1-116.
mvp-comment-1-1
The scene of the πρόλογος, ll. 1-116, is probably on the north side of Colonus, with Athens in the distance. See Introduction, p. 282. The spot so familiar to the audience (οὐ λόγοις τιμώμεν' ἀλλὰ τῇ συνουσίᾳ, infr. 63-64) would probably be recalled by the representation on the stage of some striking objects, especially those which marked the
religio loci. Oedipus enters (right?), led by Antigone, and sits down in the middle of the proscenium, where he remains until Antigone descries the approach of the chorus.
42.
mvp-comment-31-1
ὁ γ᾽ ἐνθάδ' * ἄν The MSS, Suidas, and Eustathius agree in reading ὤν, which has been altered to avoid the omission of ἄν. For this see Essay on Language § 27. p. 45, and cp. Ar. Av. 180, πόλος; τίνα τρόπον; ΠΕ. ὥσπερ εἴποι τὶς τόπος, as well as Aesch. Ag. 339, τοιαῦτά τοι γυναικὸς ἐξ ἐμοῦ κλύοις: Ibid. 1163: Supp. 727. But ὤν has no meaning here and ἄν is better.
43.
mvp-comment-32-1
ἄλλα δ᾽ ἀλλαχοῦ καλά These words are best taken generally. The different names of the Furies illustrate the truth that
Different customs are honoured in different places. Cp. Pind. Fr. 200, Ἄλλο δ᾽ ἄλλοισιν νόμισμα. The Stranger, while insisting on the sanctity of the spot, is aware that customs vary. His gentleness and moderation contrast with the fanaticism of the chorus. The name Ἐρινύες is avoided.