Homer Iliad 13.328

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So spake the chief. Meriones, the peer
Of Mars in swiftness, hastened till he joined
The army where his comrade bade. The foe
Beheld Idomeneus, who like a flame
405
Swept on with his companion all in arms
Gloriously wrought; they raised from rank to rank
The battle-cry, and met him as he came,
And hand to hand, before the galleys' sterns
Was waged the combat. As when storms arise,
410
Blown up by piping winds, when dust lies loose
Along the roads, a spreading cloud of dust
Fills the wide air, so came the battle on
Between the bands that struggled eagerly
To slay each other. All along the line
415
The murderous conflict bristled with long spears
That tore the flesh; the brazen splendor, shot
From gleaming helmets and from burnished mail
And shining bucklers, all in narrow space,
Dazzled the eyes. Brave-hearted would he be,
420
The man who, gazing on it, could have seen
The furious strife rejoicing or unmoved.
Meantime the potent sons of Saturn each
Favored a different side, and planned new toils
For all the warriors. Jupiter had willed
425
That Hector and the Trojans should prevail,
Yet had he not decreed the Achaian host
To perish before Troy; he only sought
To honor Thetis and her large-souled son.
But Neptune, mingling with the Greeks, aroused
430
Their martial spirit. From the hoary deep
He came unmarked, for deeply was he grieved
To see the Greeks give way before the host
Of Troy, and he was wroth with Jupiter.
Both gods were of one race, and owed their birth
435
To the same parents; but the elder-born
Was Jupiter, and wiser. For that cause
Not openly did Neptune aid the Greeks,
But, as by stealth, disguised in human form,
Moved through their army and encouraged them
440
To combat. Thus it was the potent twain
Each drew, with equal hand, the net of strife
And fearful havoc, which no power could break
Or loosen, stretched o'er both the warring hosts,
And laying many a warrior low in death.
445

Iliad. Homer. Boston. 1870.

Current edition Experimental

English (William Cullen Bryant, 1870) (OCR draft) (English) (English (William Cullen Bryant, 1870))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 13.328 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 13.328 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 13.361 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 13.328 focus
Meriones, peer of fleet Arēs, then led the way till they came to the part of the army of warriors which Idomeneus had named.
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 13.328 focus
He said; and Merion to th' appointed place,
Fierce as the god of battles, urg'd his pace.
Soon as the foe the shining chiefs beheld
420
Rush like a fiery torrent round the field,
Their force embodied in a tide they pour;
The rising combat sounds along the shore:
As warring winds, in Sirius' sultry reign,
From different quarters sweep the sandy plain;
425
On every side the dusty whirlwinds rise,
And the dry fields are lifted to the skies:
Thus, by despair, hope, rage, together driven,
Met the black hosts, and, meeting, darken'd heaven.
All dreadful glar'd the iron face of war,
430
Bristled with upright spears, that flash'd afar;
Dire was the gleam of breast-plates, helms, and shields,
And polish'd arms emblaz'd the flaming fields:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 13.328 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 13.328 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 13.328 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 13 focus

New Alexandria Commentaries

Gregory Nagy

The momentum of the Trojan onslaught led by Hector intensifies here, and the prospects of the Achaeans look grim, almost hopeless. Hector is so successful that he feels tempted, toward the end of Rhapsody 13, to equate himself with immortal gods. Meanwhile, the intensity of the narrative keeps pace, and the poetic virtuosity approaches the sublime.

draft js image errorHector and Polydamas. After a drawing by John Flaxman. Image via Wikimedia Commons.

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Variants like stenakhonta and stenakhonte at I.13.423 can be seen as formulaic—in terms of the overall system of Homeric diction.

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In this context, the use of a noun for ‘eyes’ as the direct object of the verb thelgein ‘put a trance on, enchant’ shows the visual connotations that are built into this verb. See the comment on I.02.308, with reference to the omen about the serpent and the nine birds: here the etymology of drakōn ‘serpent’ as ‘the one who looks [derkesthai]’ is relevant.

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At the very moment when the hero dies here, the war-god Ares literally takes away the hero’s life or menos ‘mental power’. To be compared is I.05.296, where the hero’s menos ‘mental power’ is released from his body at the moment of death. But now we see that the agent for taking away the menos of the hero is Ares. Thus the ultimate killer of the generic hero as warrior is Ares himself, no matter who the immediate killer may be—as in this case, where the killing is performed by the hero Idomeneus with the direct help of the god Poseidon. The role of Ares in taking away the life of the generic hero at the moment of heroic death is relevant to the epithet of heroes as generic warriors: therapontes or ‘ritual substitutes’ of Ares. See the comment on I.02.110.

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Leonard Muellner

in a list of examples of formulas for introducing a speech by an eukhomenos warrior, which Paris’ name-epithet formulas do not fit (in the context of analyzing I.11.379)

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analysis of the meaning of eukhesthai (formulas) in statements that the speaker has killed the warrior he stands over

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in a list of secular eukhesthai indicating direct speech (concluding speech)

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analysis of the metaphor of binding for “killing” of an immortal etc., and here, thunderbolt binding a warrior

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in a list of examples of formulas for introducing a speech by an eukhomenos warrior, which Paris’ name-epithet formulas do not fit (in the context of analyzing I.11.379)

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