Homer Iliad 17.82

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Iliad. Homer. Boston. 1870.

Current edition Experimental

English (William Cullen Bryant, 1870) (OCR draft) (English) (English (William Cullen Bryant, 1870))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 17.82 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 17.82 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 17.140 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 17.82 focus
The god then went back into the toil [ ponos] and turmoil, but the spirit of Hector was darkened with a cloud of grief [ akhos]; he looked along the ranks [85] and saw Euphorbos lying on the ground with the blood still flowing from his wound, and Menelaos stripping him of his armor. Then he made his way to the front 88 looking like the flame of Hesphaistos, 89 unquenchable, clad in his gleaming armor, and crying with a loud voice. When the son of Atreus heard him, [90] angered, he said tο his great-hearted thūmos, “Alas! what shall I do? I may not let the Trojans take the armor of Patroklos who has fallen fighting on my behalf, lest some Danaan who sees me should cry shame upon me. Still if for the sake of my honor [ tīmē] I fight Hector and the Trojans single-handed, [95] they will prove too many for me, for Hector is bringing them up in force. Why, however, should I thus hesitate? 98 When a man is willing, face-to-face with a daimōn, to fight another man 99 whom the god honors, then it becomes a sure thing that a big pain [ pēma] will roll down [ kulindesthai] upon him. [100] Let no Danaan think ill of me if I give place to Hector, for the hand of the gods gives him honor [ tīmē]. Yet, if I could find Ajax, the two of us would fight Hector and any superhuman force [ daimōn] too, if we might only save the body of Patroklos for Achilles son of Peleus. [105] This, of many evils, would be the least.”
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 17.82 focus
Thus having spoke, Apollo wing'd his flight,
And mix'd with mortals in the toils of fight:
His words infix'd unutterable care
Deep in great Hector's soul: through all the war
90
He darts his anxious eye: and instant view'd
The breathless hero in his blood imbrued,
(Forth welling from the wound, as prone he lay,)
And in the victor's hand the shining prey.
Sheath'd in bright arms, through cleaving ranks he flies,
95
And sends his voice in thunder to the skies:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 17.82 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 17.82 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 17.82 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 17 focus

New Alexandria Commentaries

Gregory Nagy

The main preoccupation of the Achaeans here in Iliad 17 is to recover the corpse of Patroklos. Their efforts are understandable, in that they are showing their sense of solidarity by trying to rescue from harm the body of a fellow warrior who has fallen in battle. But the motivation here goes deeper. Patroklos is a cult hero in the making, and the corpses of heroes are essential for establishing hero cults in their honor. And the foreseen status of Patroklos as cult hero prefigures a comparable status for Achilles himself beyond the Iliad.

draft js image errorCopperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman.Photographed/scanned by H.-P.Haack (Antiquariat Dr. Haack Leipzig) [CC BY 3.0 (http://creativecommons.org/licenses/by/3.0) or Public domain], via Wikimedia Commons.

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The death of Patroklos is viewed here retrospectively as a great pēma ‘pain’, I.17.099, that is sure to kulindesthai ‘roll’ down from the heights like some boulder and destroy anyone daring to attack a warrior who is being protected by a god. On the metaphor of such a pēma ‘pain’ as a boulder that ‘rolls’ down from the heights, see the comment on I.11.347. In the present context, I.17.098–101, the pēma ‘pain’ has descended upon Patroklos, who has dared to attack Hector while that warrior was being protected by Apollo. This pēma ‘pain’ for Patroklos prefigures what will happen to Achilles himself beyond the Iliad when he dares to attack Paris while that warrior is in turn being protected by Apollo.

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Leonard Muellner

comment on eukhomenos and epos being traditionally and syntactically bound together, despite the separate existence of epos ēuda# as in this verse

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