Homer Iliad 19.349

View: By Book

Iliad. Homer. Boston. 1870.

Current edition Experimental

English (William Cullen Bryant, 1870) (OCR draft) (English) (English (William Cullen Bryant, 1870))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 19.349 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 19.349 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 19.349 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 19.349 focus
With these words he urged Athena, who was already of the same mind. [350] She darted down from the heavens into the air like some falcon sailing on his broad wings and screaming. Meanwhile the Achaeans were arming throughout the army, and when Athena had dropped nectar and ambrosia into Achilles so that no cruel hunger should cause his limbs to fail him, [355] she went back to the house of her mighty father. Thick as the chill snow-flakes shed from the hand of Zeus and borne on the keen blasts of the north wind, even so thick did the gleaming helmets, [360] the bossed shields, the strongly plated breastplates, and the ashen spears stream from the ships. The sheen pierced the sky, the whole land was radiant with their flashing armor, and the sound of the tramp of their treading rose from under their feet. In the midst of them all radiant Achilles put on his armor; [365] he gnashed his teeth, his eyes gleamed like fire, for his grief [ akhos] was greater than he could bear. Thus, then, full of fury against the Trojans, did he don the gift of the god, the armor that Hephaistos had made him. 368 He [= Achilles] put it [= his armor] on, the gifts of the god, which Hephaistos had made for him with much labor.
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 19.349 focus
He spoke, and sudden at the word of Jove
370
Shot the descending goddess from above.
So swift through ether the shrill Harpy springs, 1
The wide air floating to her ample wings.
To great Achilles she her flight address'd,
And pour'd divine ambrosia in his breast,
375
With nectar sweet, (refection of the gods!)
Then, swift ascending, sought the bright abodes.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 19.387 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 19.349 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 19.349 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 19 focus

New Alexandria Commentaries

Gregory Nagy

The time has come for Achilles to re-enter the war against the Trojans. For this to happen, Agamemnon must first settle with Achilles. But the over-king feels the need to say more than simply to formulate his proposed terms of settlement. His aim is to excuse himself from responsibility for dishonoring Achilles, and the story that he tells in order to achieve this aim is a retelling of a cosmic atē ‘aberration’ that resulted in the Labors of Hēraklēs. Such a retelling, however, is destined to backfire: it will result in further damage to Agamemnon’s own royal status and in further advancement for the heroic prestige of Achilles, for whom Hēraklēs now becomes a perfect model.

draft js image errorHerakles at the tree of the Hesperides, holding three of the golden apples in his left hand. Behind him is the apple tree with the guardian serpent clinging around it. Bronze, 104.5cm (Roman, 1st century C.E.). Image via The British Museum.

source