Alfred Chilton Pearson Ichneutae 300-301

ed. Alfred Chilton Pearson

Ichneutae. Alfred Chilton Pearson. ed. Alfred Chilton Pearson. . 2026-09-15.

Current edition Experimental

Commentary (A. C. Pearson, 1917; OCR review) (OCR draft) (English) (Commentary (A. C. Pearson, 1917; OCR review))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Greek (A. S. Hunt, 1912; Perseus reference) (OCR draft) Experimental (Greek (A. S. Hunt, 1912; Perseus reference)) — 298 focus
Translations (1)
English (Anne Mahoney, adapted from Walker) (OCR draft) Experimental (English (Anne Mahoney, adapted from Walker)) — 298 focus

Commentary

Apparatus (A. C. Pearson, 1917; OCR review) (OCR draft) (Apparatus (A. C. Pearson, 1917; OCR review)) focus

mvp-comment-93-1 τοῦτο πῶς φωνεῖ legisse Theonem testatur pap.2, τοῦθ᾽ ὁ περιφωνεῖ H. Richards

Commentary (A. C. Pearson, 1917; OCR review) (OCR draft) (Commentary (A. C. Pearson, 1917; OCR review)) focus

mvp-comment-137-1 254 See cr. n. Theon's variant is clearly inferior, however we interpret the text. Hunt rendered tell us of this voice which resounds'; but, if that is 1

mvp-comment-137-2 the meaning, he was well advised in the ed. min. to accept 8 περιφωνεῖ, the ingenious correction of H. Richards. The objection to this course is that φράζω is not used by Soph. with an accusative of the direct object in the sense of 'to explain.' It is simpler therefore to regard ὅπερ φωνεῖ as an object-clause: 'tell us what this sound means. Cf. Phil. 559

φράσον δ' ἅπερ γ᾽ ἔλεξας
. O.T. 655
φράζε δὴ τί φής
.

mvp-comment-138-1 255 αὐτῷ διαχαράσσεται is rendered by Hunt 'expresses himself therewith.' But that is hard to justify, and I should prefer to suppose that there is an allusion to the sound of the πλῆκτρον as it scrapes across the strings of the lyre. Cf. Plut. de soll. an. 20 p. 974 Β ὁ δὲ δράκων τῷ μαράθρῳ τὸν ὀφθαλμὸν ἀμβλυώττοντα λεπτύνων καὶ διαχαράττων. We might render: 'who in the world is setting our teeth on edge with it?' Compare the contemptuous use of catgut-scraper and the like in English; for the humour of the situation was enhanced by the satyrs' lack of musical appreciation. Wilamowitz seems to recognize this by the reference to 'Silen, dem sie (Musik) durch Mark und Bein geht' (p. 4511), but refuses to admit that the παρεπιγραφή ( ῥοῖβδος 107) can be used for the sound of the lyre. Rossbach's conjecture αὐτὸ διαχαρίζεται is mistaken.