Sophocles Oedipus at Colonus 196

Thomas Francklin (Translator)

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Theseus
(Edi. Knowest thou not what they threatened?
This I know,
No power on earth shall wrest thee from this place.
Oftimes the angry soul will vent its wrath
In idle threats, with high and empty words,
Which ever, as the mind is to itself
Restored, are — nothing. They may boast their strength,
And say they '11 tear thee from me ; but I tell thee
The journey would be long and tedious to them ;
They will not hazard it — they dare not : therefore
Be comforted, for if by Phcebus sent
Thou hither cam'st, thou'rt safe without my aid,
E'en if I leave thee safe ; for know, the name
Of Theseus here sufficeth to protect thee.
Thou art come in happy time,
Stranger, to this blissful clime,
Long for swiftest steeds renowned,
Fertilest of the regions round ;
Where, beneath the ivy shade.
In the dew-sprinkled glade.
Many a love-lorn nightingale
Warbles sweet her plaintive tale ;
660
Where the vine in clusters pours
660
Her sweets, secured from wintry showers
660
Nor scorching suns, nor raging storm
660
The beauties of the year deform.
660
Where the sweet narcissus growing.
Where the yellow crocus blowing,
Round the sacred altars twine.
Offering to the powers divine ;
Where the pure springs perpetual flow^
Watering the verdant meads below.
Which with its earth-enriching waves
The fair Cephisus ever laves ;
Where, with his ever-sporting train,
Bacchus wantons on the plain,
Pleased with the Muses still to rove,
And golden Venus, queen of love.
Alone within this happy land,
Planted here by Nature's hand.
Which, nor Asia's fertile plains.
Nor Pelops' spacious isle contains,
Pallas, thy sacred olive grows,
Striking terror on our foes ;
Ever free from hostile rage,
From wanton youth or greedy age ;
Happy in sage Minerva's love,
665
And guarded still by Morian Jove.
665
But nobler gifts and fairer fame,
665
Athens, yet adorn thy name ;
665
Such wondrous gifts hath poured on thee,
665
Thy great protecting deity.
Here first obedient to command,
Formed by Neptune's skilful hand,
The steed was taught to know the rein,
And bear the chariot o'er the plain ;
Here first along the rapid tide
The stately vessels learned to ride,
And swifter down the currents flow
Than Nereids cut the waves below. [Exeunt.

Oedipus at Colonus. Sophocles. Thomas Francklin (Translator). London. 1758–1759.

Current edition Experimental

English (Thomas Francklin, 1758–1759) (OCR draft) (English) (English (Thomas Francklin, 1758–1759))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 196 focus
λάου βραχὺς ὀκλάσας.
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 254-509 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 196 focus
OED
O bitterness!
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 192 focus
Hier steh' und nicht von dem Felsumkreis
Ausschreitend bewege den Fuß mehr!
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 196 focus
Oedipus
Oh! thou hast pierced me with another grief.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 254-507 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-494-1 οὐκ οἶσθ’ 1

mvp-comment-494-2 μή 2

mvp-comment-495-1 — 660 Many emendations of 658 f. have been proposed, and Wecklein would reject the three verses altogether. To me they seem not only authentic but textually sound. They picture a tumult of passions in the soul, presently quelled by reason. The angry threats and the sobering reason are alike personified. The genuineness of the nominative πολλαὶ δ’ ἀπειλαὶ is confirmed by the imagery of the second clause, ἀλλ’ ὁ νοῦς ὅταν . For this animated personification of speech or passion, cp. Aesch. Cho. 845

ἢ πρὸς γυναικῶν δειματούμενοι λόγοι
πεδάρσιοι θρώσκουσι, θνῄσκοντες μάτην
: Eur. Hipp. 1416
οὐδὲ γῆς ὑπὸ ζόφῳ
θεᾶς ἄτιμοι Κύπριδος ἐκ προθυμίας
ὀργαὶ κατασκήψουσιν ἐς τὸ σὸν δέμας
. The cognate verb κατηπείλησαν (gnomic aorist), instead of the simple
ἔλεξαν
, gives an emphasis like that which the cogn. accus. would give in
πολλοὶ ἀπειλὰς κατηπείλησαν.

mvp-comment-495-2 θυμῷ 3

mvp-comment-496-1 αὑτοῦ 4

mvp-comment-496-2 φροῦδα 5

mvp-comment-497-1 κείνοις 6

mvp-comment-497-2 καὶ εἰ ἐπερρώσθη 7

mvp-comment-497-3 λέγειν 8

mvp-comment-497-4 We cannot read

κεῖνος
, since the pl. is needed. The best solution would be
κείνοις δέ, κεἴ τις
, from which
ἴσως κεἰ
might have come through a transposition. But the sarcastic

mvp-comment-497-5 ἴσως 9

mvp-comment-497-6 κεἰ 10

mvp-comment-498-1 τὸ δεῦρο 11

mvp-comment-499-1 θαρσεῖν μὲν οὖν 12

mvp-comment-499-2 κἄνευ τῆς ἐμῆς γνώμης 13

mvp-comment-499-3 ἐπαινῶ 14

mvp-comment-499-4 Φοῖβος 15

mvp-comment-500-1 ὅμως 16

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

660. mvp-comment-360-1 αὑτοῦ In its own possession. For the genitive as predicate, see Essay on Language § 9. p. 12. A similar emphatic use of αὑτοῦ occurs in Tr. 144, τοιοῖσδε. - χώροισιν αὑτοῦ. 661 ff. And with regard to the Thebans, though they have had the audacity to boast great things about carrying you away, they will find, I am well assured, that the way hither would be over a long and dangerous sea.' δείν] δεῖν' L.

660. mvp-comment-360-2 αὑτοῦ αὐτοῦ LA.

660. mvp-comment-360-3 κείνοις is in a twofold construction with ἐπερρώσθη and φανήσεται. ἐπερρώσθη is impersonal, (sc. τὸ λῆμα, ἡ ῥωμή), so that κείνοις ἐπερρώσθη λέγειν is equal το ἐπερρώσθησαν ὥστε λέγειν.

662. mvp-comment-361-1 τῆς σῆς ἀγωγῆς is a genitive of respect.

664. mvp-comment-362-1 ἄνευ, having the force of a preposition, adheres closely to the word which follows it, and the spondee in the 5th foot is thus justified. See on 115 supr. ἐν γὰρ τῷ μαθεῖν.

666-667. mvp-comment-363-1 I am sure that, even in my absence (ὅμως.. ἐμοῦ μὴ παρόντος), my name will guard thee from ill.' There is a pause in the action of the play. Oedipus has now received from Theseus himself the final assurance of rest and protection. The scruples of the chorus have been pacified by the words of the king as well as by Ismene's performance of the sacred rites, and the anxiety of Oedipus has been calmed. Creon is on his way from Thebes, but his approach, though apprehended by Oedipus, is not yet present to the mind of the chorus. It is in this moment of tranquil security that the chorus give their welcome to the stranger, and sing the praises of Colonus and Athens.