Homer Iliad 16.508

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Iliad. Homer. Boston. 1870.

Current edition Experimental

English (William Cullen Bryant, 1870) (OCR draft) (English) (English (William Cullen Bryant, 1870))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 16.508 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 16.508 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 16.548 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 16.508 focus
Glaukos was overcome with grief [ akhos] when he heard what Sarpedon said, for he could not help him. [510] He had to support his arm with his other hand, being in great pain through the wound which Teucer’s arrow had given him when Teucer was defending the wall as he, Glaukos, was assailing it. Therefore he prayed to far-darting Apollo saying, “Hear me O king from your seat, may be in the fertile district [ dēmos] of Lycia, [515] or may be in Troy, for in all places you can hear the prayer of one who is in distress, as I now am. I have a grievous wound; my hand is aching with pain, there is no staunching the blood, and my whole arm drags by reason of my hurt, [520] so that I cannot grasp my sword nor go among my foes and fight them, though our prince, Zeus’ son Sarpedon, is slain. Zeus defended not his son, do you, therefore, O king, heal me of my wound, ease my pain and grant me strength both to cheer on [525] the Lycians and to fight along with them round the body of him who has fallen.”
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 16.508 focus
All-impotent of aid, transfix'd with grief,
Unhappy Glaucus heard the dying chief.
His painful arm, yet useless with the smart
Inflicted late by Teucer's deadly dart,
630
Supported on his better hand he stay'd;
To Phoebus then ('twas all he could) he pray'd:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 16.508 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 16.508 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 16.508 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 16 focus

New Alexandria Commentaries

Douglas Frame

analysis of the parallelism between Nestor and Patroclus (as in Nestor’s second story), with regards to Patroclus’ failure to turn back from battle as Achilles commands

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Gregory Nagy

It seems at first as if everything is coming together here in Iliad 16. Achilles, best of the Achaeans, sends out his other self, Patroklos, to fight Hector and his Trojans, who are now on the verge of setting on fire and destroying all the beached ships of the Achaeans. Patroklos does in fact succeed in stopping the fire, which had been endangering not only the survival of the Achaeans but even the very existence of their notional descendants, imagined as the Greeks who are listening to the story of the Iliad in their own time. The conflagration that could have burned down the beached ships of the Achaeans is now literally ‘quenched’ by Patroklos, whose heroic action in putting out the fire of the Trojans is compared in a simile to a cosmic action taken by Zeus himself when this weather-god drenches and thus destroys in a violent rainstorm the farmlands of unjust men. Clearly, Zeus is now once again on the Achaean side of the Trojan War. But the success of Patroklos is not to last: soon after he kills Sarpedon, son of Zeus himself, in the course of a spectacular chariot fight, Patroklos now gets killed in the course of a second spectacular chariot fight. This time, Patroklos has gone too far, daring to attack not only Hector but also the divine protector of that hero, Apollo himself. Now everything is about to come apart again, and Achilles has yet to find out about the tragedy that awaits him.

draft js image errorA chariot driver and a chariot fighter in a biga (two-horses chariot). Terracotta, Late Helladic IIIA–IIIB (ca. 1400–1200 BCE). Louvre Museum, CA 2959. Credit line: Purchase, 1934.  Image Marie-Lan Nguyen (User:Jastrow), 2009-06-28 [CC BY 2.5 (http://creativecommons.org/licenses/by/2.5)], via Wikimedia Commons.

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Before the duel of Patroklos and Hector as chariot fighters begins, the momentum is with Patroklos, and he is marked as the therapōn of Achilles in this context. His role as a ritual substitute is only implicit here.

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We see here further indications of Sarpedon’s impending immortalization: Apollo anoints the hero’s body with ambrosiē ‘immortalizing substance’ and clothes him in vestments that are ambrota ‘immortalizing’.

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See the comment on I.16.454–455.

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See the comment on I.16.455.

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See the comment on I.16.456–457.

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See the comment on I.16.670.

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See the comment on I.16.454–455.

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See the comment on I.16.455.

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At I.16.685, Patroklos experiences a personal atē ‘aberration’, as expressed by way of the verb aâsthai ‘veer off-course’.

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Leonard Muellner

analysis of mēnis in Patroklos’ aristeia

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