is ready to fight the Trojans. But his first major opponent seems to be a distraction. At least, our initial impression may lead us to think that there is a distraction going on here. The first major opponent of Achilles in Iliad 20 is Aeneas, hero of epic traditions that eventually became absorbed into the Aeneid of Virgil. Is this hero, we may ask, a truly worthy opponent of Achilles? Are the epic traditions that figure this son of Aphrodite / Venus truly worthy of the epic that is the Homeric Iliad? Once we examine more closely the oldest Greek epic traditions of Aeneas, it will become clear that this hero is indeed a most important opponent of Achilles, in that he represents ancient Greek epic traditions that are different from and antithetical to the epic tradition that prevailed in the Homeric Iliad as we know it. Not only does Aeneas challenge Achilles: even the epic traditions that figure Aeneas will challenge the epic traditions that figure Achilles. To say it another way, Aeneas represents a proto-Aeneid that challenges the proto-Iliad of Achilles. What makes Aeneas and his Aeneid—or, better, Aeneids—such a formidable challenge to Achilles is the enormous political prestige of the epic tradition that backs up Aeneas. By virtue of being the son of Aphrodite/Venus, Aeneas possesses a genealogical and dynastic charisma that threatens to overshadow the purely epic charisma of his Iliadic opponent Achilles.

draft js image error“Venus preventing her son Aeneas from killing Helen of Troy,” Luca Ferrari, circa 1650. Luca Ferrari [Public domain], via Wikimedia Commons.

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