Homer Iliad 1.428

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Iliad. Homer. Boston. 1870.

Current edition Experimental

English (William Cullen Bryant, 1870) (OCR draft) (English) (English (William Cullen Bryant, 1870))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 1.428 focus
Translations (9)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 1.428 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 1.440 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 1.428 focus
Then she left him, still furious at the loss of the slim-waisted girl [430] that had been taken by force [ biē] from him. Meanwhile Odysseus reached Khrysē with the hecatomb. When they had come inside the harbor they furled the sails and laid them in the ship’s hold; they slackened the forestays, lowered the mast into its place, [435] and rowed the ship to the place where they would have her lie; there they cast out their mooring-stones and made fast the hawsers. They then got out upon the sea shore and landed the hecatomb for Apollo the Archer; Khrysēis also left the ship, [440] and Odysseus led her to the altar to deliver her into the hands of her father. “Khrysēs,” said he, “King Agamemnon has sent me to bring you back your child, and to offer sacrifice to Apollo on behalf of the Danaans, that we may propitiate the god, [445] who has now brought sorrow upon the Argives.”
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 1.428 focus
The goddess spoke: the rolling waves unclose;
Then down the deep she plunged, from whence she rose,
And left him sorrowing on the lonely coast
In wild resentment for the fair he lost.
565
In Chrysa's port now sage Ulysses rode;
Beneath the deck the destin'd victims stow'd:
The sails they furl'd, they lash'd the mast aside,
And dropp'd their anchors, and the pinnace tied.
Next on the shore their hecatomb they land,
570
Chryseïs last descending on the strand.
Her, thus returning from the furrow'd main,
Ulysses led to Phoebus' sacred fane;
Where at his solemn altar, as the maid
He gave to Chryses, thus the hero said:
575
'Hail, reverend priest! to Phoebus' awful dome
'A suppliant I from great Atrides come:
'Unransom'd here receive the spotless fair;
'Accept the hecatomb the Greeks prepare;
'And may thy god, who scatters darts around,
580
'Aton'd by sacrifice, desist to wound.'
At this the sire embraced the maid again,
So sadly lost, so lately sought in vain.
Then near the altar of the darting king,
Dispos'd in rank their hecatomb they bring:
585
With water purify their hands, and take
The sacred offering of the salted cake; 1
While thus with arms devoutly raised in air,
And solemn voice, the priest directs his prayer:
'God of the silver bow, thy ear incline,
590
'Whose power encircles Cilla the divine;
'Whose sacred eye thy Tenedos surveys,
'And gilds fair Chrysa with distinguish'd rays!
'If, fir'd to vengeance at thy priest's request,
'Thy direful darts inflict the raging pest;
595
'Once more attend! avert the wasteful woe,
'And smile propitious, and unbend thy bow.'
So Chryses pray'd, Apollo heard his prayer:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 1.428 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 1.428 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 1.428 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 1 focus
English Bridge (Amelia Parrish and Gregory Crane, 2021) (OCR draft) Experimental (English Bridge (Amelia Parrish and Gregory Crane, 2021)) — 1.428 focus

New Alexandria Commentaries

Gregory Nagy

The comments I offered in Classical Inquiries 2016-2017 on Iliad Rhapsody 1 through Rhapsody 24, starting here with Rhapsody 1, were based mostly on details that derive from seven books that I indicate in the Bibliography by way of these abbreviations: BA, GMP, H24H, HC, HPC, HQ, HR, MoM, PasP, PH. Each one of these books has its own index locorum. My colleague Anita Nikkanen, an Associate Editor for the online project A Homer commentary in progress, tracked the sequences of Homeric verses as listed in the indices for six of these books and then summarized my comments on those verses. Following up on her meticulous work, I am in the process of converting her summaries into a form of commentary that is being incorporated into AHCIP. My comments on the Iliad as I presented them in Classical Inquiries 2016-2017 are merely samplings of the content that I hope to contribute to the overall commentary, to which a number of other colleagues are also contributing their own comments. That said, I now proceed to offer a sampling of comments on Rhapsody 1. At this point, my comments about this beginning of beginnings need no further introduction of their own.

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“The Rage of Achilles,” by Giovanni Battista Tiepolo, 1757, [public domain], via Wikimedia Commons.

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The reference here to the Will of Zeus, as recapitulated in the words of the goddess Hērā, repeats a main theme in the plot or narrative arc of the Iliad: the damaging of the tīmē ‘honor’ of Achilles by the Achaeans will lead to the akhos ‘grief’ that they will experience at the Battle for the Ships, when their very survival will be threatened by the fire of Hector. What Achilles had wished for has by now become the Will of Zeus: the Achaeans-as a group- will from now on keep losing until the fire of Hector reaches the ships.

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Leonard Muellner

analysis of Zeus’ and Hera’s exchange and its diction recalling the mēnis theme

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analysis of Zeus’ and Hera’s exchange and its diction recalling the mēnis theme

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analysis of Zeus’ and Hera’s exchange and its diction recalling the mēnis theme

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analysis of Zeus’ and Hera’s exchange and its diction recalling the mēnis theme

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bending and flexibility as a means to avoid mēnis erupting (in the context of analyzing Phoenix’s speech to Achilles in I.09)

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Richard Martin

Hephaistos attempts to patch up the quarrel between Zeus and Hera "by code-switching, as it were": instead of aggravating the confrontation between two powerful performers, in which Hera has just challenged the muthos of her husband (1.565), he advises Hera to use soft language instead (1.582-83) (Martin 1993:21).

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