Sophocles Oedipus at Colonus 32

Robert Potter (Translator)

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Oedipus
That for his aid,
A little aid, he much may gain.

Oedipus at Colonus. Sophocles. Robert Potter (Translator). London. 1820.

Current edition Experimental

English (Robert Potter, 1788) (OCR draft) (English) (English (Robert Potter, 1788))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 32 focus
εὔκαιρόν ἐστιν, ἔννεφʼ, ὡς ἀνὴρ ὅδε.
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 1-116 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 32 focus
ATH
Wherefore? What urgent cause requires his presence?
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 33 focus
Ich höre, Freund, von dieser, die für mich zugleich
Und sich umherschaut, daß du ganz gelegen kommst,
Bericht von dem zu geben, was uns dunkel blieb
35
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 32 focus
Oedipus
I've done ; Antigone, remove me hence.
And hide me in tlie grove till by their words,
Listening. 1 learn their purpose ; such foreknowledge
115
Will best direct us how to act hereafter. [Exeunt.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 1-115 focus

Commentary

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

1-116. mvp-comment-1-1 The scene of the πρόλογος, ll. 1-116, is probably on the north side of Colonus, with Athens in the distance. See Introduction, p. 282. The spot so familiar to the audience (οὐ λόγοις τιμώμεν' ἀλλὰ τῇ συνουσίᾳ, infr. 63-64) would probably be recalled by the representation on the stage of some striking objects, especially those which marked the religio loci. Oedipus enters (right?), led by Antigone, and sits down in the middle of the proscenium, where he remains until Antigone descries the approach of the chorus.

72. mvp-comment-51-1 ὡς ἂν.. κερδάνῃ Oedipus, in expressing his own purpose, returns to the more direct form of expression.