Sophocles Oedipus at Colonus 264

Robert Potter (Translator)

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Creon
These I attest, not thee, and these as friends,
What, should I seize thee, such replies deserve.

Oedipus at Colonus. Sophocles. Robert Potter (Translator). London. 1820.

Current edition Experimental

English (Robert Potter, 1788) (OCR draft) (English) (English (Robert Potter, 1788))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 264 focus
ἐκ τῶνδέ μʼ ἐξάραντες εἶτʼ ἐλαύνετε,
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 254-509 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 264 focus
OED
I will not bind thee, like a knave, with oaths.
650
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 254 focus
So wisse, Kind des Oedipus: dein Mißgeschick,
Wie dieses Mannes herbes Loos, weckt unsern Schmerz.
250
Doch bebend vor der Götter Zorn, vermögen wir
Nicht mehr zu sagen, als du schon gehört von uns.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 264 focus
Creon
'Tis not now
A time to answer ; we shall know at home
What must be done.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 254-507 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-612-1 ἦ μὴν 1

mvp-comment-612-2 κἄνευ τοῦδε 2

mvp-comment-612-3 λυπηθεὶς ἔσει 3

mvp-comment-613-1 ποίῳ σὺν ἔργῳ 4

mvp-comment-613-2 σὺν 5

mvp-comment-613-3 ἀπειλήσας ἔχεις 6

mvp-comment-614-1 τὴν μὲν 7

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

816. mvp-comment-448-1 κἄνευ τῶνδε Without this, i. e. without my taking you. The ambiguity of τῶνδε would probably not be felt by a Greek, and is not a sufficient reason for altering the reading to τοῦδε, 817. Creon's tone implied that something had been done. Seeing that the chorus as well as Oedipus are impracticable, he breaks into open hostility, and avows the capture of Ismene, who had been seized and carried off before she could return from making her offering.