Sophocles Oedipus at Colonus 278

Robert Potter (Translator)

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Oedipus
Him I shall not touch:
O rulers of this land!

Oedipus at Colonus. Sophocles. Robert Potter (Translator). London. 1820.

Current edition Experimental

English (Robert Potter, 1788) (OCR draft) (English) (English (Robert Potter, 1788))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 278 focus
μοίραις ποιεῖσθε μηδαμῶς· ἡγεῖσθε δὲ
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 254-509 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 278 focus
OED
What hath befallen, my daughter?
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 296 focus
Und wo verweilt, o Freunde, dieses Landes Fürst?
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 278 focus
Antigone
To our father still
May every pleasure come !
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 254-507 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-622-1 τοὺς ἐμοὺς 1

mvp-comment-623-1 — 886 The phrase

τοὺς ἐμοὺς ἄγω
indicates the moment at which Creon lays his hand on Antigone. It is followed by 11 verses, 833—843, in which the dochmiacs of the Chorus, blended with iambic trimeters, mark excitement. Antistrophic to these are the 11 verses, 876—886, which in like manner follow the moment at which Creon lays his hand on Oedipus. As a lyric interposition in dialogue, the passage has a kommatic character, though it does not constitute a
κομμός
proper in the same sense as 510—548, 1447—1499, or 1670— 1750.

mvp-comment-624-1 ἀφήσεις 2

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

832. mvp-comment-456-1 τοὺς ἐμοὺς ἄγω For the plural and masc., see Essay on Language § 20. pp. 30, 31. 835-836. The excitement, indicated by the broken lines, culminates in the dochmiac rhythm, to which the diiambus, ἰὼ πόλις, is introductory. 876-885, following the second attempt of Creon, are antistrophic to 833-843, agreeing very closely (except εἴργου – – in 836 = δοκῶ u - 879) even to the division of the words. This lyrical repetition, with the balanced rhythm of the intervening dialogue (containing one short outburst of Creon, 841-855, and one of Oedipus, 864-870), may be compared with O. T. 649-659, 678-688.

832. mvp-comment-456-2 εἴργου • Keep off!' 837. The Scholiast, who, according to the reading of L, rightly explains πόλει by ταῖς Θήβαις, evidently assigned this speech to Creon.