Sophocles Oedipus at Colonus 25

Robert Potter (Translator)

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Stranger
Here
65
Are many habitants, and from this god
65
They take their name.
65

Oedipus at Colonus. Sophocles. Robert Potter (Translator). London. 1820.

Current edition Experimental

English (Robert Potter, 1788) (OCR draft) (English) (English (Robert Potter, 1788))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 25 focus
πᾶς γάρ τις ηὔδα τοῦτό *γʼ ἡμὶν ἐμπόρων.
25
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 1-116 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 25 focus
OED
Then, pray thee, tell me how ye name the place
Where now I sit.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 33 focus
Ich höre, Freund, von dieser, die für mich zugleich
Und sich umherschaut, daß du ganz gelegen kommst,
Bericht von dem zu geben, was uns dunkel blieb
35
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 25 focus
Stranger
What ! to come and meet thee here 1
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 1-115 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-58-1 καὶ κάρτα 1

mvp-comment-58-2 θεοῦ 2

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

1-116. mvp-comment-1-1 The scene of the πρόλογος, ll. 1-116, is probably on the north side of Colonus, with Athens in the distance. See Introduction, p. 282. The spot so familiar to the audience (οὐ λόγοις τιμώμεν' ἀλλὰ τῇ συνουσίᾳ, infr. 63-64) would probably be recalled by the representation on the stage of some striking objects, especially those which marked the religio loci. Oedipus enters (right?), led by Antigone, and sits down in the middle of the proscenium, where he remains until Antigone descries the approach of the chorus.