Homer Iliad 13.526

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Deiphobus had torn away
The slain man's shining helm, when suddenly
Meriones sprang forward, spear in hand,
And smote him on the arm; the wounded limb
Let fall the helm, resounding as it fell,
665
And with a vulture's leap Meriones
Rushed toward him, plucking out from the torn flesh
The spear, and falling back among the crowd.
Polites, brother of the wounded, threw
Both arms around his waist, and bore him off
670
From the loud din of conflict, till he reached
His swift-paced steeds, that waited in the rear
Of battle, with their chariot nobly wrought
And charioteer. These took him back to Troy,
Heavily groaning and in pain, the blood
675
Yet gushing from the newly wounded limb.
Still fought the other warriors, and the noise
Of a perpetual tumult filled the air.
Æneas, rushing upon Aphareus,
Caletor's son, who turned to face him, thrust
680
A sharp spear through his throat. With drooping head,
And carrying shield and helmet to the ground,
He fell, and rendered up his soul in death.
Antilochus, as Thoön turned away,
Attacked and smote him, cutting off the vein
685
That passes through the body to the neck.
This he divided sheer; the warrior fell
Backward, and lay in dust, with hands outstretched
To his beloved friends. Antilochus
Flew to the slain, and from his shoulders stripped
690
The armor, casting cautious glances round;
While toward him pressed the Trojans on all sides,
Striking the fair broad buckler with their darts,
Yet could not even score with pointed brass
The tender skin of Nestor's son; for still
695
Neptune, the shaker of the sea-coast, kept
Watch o'er him while the weapons round him showered.
Yet he withdrew not from his foes, but moved
Among the crowd, nor idle was his spear,
But wielded right and left, and still he watched
700
With resolute mind the time to strike the foe
At distance, or assault him near at hand.

Iliad. Homer. Boston. 1870.

Current edition Experimental

English (William Cullen Bryant, 1870) (OCR draft) (English) (English (William Cullen Bryant, 1870))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 13.526 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 13.526 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 13.487 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 13.526 focus
Meanwhile men fought furiously about the body. Deiphobos tore the helmet from off his head, but Meriones sprang upon him, and struck him on the arm with a spear so that the visored [530] helmet fell from his hand and came ringing down upon the ground. Then Meriones sprang upon him like a vulture, drew the spear from his shoulder, and fell back under cover of his men. Then Polites, own brother of Deiphobos passed his arms around his waist, [535] and bore him away from the battle till he got to his horses that were standing in the rear of the fight with the chariot and their driver. These took him towards the city groaning and in great pain, with the blood flowing from his arm.
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 13.526 focus
Now, where in dust the breathless hero lay,
For slain Ascalaphus commenc'd the fray.
665
Deïphobus to seize his helmet flies,
And from his temples rends the glittering prize:
Valiant as Mars, Meriones drew near,
And on his loaded arm discharg'd his spear.
He drops the weight, disabled with the pain;
670
The hollow helmet rings against the plain.
Swift as a vulture leaping on his prey,
From his torn arm the Grecian rent away
The reeking javelin, and rejoin'd his friends.
His wounded brother good Polites tends;
675
Around his waist his pious arms he threw,
And from the rage of combat gently drew:
Him his swift coursers, on his splendid car,
Rapt from the lessening thunder of the war;
To Troy they drove him, groaning, from the shore,
680
And sprinkling, as he pass'd, the sands with gore.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 13.526 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 13.526 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 13.526 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 13 focus

New Alexandria Commentaries

Douglas Frame

comparison of Ionians to Phaeacians (in terms of their fame for their dress)

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analysis of the name “Ionian” and its wide use arising from the Panionic league, here, its only occurrence in Homer where it means Athenian

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analysis of the name “Ionian” and its wide use arising from the Panionic league, here, its only occurrence in Homer where it means Athenian – what the Neleids would have wanted it to mean in terms of their own origin

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Gregory Nagy

The momentum of the Trojan onslaught led by Hector intensifies here, and the prospects of the Achaeans look grim, almost hopeless. Hector is so successful that he feels tempted, toward the end of Rhapsody 13, to equate himself with immortal gods. Meanwhile, the intensity of the narrative keeps pace, and the poetic virtuosity approaches the sublime.

draft js image errorHector and Polydamas. After a drawing by John Flaxman. Image via Wikimedia Commons.

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At I.15.704–746 we will see more details about the beached ship of Protesilaos. Here at I.13.681, the details are few: the reference to this hero’s ship is followed by a passing reference to the ships of Ajax, likewise beached along the shore, and this extended perspective now leads to a wider view of all these ships, the sterns of which are somehow contiguous with the Wall of the Achaeans, I.13.682–684.

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Here is the only direct reference to Ionians in Homeric Iliad and Odyssey. The juxtaposition of Ionians with Boeotians is significant.

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The comparison of Hector here to a phlox ‘burst of flame’ is relevant to the overall theme of Hector’s fire. See the anchor comment at I.12.198 on: Battle for the Ships, fire of Hector, breaking through the Wall of the Achaeans.

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It is significant that the Ionians, mentioned only at I.13.685, are drawn into proximity with the Athenians.

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It is also significant that the Ionians and Athenians are together drawn into proximity with the Boeotians.

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Leonard Muellner

analysis of instances of eukhesthai + aorist infinitive

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